第一章 拍攝者的視角 .......................................................................... 1
1.1 觀點 ...........................................................................................................2
1.2 不再追逐彩虹 ............................................................................................3
1.3 學會身兼數職 ............................................................................................4
1.4 掌握專業技能 ............................................................................................6
1.5 新觀念 .......................................................................................................8
1.6 現在人人都是拍攝者 ..................................................................................8
1.7 雇用你的客戶 ............................................................................................9
1.8 你已經擁有足夠的能力 ............................................................................10
第二章 讓我給你講個故事 .................................................................. 11
2.1 如何纔能把故事講好？ ............................................................................13
2.2 清楚自己影片的類型並確保觀眾們也知道 ...............................................13
2.3 你的海報什麼樣？ ...................................................................................15
2.4 瞭解自己的海報簡述文字 ........................................................................16
2.5 積極麵對條件限製 ...................................................................................17
2.6 電影成功的原因各異 ................................................................................18
2.7 你的相對優勢 ..........................................................................................18
2.8 限製你的取景 ..........................................................................................19
2.9 瞭解自己攝影機的動態範圍 .....................................................................20
2.10 在魔幻時刻拍攝 .....................................................................................21
2.11 真實性很重要 ........................................................................................21
2.12 故事永不停歇 ........................................................................................22
2.13 職業道德很重要 .....................................................................................23
第三章 用鏡頭講故事 ....................................................................... 25
3.1 現在對作品的要求仍然很高 .....................................................................25
3.2 給世界加個框 ..........................................................................................26
3.3 排除，排除，排除！ ................................................................................27
3.4 讓觀眾們受點兒苦 ...................................................................................28
3.5 獨特的視角 ..............................................................................................32
3.6 模糊、隱藏和遮擋 ...................................................................................33
3.7 關於透視 ..................................................................................................34
3.8 箱式梁橋 ..................................................................................................36
3.9 三分法 .....................................................................................................37
3.10 黃金畫幅比 ............................................................................................39
3.11 引起不適 ................................................................................................39
3.12 拍攝的地方是什麼類型？ ......................................................................40
3.13 擁抱經典理論 ........................................................................................41
3.14 手藝很重要 ............................................................................................43
3.15 用特寫講故事 ........................................................................................44
3.16 迂迴齣擊 ................................................................................................46
3.17 保持拍攝尺寸一緻性 ..............................................................................46
3.18 視綫的力量 ............................................................................................47
3.19 拍攝不完美的對象 .................................................................................48
3.20 故事裏的故事 ........................................................................................49
3.21 學會用背景講故事 .................................................................................50
3.22 我們都是說謊的騙子 ..............................................................................51
3.23 弄清楚自己想要什麼 ..............................................................................52
3.24 與極端自我的人一起工作 ......................................................................54
第四章 攝影師的工具箱 .................................................................... 57
4.1 你有很多選擇 ..........................................................................................57
4.2 攝像機的變革 ..........................................................................................58
4.3 掃描方式的選擇 .......................................................................................61
4.4 2K、4K，以及更高的分辨率 ....................................................................63
4.5 努力突破技術局限 ...................................................................................64
4.6 瞭解你需要的知識 ...................................................................................65
4.7 技術問題當然重要 ...................................................................................66
4.8 世界的本質 ..............................................................................................66
4.9 腦中的處理器 ..........................................................................................67
4.10 讓我們體驗一下模擬 ..............................................................................67
4.11 改善數字記錄的質量 ..............................................................................68
4.12 一些小知識 ............................................................................................69
4.13 10-bit 工作流程 ....................................................................................71
4.14 你的攝影機符閤“10 分鍾法則”嗎？ ...................................................75
4.15 瞭解傳感器 ............................................................................................77
4.16 在某種程度上，傳感器尺寸很重要 ........................................................78
4.17 分辨率的詭計 ........................................................................................79
4.18 人類感知分辨率的極限 ..........................................................................81
4.19 這種數字遊戲接近尾聲瞭嗎？ ...............................................................81
4.20 網格裏的像素 ........................................................................................82
4.21 三片式傳感器VS 單片式傳感器 .............................................................83
4.22 為什麼要壓縮？ .....................................................................................84
4.23 齣於實際考慮 ........................................................................................85
4.24 冗餘，冗餘 ............................................................................................86
4.25 你不會錯過那些你看不見的東西 ............................................................87
4.26 幀間壓縮與幀內壓縮 ..............................................................................88
4.27 選擇幀速率 ............................................................................................90
4.28 為什麼幀頻有些不靠譜—是24p 但又不是24p ..................................91
4.29 24p 的種種好處 .....................................................................................93
4.30 現在你能拍攝24p 瞭 .............................................................................93
4.31 如果你依然喜歡SD 標清 .......................................................................95
4.32 注意瞭，落伍者們！ ..............................................................................95
4.33 曾幾何時 ................................................................................................96
第五章 用數碼單反DSLR 講故事 ...................................................... 99
5.1 性能的問題 ..............................................................................................99
5.2 它並不是攝像機 .....................................................................................100
5.3 不隻是低光照能力 .................................................................................100
5.4 負荷削減 ................................................................................................101
5.5 參數設置 ................................................................................................103
5.6 果凍效應 ................................................................................................104
5.7 淺景深：是好事還是壞事？ ...................................................................105
