This book examines Chinese culture under the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural forms as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change.
评分
评分
评分
评分
“后社会主义现代性”意味着国家的“他律”转向市场的“自律”——或者说,文化作为一个市场sector的“自律”,而后者迅速成为了新的神话(Polanyi)。大多数case study都是在这一构架上分析了文化现象的两面性——挑战/解放和新的权力构造的生成——比如贾樟柯的电影如何生长于社会主义文化体制之外的独立电影实践,却又迅速迎合国际艺术电影节的审美趣味。作者几次提到后社会主义作为global condition,但除了描述大体状况,并没有感觉在这一意义上有精彩论断。
评分C1. Worlds in Fragments: Culture and the Market Under Postsocialist Modernity: the culture industry and market reforms; postmodernity or modernity; postsocialist modernity; heternomy and autonomy; postsocialism as a global condition; the role of culture; fragmented worlds, worlds within fragments.
评分读研期间反复参考的一本书,对于认识和理解当代中国很有帮助,喜欢后社会主义现代性这个概念
评分粗翻,主要看了首尾,感觉不是很好读,貌似也没有新的观点,后社会主义现代性讲得有点空泛,提了个heteronomy到autonomy的转变,嗯有点鸡肋。有分析人文精神论争池莉二嫫贾樟柯冯小刚
评分@2014-12-15 15:00:57
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有