Introduction<br > There is a lot of sifting and stirring going on in kitchens today and not all of it goes<br > into the muffins. Priority-shifting has prompted many women to shut the door to<br > the laundry or pantry and open the door to a studio. A diminishing concern about<br > the brightness of their washes allows more time for their creative work. One result<br > of this stirring and sifting is a blending of roles, a mixing of ingredients which may<br > not always be compatible.<br > The combination of roles in which a woman performs as artist/mother/home.<br > maker[wife requires a tremendous amount of "getting it all together." How does<br > she manage? She finds no set formulas. While no one woman knows everytiting<br > about getting it together, every woman knows something about it. Obviously, by<br > pooling our "somethings" we have access to a lot of information and an opport unity<br > to discover some new perspectives on ourselves.<br > Abundantly creative women all over the country are producing work under vary-<br > ,hug conditions and pressures. Some artists flower working full time in studios away<br > from home, but most of them create their work at the kitchen table with children<br > scampering underfoot, dinner simmering on the stove, and a husband observing<br > ( somewhat apprehensively) the creative milieu.<br > What motivates the creative woman? Where does she learn to juggle her various<br > roles? Can she successfully combine a serious, professional career with homemaking<br >and child-rearing?<br > Here are responses from women of all ages, at various stages in their careers, who<br >have achieved differing degrees of success. Most are involved with fiber arts as well<br >as with teaching, designing, photographing, writing, or lecturing. Yet their com-<br >ments seem equally applicable to women in all areas of creative work which are<br >pursued individually. The painter, musician, poet composer, illustrator, or sculptor<br >will fred much that pertains to her. The woman who manages any small business,<br >publication, mail-order or free-lance work will also find parallels. Portions of the<br >book deal with the pressures on any working woman, whether she works in her<br >home or away.<br > Many fiber artists have contributed to this book in writing, through conversa-<br >tions, and in group discussions. Their willingness to share their experiences in an<br >open, perceptive, and honest way has been overwhehning and touching. It is their<br >purpose and minc to help other women find pleasure in meeting to some greater<br >degree their own creative needs, to help them recognize their alternatives, and<br >(perhaps musi of all) to let them know that their problems and frustrations are not<br >isolated and individual, but are shared by all women who combine creative pursuits<br >with some of the more traditional woman s roles.<br >
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最让我感到惊喜的,是这本书对“休息”和“维护”的重视程度,这在许多强调“拼搏”的指南中往往是被边缘化甚至被视为“懒惰”的副产品。这本书却将“系统维护”提升到了与“目标设定”同等重要的地位。它详细探讨了如何将高质量的放松和充电环节,系统性地嵌入到日常的工作流程中,而不是将其视为任务完成后的“奖励”。作者甚至提供了一套详细的“停机检查表”,提醒读者关注自己的能量曲线和心理饱和度。这不仅仅是关于如何更有效率地工作,更是关于如何更健康、更可持续地生活。这种对长期主义和内在健康的关注,让这本书超越了一般的“速成手册”的范畴,使其成为一本真正关怀个体福祉的指南。它教导我的不是如何挤出更多时间,而是如何更好地管理和尊重我有限的生命能量。
评分这本书的封面设计真是让人眼前一亮,那种充满活力的配色和大胆的排版,一下子就抓住了我的注意力。我是在一家独立书店偶然看到它的,那一刻,我就知道我得把它带回家。书脊上的文字虽然简洁,但却透露出一种不容置疑的自信和行动力,仿佛在对每一个翻开它的人低语:“你也可以做到。” 这种设计上的成功之处在于,它没有采用那种老套的、充满成功学口号的封面,而是用了一种更现代、更具艺术感的方式来传达“组织”和“实现目标”的主题。内页的纸张质感也相当不错,拿在手里沉甸甸的,让人感觉这是一本经过精心打磨的、值得信赖的工具书。光是翻阅目录和前言,我就已经能感受到作者试图构建一个既实用又富有启发性的框架,而不是简单地罗列一些空泛的理论。特别是扉页上那句不知名的引文,更是为整本书定下了一种既务实又带着一丝浪漫主义色彩的基调,让人对接下来的阅读充满了期待,好像即将开启一场关于自我重塑的探险之旅。它的外观语言,完美地平衡了专业性与亲和力,让人觉得这本书既像是一位严谨的导师,又像一位贴心的闺蜜,随时准备提供帮助。
评分这本书在方法论的阐述上,展现出一种罕见的、拒绝教条的灵活性。我读过太多强调“唯一正确路径”的指南,它们往往要求你彻底推翻过去所有的习惯,但这太难了,也容易让人望而却步。然而,这本书的魅力恰恰在于它不断强调“适配性”——它似乎在说:“没有一个万能钥匙,只有最适合你目前手柄的扳手。” 比如,它在介绍时间管理技巧时,不是简单地推崇番茄工作法或GTD,而是深入探讨了不同性格的人如何调整这些方法的参数,甚至鼓励读者在实践中创造自己的“混合模式”。这种鼓励“实验精神”的姿态,极大地减轻了读者的心理压力。它让我感觉,我不是在遵循某位大师的剧本,而是在参与一个属于我自己的、不断进化的项目管理过程。这种去中心化的指导理念,是我在其他同类书籍中很少见到的,它真正体现了“赋能”二字的含义。
评分读完前几章后,我必须承认,这本书的叙事节奏处理得非常老道。作者似乎深谙如何在一开始就抓住读者的心,通过一系列非常贴近现实生活的场景描述,迅速将我带入“混乱”的境地,让我感同身受。她没有一上来就抛出复杂的系统或工具,而是先用一种近乎散文诗的笔触,描绘了那种“什么都想做,最后什么都做不好”的普遍焦虑感。这种代入感极强,让我不禁在心里对自己说:“对,我就是这样!” 接着,笔锋一转,开始剖析问题的根源,语言风格突然变得犀利而富有洞察力,像外科医生般精准地切开表象,直达核心的拖延症和完美主义陷阱。有趣的是,她引入的几个“案例人物”形象鲜明,仿佛就是我们身边那些光彩夺目却又暗自挣扎的朋友。这种叙事上的张弛有度,避免了传统指南读起来枯燥乏味的弊病,让阅读过程本身成了一种自我诊断和被理解的体验,而不是单纯的知识灌输。
评分这本书的语言风格变化多端,简直像一出精心编排的独角戏。在某些需要强调效率和执行力的部分,作者的措辞会变得极为简练和指令化,句式短促有力,如同军事口令一般,读起来让人血液加速,恨不得立刻起身行动。然而,当涉及到自我关怀和情绪调节的章节时,语言又会瞬间变得极其温柔和富有诗意,充满了对女性在多重角色压力下的细腻体察。我特别欣赏作者在处理“界限感”这个话题时所使用的比喻,它没有使用生硬的法律或商业术语,而是用“花园的围墙”来比喻个人空间的必要性,既形象又充满美感。这种在“铁腕”和“丝绒手套”之间的自如切换,使得全书的阅读体验充满了层次感和趣味性,避免了单调的风格疲劳,让人在需要动力时获得鞭策,在需要安慰时获得滋养。
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