From the Dust Jacket: "This collection of verse is both an anthology and a very personal reflection of T. E. Lawrence. The components were selected by him, mostly during the crucial period between the Paris Peace Conference of 1919 and his R.A.F. enlistment in 1922, and copied into a small, red leather-bound book that he carried with him almost constantly. The contents of that red, leather-bound book are published for the first time.
"The verses contain not only refinements of Lawrence's abiding preoccupations - love, honor, death, hope - but also mark some of the main themes in the important developments in his thinking, such as the post-war disillusion that followed what he regarded as the 'sell-out' of his Arab friends by the British.
"Of his choices, Lawrence wrote, 'One necessary qualification was that they should be in a minor key; another that they should sing a little bit.' And by such little bits of singing - these 'minorities' - a little more understanding may also be acquired of a major figure regarded by many as a mystic and a visionary as well as a legendary warrior and an authentic Hero.
"Writing to Mrs. Bernard Shaw in 1927, he said he had chosen 'the minor poems I wanted. Some are the small poems of big men; others the better poems of small men'...This presents us with one of those enigmas which T. E. scattered so freely about him, to tease and mystify posterity. He cannot surely have considered Wordsworth, Coleridge, Shelley and Keats as 'small men'; but equally it is impossible to imagine him rating the 'Intimations' ode, 'Kubla Khan,' 'Prometheus Unbound' or the 'Ode to a Nightingale' as 'small poems of big men'...'Minorities' was not intended for publication: but, if it had been, I see no reason to suppose that Lawrence's choice of poems would have been substantially different. Being out of sympathy with those persons who have sought, by diminishing him as a scholar, a writer or a military leader, to cut him down to their own size, I maintain my conviction that he was an exceptional human being, and that anything from his hand deserves our interest and respect."
Contents include: Abbreviations; 112 poems such as: Ballad of a Wilful Woman by D. H. Lawrence; Uphill by Rosetti; Hymn to God the Father by Donne; La Belle Dame sans Merci by Keats; To Helen by Poe; Passionate Shepherd to his love by Marlowe; To Marguerite by Arnold; Ode from Intimations of Immortality by Wordsworth; From Youth and Age by Coleridge; Dream Pedlary by Beddoes; From Hellas by Shelley; Faery Song by Yeats; To the Moon by Hardy; Arabia by Walter de la Mare; Forced Music by Graves; Jerusalem by Blake; His Pilgrimage by Sir Walter Raleigh; From Hamlet by Shakespeare; Notes; Indices of authors and first lines.
