This book examines Chinese culture under the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural forms as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
隻有我覺得有點奇怪嗎。
评分C1. Worlds in Fragments: Culture and the Market Under Postsocialist Modernity: the culture industry and market reforms; postmodernity or modernity; postsocialist modernity; heternomy and autonomy; postsocialism as a global condition; the role of culture; fragmented worlds, worlds within fragments.
评分偶然看到，這是我老師的書，利益相關，必須給五星
评分@2014-12-15 15:00:57
评分讀研期間反復參考的一本書，對於認識和理解當代中國很有幫助，喜歡後社會主義現代性這個概念
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