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Mikhail Bulgakov (1891–1940) was one of the most popular Russian writers of the twentieth century, but many of his works were b anned fo r decades after his death due to the extreme political repression his country enforced. Even his great novel, The Master and Margarita, was written in complete secrecy during the 1930s for fear of the writer being arrested and shot. In her revelatory new biography, J. A. E. Curtis provides a fresh account of Bulgakov’s life and work, from his idyllic childhood in Kiev to the turmoil of World War One, the Russian Revolution, and civil war.
Exploring newly available archives that have opened up following the dissolution of the USSR, Curtis draws on new historical documents in order to trace Bulgakov’s life. She offers insights on his absolute determination to establish himself as a writer in Bolshevik Moscow, his three marriages and tumultuous personal life, and his triumphs as a dramatist in the 1920s. She also reveals how he struggled to defend his art and preserve his integrity in Russia under the close scrutiny of Stalin himself, who would personally weigh in each time on whether one of his plays should be permitted or banned. Based upon many years of research and examining previously little-known letters and diaries, this is an absorbing account of the life and work of one of Russia’s most inventive and exuberant novelists and playwrights.
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Review
“Curtis’s concise and fascinating account is truly a critical life. The author draws on her deep knowledge of the writer’s work, well-chosen primary sources, and the latest archival discoveries.”
(Times Literary Supplement)
“This thorough yet concise biography is a splendid introduction to the life, works, and historical context for students and newcomers; Bulgakov scholars and admirers will enjoy its informed, admirably coherent overview of the themes and aspirations that shaped the writer’s ethos and imagination.”
(Bulletin of the British Association for Slavonic and East European Studies)
"Curtis’s critical biography of the playwright and writer Mikhail Bulgakov, published in the Reaktion Critical Lives series, provides an engaging introduction to his life and work and manages to be concise and comprehensive at the same time. The study draws on decades of research, and incorporates post-Soviet biographical and textual scholarship published after the opening of the archives in the 1990s which, for the most part, is available only in Russian. . . . An evocative book that offers a more rounded picture of his life to the reader, elucidating the often difficult circumstances surrounding his creative decisions under the Stalinist regime. . . . This brief and amply illustrated biography is lucidly written, eminently readable, and will no doubt prove to be an excellent teaching tool. A welcome addition to the literature on Bulgakov, it is a stimulating read both for his lifelong admirers and for those who are new to his writing."