5.8 操控方麵的挑戰 .....................................................................................106
5.9 監看與迴放 ............................................................................................107
5.10 聲音功能不健全 ...................................................................................108
5.11 開始工作 ..............................................................................................110
第六章 觀察世界的窗口 ................................................................... 113
6.1 控製畫麵空間 ........................................................................................114
6.2 是否需要討好拍攝對象 ..........................................................................115
6.3 把創作工具用到極緻 ..............................................................................115
6.4 推拉變焦拍攝 ........................................................................................117
6.5 警惕可疑的標稱值 .................................................................................118
6.6 光學變焦VS 數碼變焦 ...........................................................................120
6.7 更廣、更遠 ............................................................................................121
6.8 低檔鏡頭的現狀 .....................................................................................122
6.9 為何廉價的鏡頭看起來檔次低？ ............................................................124
6.10 對小光孔說不 ......................................................................................125
6.11 為什麼一體式攝像機通常能拍齣更好的畫麵 ........................................125
6.12 色像差補償 ..........................................................................................126
6.13 試著和你的普通鏡頭和平相處 .............................................................126
6.14 找到鏡頭的最佳性能區間 ....................................................................127
6.15 不靠譜的對焦環和變焦環 ....................................................................129
6.16 電影鏡頭 ..............................................................................................129
6.17 誘惑力和糾結的根源 ............................................................................130
6.18 過大的景深 ..........................................................................................130
6.19 鏡頭適配器 ..........................................................................................132
第七章 立體拍攝者 ......................................................................... 133
7.1 3D 立體的本質 .......................................................................................133
7.2 立體是一種技術障眼法 ..........................................................................135
7.3 深度綫索 ................................................................................................136
7.4 平麵視覺深度綫索 .................................................................................137
7.5 立體視覺深度綫索 .................................................................................139
7.6 軸距VS 瞳距 .........................................................................................141
7.7 匯聚麵應該設置在哪兒？ ......................................................................143
7.8 立體攝像機設置 .....................................................................................145
7.9 避免“耐藥性”問題 ..............................................................................146
7.10 屏幕尺寸至關重要 ...............................................................................148
7.11 正確獲得視差 ......................................................................................149
7.12 窗口乾涉 ..............................................................................................150
7.13 關於立體故事的思考 ............................................................................150
7.14 圓度因素 ..............................................................................................151
7.15 拋棄極端的2D 拍攝方式 .....................................................................152
7.16 裸眼立體是大勢所趨 ............................................................................154
7.17 立體就此止步瞭嗎？ ............................................................................155
7.18 立體的後期製作與輸齣 ........................................................................156
7.19 立體再次來襲！ ...................................................................................158
7.20 2D 轉3D .............................................................................................159
7.21 製片工藝的進化 ...................................................................................159
7.22 展現未曾見過的世界 ............................................................................160
第八章 掌握與控製 ......................................................................... 161
8.1 誰會需要全自動？ .................................................................................162
8.2 打倒自動曝光 ........................................................................................162
8.3 “中國姑娘” ........................................................................................165
8.4 駕馭波形圖 ............................................................................................166
8.5 考慮快門問題 ........................................................................................167
8.6 同步快門 ................................................................................................168
8.7 幀速率與故事的關係 ..............................................................................169
8.8 聚焦在重要的對象上 ..............................................................................170
8.9 這些人並不是演員 .................................................................................170
8.10 分辨率越高對焦越難！ ........................................................................171
8.11 跟焦 .....................................................................................................173
8.12 故事的白平衡 ......................................................................................174
8.13 到底用不用預置白平衡 ........................................................................174
8.14 設置手動白平衡 ...................................................................................176
8.15 不可理喻的自動白平衡 ........................................................................177
8.16 自動黑平衡 ..........................................................................................178
8.17 沒有增益，就沒有痛苦 ........................................................................179
8.18 控製好噪點 ..........................................................................................180
8.19 時碼的沼澤地 ......................................................................................181
8.20 串行數字接口與高清晰度多媒體接口 ..................................................183
8.21 互連性與視頻流 ...................................................................................184
8.22 監看你的工作 ......................................................................................185
8.23 更長時間的續航 ...................................................................................186
8.24 駕馭雜亂的取景器 ...............................................................................188
8.25 逐格攝影與延時攝影 ............................................................................189
8.26 神奇的預錄製功能 ...............................................................................190
8.27 循環錄製功能 ......................................................................................191
8.28 在極端環境下進行拍攝 ........................................................................191
8.29 拍攝狂熱的生命和野生動物 .................................................................193
第九章 調整拍攝的圖像 ................................................................... 195
9.1 開始創建自己的畫麵風格 ......................................................................196
9.2 主消隱電平: 定義黑色 ...........................................................................197
9.3 標清的遺産 ............................................................................................198
9.4 瞭解你攝像機的動態範圍 ......................................................................198
9.5 設置伽馬值 ............................................................................................199
9.6 留意高光部分 ........................................................................................200
9.7 自動拐點 ................................................................................................200
9.8 控製色度 ................................................................................................201
9.9 色彩矩陣 ................................................................................................202
9.10 使用濾鏡 ..............................................................................................203
9.11 物理濾鏡 ..............................................................................................203
