In “I Am Death: Bartleby the Mobster,” muckraking journalist Jack finds himself increasingly over the edge when he agrees to ghostwrite the autobiography of a Chicago mob boss. In “Peasants,” publishing employee Walter Rasmussen discovers he’s the victim of sabotage by his coworkers — or is he? As in his stunning debut, Visigoth, Gary Amdahl here isolates his characters in crisis and flux, drawing out their deepest fears. With its vivid wordplay and blend of black humor and pathos, I Am Death demonstrates that Amdahl is a most adept and honest guide into the modern psyche of the American male.
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