(Slavonic and East European Review)
Review
“A controversial dramatis, closet novelist of genius, and theologian’s son trained as a medical doctor, Bulgakov more than any other Stalinist-era writer balanced the realities of the wounded body and the transcendent spirit. In this wonderful brief biography, J. A. E Curtis shows how Bulgakov’s creative gifts were crippled as well as inspired by the caprice and charisma of power.”
(Caryl Emerson, Princeton University)
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我必须承认,初次接触这本书时,我经历了相当程度的迷失,它像是一条盘根错节的藤蔓,枝叶繁茂到让人看不清主干的走向。那种叙事节奏的跳跃性,时而拉伸至漫长而近乎冗余的细节描写,时而又如同快进一般,将关键的冲突一笔带过,着实考验了读者的耐心和专注力。然而,一旦适应了作者特立独行的“时空观”,那些看似零散的片段便开始以一种非线性的方式相互咬合,形成一幅宏大而略带癫狂的社会全景图。书中对不同社会阶层人物的刻画,简直是教科书级别的精准,无论是那群沉湎于陈腐教条的官僚,还是那些在生存边缘挣扎、却仍不肯放弃内心高傲的艺术家,他们的对话和行为都充满了那个特定历史背景下的时代烙印。更令人称奇的是,作者在处理悲剧性情节时,总能巧妙地植入一丝近乎黑色幽默的讽刺,这种苦涩的笑意,比单纯的哀叹更令人心寒,因为它揭示了人在荒谬面前的无力和宿命感。它不是一本用来放松心情的书,而是一次对精神耐受力的严肃测验。
评分这本书的语言结构本身就是一种艺术的体现,它拥有古典主义的严谨骨架,却又在血肉上涂抹了现代主义的斑驳色彩。阅读时,我仿佛置身于一个巨大的、布满灰尘的图书馆中,空气中弥漫着旧纸张和墨水的味道。作者对于氛围的营造达到了令人窒息的程度,那种被监视、被审判、无处可逃的压抑感,透过每一个精心挑选的词汇渗透出来。那些关于文学创作的片段,尤其是主人公在面对自我审查和外部压力时的内心独白,简直是为所有从事创造性工作的人写下的泣血之言。它探讨了艺术的本质——是服务于某个既定目标,还是必须保持其神圣不可侵犯的独立性?这种核心的哲学思辨被包裹在令人眼花缭乱的场景转换之中,从华丽的剧院到肮脏的地下室,从梦境般的漂浮到残酷的现实审讯,每一次切换都像是打开了一个新的、同样令人不安的维度。我尤其欣赏作者对细节的偏执,那些关于服饰的描述、食物的气味,都精确到让人仿佛能触碰到那个时代的质感,这使得书中所有的超现实元素都建立在一个坚实可信的物质基础之上。
评分这部作品的阅读过程,与其说是在读故事,不如说是在经历一场精神上的洗礼和重塑。它挑战了读者对于叙事连贯性的传统期望,更像是一系列高能的、带有强烈主观色彩的片段组合,通过一种近乎潜意识的流动,将作者对历史、社会结构和人类良知的深刻洞察倾注其中。作者对于“遗忘”与“铭记”这一对永恒主题的探讨,尤其发人深省。那些被权力轻易抹去的人与事,在作者笔下得到了近乎神圣的复活。这种抵抗并非通过直接的抗争,而是通过对细节、对记忆、对艺术本身不朽力量的固执坚守来实现的。我特别欣赏书中那种穿透一切表象的洞察力,它撕开了虚伪的温情面具,直视权力运作的冷酷机制。读完后,我感觉自己的感官被重新校准了,对周遭环境中那些微妙的权力暗示和信息噪音变得异常敏感。这不仅仅是一部小说,它更像是一份写给未来时代的、关于如何保持清醒和正直的密函,其力量穿越时间而未减分毫。
评分这部作品的气韵,仿佛一团浓稠的、带着莫斯科冬日寒意的雾霭,将读者缓缓裹挟其中。它不是那种直白的叙事,更像是一场精心设计的迷局,每一个转折都潜藏着对人性深处荒谬与崇高的精确解剖。作者的笔触如同冰冷的解剖刀,精准地剖开了那个时代知识分子的精神困境与挣扎,那种既想融入现实的洪流又对自身理想的纯洁性抱有近乎病态执着的矛盾,被描绘得入木三分。你读着,会不自觉地被卷入一种既熟悉又疏离的氛围中,仿佛自己也是那个在阴影中徘徊、试图抓住一丝真理光芒的旁观者。尤其值得称道的是其对魔幻元素的运用,它并非简单的奇思妙想,而是作为一种必要的催化剂,将现实的扭曲和内在的幽暗以一种近乎歌剧般夸张却又无比真实的方式呈现出来。这种手法挑战了我们对“真实”的既有认知,迫使我们去审视那些被社会规范压抑下去的欲望、恐惧与妄想。读完合上书页的那一刻,耳边似乎还回荡着某种不祥的低语,那是对权力、艺术以及时间流逝永恒追问的回响,让人久久不能平静。
评分如果说有什么能概括这次阅读体验,那一定是“精疲力尽的狂喜”。这本书的篇幅并不算特别巨大,但其信息密度之高,足以让人在字里行间感受到思想的碰撞与火花。它巧妙地编织了多条叙事线索,有些线索看似无关紧要,却在故事的后半部分如同一张巨网般收紧,将所有人物的命运引向一个必然的交汇点。最让我感到震撼的是对“真相”与“谎言”界限模糊的处理。在那个时代,界限似乎是人为设定的,而一旦有人试图触碰或跨越它,付出的代价便是形神俱灭。书中某些场景的描述,其画面感之强烈,完全可以单独拿出来作为视觉艺术品来欣赏,那种光影的对比,那种人物肢体语言所传达的无声的控诉,都超越了一般的文学描述。它迫使读者反思:我们所坚信的常识,有多少是建立在集体性的沉默与对既定权威的盲从之上?这是一部需要用智力去攻克,但最终会用灵魂去铭记的作品。
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