9.12 最後再考慮使用濾鏡 ............................................................................204
9.13 為任務量身打造 ...................................................................................205
9.14 中密度濾鏡（ND） ..............................................................................205
9.15 偏光濾鏡 ..............................................................................................206
9.16 天空的控製 ..........................................................................................207
9.17 高對比度的睏惑 ...................................................................................208
9.18 柔光濾鏡 ..............................................................................................209
9.19 CHRISTIAN DIOR 來幫忙 ....................................................................212
9.20 遮光鬥 .................................................................................................212
9.21 如何疊加濾鏡 ......................................................................................214
9.22 暖色濾鏡 ..............................................................................................215
9.23 霧化濾鏡 ..............................................................................................215
9.24 後期製作 ..............................................................................................215
9.25 根據需要選擇後期插件 ........................................................................216
9.26 顔色校正 ..............................................................................................217
9.27 拍攝者要對自己負責！ ........................................................................219
第十章 照亮你的故事 ...................................................................... 221
10.1 由小見大 ..............................................................................................222
10.2 拍攝者必須能獨當一麵 ........................................................................224
10.3 LED 照明時代已經來臨 ........................................................................225
10.4 HMI 照明：昂貴但物有所值 ................................................................227
10.5 熒光燈和綠光瘟疫 ...............................................................................228
10.6 大範圍柔光 ..........................................................................................230
10.7 使用軟光是關鍵 ...................................................................................230
10.8 選擇軟光 ..............................................................................................231
10.9 控製溢光 ..............................................................................................232
10.10 柔光的藝術 ........................................................................................232
10.11 色紙 ...................................................................................................233
10.12 標準布光 ............................................................................................234
10.13 正麵和中間照明 .................................................................................235
10.14 用好輔助光 ........................................................................................235
10.15 機載照明燈 ........................................................................................236
10.16 分層照明 ............................................................................................237
10.17 給綠屏照明 ........................................................................................237
10.18 綠屏為什麼是綠色？ ..........................................................................238
10.19 綠屏的替代品 ....................................................................................240
10.20 照明控製 ............................................................................................240
10.21 鏤闆 ...................................................................................................241
10.22 束光筒 ...............................................................................................242
10.23 固定工具 ............................................................................................243
10.24 膠帶 ...................................................................................................243
10.25 百寶囊 ...............................................................................................244
10.26 照明= 手藝+ 創意 ............................................................................245
第十一章 支撐起你的故事 ............................................................... 249
11.1 雲颱 .....................................................................................................250
11.2 三腳架 .................................................................................................253
11.3 其他攝像機支撐係統 ............................................................................255
11.4 安裝在任何地方 ...................................................................................260
11.5 你拍故你在 ..........................................................................................260
第十二章 聆聽你的故事 ...................................................................263
12.1 沒有錄音師？ ......................................................................................264
12.2 錄音建議 ..............................................................................................264
12.3 差勁的連接= 差勁的聲音 ....................................................................265
12.4 平衡音頻 ..............................................................................................266
12.5 調音颱 .................................................................................................267
12.6 設置音頻電平 ......................................................................................268
12.7 麥剋風 .................................................................................................269
12.8 槍式麥剋風（指嚮式麥剋風） .............................................................269
12.9 無綫連接 ..............................................................................................270
12.10 話筒挑杆 ............................................................................................271
12.11 音頻降噪 ............................................................................................272
12.12 雙係統錄音：有必要嗎？ ..................................................................272
12.13 環繞聲 ...............................................................................................273
12.14 有時候“湊閤”也不錯 ......................................................................274
第十三章 順應潮流 .........................................................................277
13.1 不再隻有一種工作流程 ........................................................................278
13.2 MXF 的前景 .........................................................................................279
13.3 元數據之美 ..........................................................................................280
13.4 現在我們不必那麼擔憂瞭 ....................................................................281
13.5 SSD 的齣現 .........................................................................................282
13.6 代理視頻與iPhone ..............................................................................283
13.7 輸齣你的故事 ......................................................................................284
13.8 DVD 的衰落 .........................................................................................285
13.9 關注圖像編碼 ......................................................................................286
13.10 編碼器的性格 ....................................................................................287
13.11 被詛咒的問題場景 .............................................................................287
13.12 視頻降噪勢在必行 .............................................................................288
13.13 瞭解編碼模式 ....................................................................................289
13.14 BLU-RAY 藍光，還有誰？ ................................................................289
13.15 來到雲端 ............................................................................................290
13.16 歸檔的挑戰 ........................................................................................291
後記 世上並沒有“一鍵優化到最好”功能 .......................................... 293
1. 謹慎對待炒作 .............................................................................................294
2. 拒絕復雜 ....................................................................................................295
3. 觀影的未來 .................................................................................................296
4. 變革已經到來 .............................................................................................296
5. 這是個弱肉強食的世界 ...............................................................................297
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