Victor Fan is Senior Lecturer at Film Studies, King’s College London and Film Consultant of the Chinese Visual Festival. His articles have appeared in journals including Camera Obscura, Journal of Chinese Cinemas, Screen and Film History: An International Journal. His first book, 'Cinema Approaching Reality: Locating Chinese Film Theory', was published in 2015 by the University of Minnesota Press. Besides his academic works, Fan is also a composer, theatre director and filmmaker.
Actively rewrites and reconfigures how Hong Kong cinema and media are to be defined and located
Examining how Hong Kong filmmakers, spectators and critics wrestled with this perturbation between the Leftist Riots (1967) and the aftermath of the Umbrella Movement (2014), this book traces how Hong Kong’s extraterritoriality has been framed: in its position of being doubly occupied and doubly abandoned by contesting juridical, political, linguistic and cultural forces.
Extraterritoriality scrutinises creative works in mainstream cinema, independent films, television, video artworks and documentaries – especially those by marginalised artists – actively rewriting and reconfiguring how Hong Kong cinema and media are to be defined and located.
Key features
Proposes extraterritoriality as a key theoretical concept
Forms a dialogue with Postcolonial Studies and Sinophone Studies
Offers in-depth archival studies of the Hong Kong film industry, television and video arts, as well as major political crises in Hong Kong, including the 1967 Riots, the Sino-British negotiation of Hong Kong’s ‘future’, the Closer Economic Partnership Arrangement and the Umbrella Movement
评分
评分
评分
评分
佛学造诣居然也这么高深。
评分佛学造诣居然也这么高深。
评分佛学造诣居然也这么高深。
评分佛学造诣居然也这么高深。
评分海外中国电影研究书写域外的自身话语的确立,不好评价。对某些电影文本的读解新颖。
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有