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**第五段评价:** 总而言之,《Minorities》这本书给我带来的价值,在于它极大地拓展了我对“边缘”这个概念的理解。它不仅仅关注传统意义上的少数族裔或性别群体,更是将触角延伸到了那些在文化、经济甚至地域上被“边缘化”的群体。书中的对比手法运用得炉火纯青,它将主流社会的光鲜亮丽与边缘地带的挣扎形成了鲜明对照,但这种对比绝不是为了制造对立,而是为了凸显系统性的资源分配不公。我特别喜欢作者对“可见性”的探讨——即何时被看见是一种荣耀,何时被过度关注反而是一种侵犯和标签化。这本书的论据扎实,但呈现方式却充满了文学性,使得即便是对社会议题不甚了解的读者,也能被其强大的故事力量所吸引。它不是一本读完就能马上“改变世界”的书,但它绝对是一块思想的磨刀石,它能让你更清晰、更敏锐地观察你身处的这个世界是如何运转的。这是一次令人难忘的精神旅程。
评分**第四段评价:** 这部作品的叙事节奏把握得极为老辣,它拒绝走捷径,不提供简单的答案,这正是我推崇它的地方。如果你期待的是一本读完能让你立即感到“正义得到伸张”的畅快淋漓之作,那你可能会失望。相反,《Minorities》呈现的是一种令人不安的真实——那些议题的复杂性、解决方案的模糊性,以及改革进程中不可避免的倒退和阵痛。书中对“代际创伤”的分析尤其让我印象深刻,它展示了历史的伤痕是如何跨越时间,无声地影响着今天年轻一代的心理健康和社区关系。作者的笔法非常克制,他避免使用那些容易引起群体对立的激烈词汇,而是专注于挖掘结构性的不平等是如何在日常生活的细微之处得以复制和强化的。阅读过程中,我时常感到一种沉重的责任感,仿佛肩负起了理解和传递这些声音的使命。这本书的深度,在于它拒绝将任何群体“他者化”,而是努力将我们都纳入同一个复杂的人类困境之中。
评分**第二段评价:** 坦白讲,一开始我对这本书的期待值并不高,毕竟“少数群体”这个主题在出版界已经不算新鲜。然而,《Minorities》这本书展现出了一种令人惊喜的深度和广度。它巧妙地将历史的宏大叙事与微观的个体经验编织在一起,使得那些抽象的社会结构问题变得可触摸、可感知。比如,书中对某一特定少数族裔在经济转型期的挣扎描写,那种那种在传统与现代夹缝中求生的无力感,被刻画得入木三分。作者的文笔时而如冰冷的解剖刀,精准地切开社会矛盾的核心;时而又像温暖的火光,照亮了那些被遗忘的角落。这本书的结构布局也非常精妙,每一章的过渡都如同一次精心设计的转场,将读者的情绪和思考层层递进。它不像教科书那样说教,而是提供了一个思考的框架,让你自己去填补那些血肉。对我而言,它提供了一种看待权力运作的新视角,让我意识到,沉默本身也是一种被安排好的状态。
评分**第三段评价:** 这本书的阅读体验,与其说是“读”,不如说是“经历”。我很少遇到一本书能让我停下来,反复阅读同一段话,只为体会其中蕴含的复杂情绪。作者似乎拥有某种魔力,能将冰冷的社会学概念,转化为触动人心的诗意表达。书中对“包容性”的反思尤其尖锐——它揭示了许多打着“包容”旗号的行为,实际上不过是另一种形式的审视和规训。书中引述的那些案例,有些极其震撼,我甚至需要放下书本,在房间里踱步消化。它不是一本读完就可以束之高阁的书,它更像是一个持续的邀请,邀请你去质疑既定的常识。我特别欣赏它对语言和符号力量的探讨,书中清晰地展示了名字、称谓、甚至是媒体报道中的措辞,是如何一步步塑造公众对特定群体的刻板印象。这种对细节的执着,使得整本书的论证力量无比强大。
评分**第一段评价:** 我最近读完了一本名为《Minorities》的书,说实话,这本书给我的冲击非常大。它并非那种枯燥的社会学论著,而更像是一场深入灵魂的对话。作者以极其细腻的笔触描绘了那些边缘群体的生活图景,那些我们习以为常却又常常忽略的角落。书中对我触动最深的是关于身份认同的探讨。它不是简单地罗列统计数据,而是通过一个个鲜活的个体故事,展现了“少数”标签是如何像一副无形的枷锁,套在人们的肩上,影响着他们的选择、他们的情感,甚至是他们看待世界的方式。我尤其欣赏作者在叙事中保持的那种克制而又饱含同理心的语气,没有廉价的煽情,却字字泣血。它迫使我反思,我们社会中的“多数”是如何在不经意间构建起那些难以逾越的障碍的。读完后,我感到自己对世界的理解变得更加复杂和立体,也更加谦卑。这本书的价值在于,它强迫你走出自己的舒适区,去倾听那些平时被噪音淹没的声音。
评分6,12,16,47,50,58,62,65,74,78,83,91,92,98,100,102,105,111。introduction和notes让我再怀念一次Wilson。我对Morris的诗歌大概是没爱了,Blake可以看。
评分6,12,16,47,50,58,62,65,74,78,83,91,92,98,100,102,105,111。introduction和notes让我再怀念一次Wilson。我对Morris的诗歌大概是没爱了,Blake可以看。
评分6,12,16,47,50,58,62,65,74,78,83,91,92,98,100,102,105,111。introduction和notes让我再怀念一次Wilson。我对Morris的诗歌大概是没爱了,Blake可以看。
评分6,12,16,47,50,58,62,65,74,78,83,91,92,98,100,102,105,111。introduction和notes让我再怀念一次Wilson。我对Morris的诗歌大概是没爱了,Blake可以看。
评分6,12,16,47,50,58,62,65,74,78,83,91,92,98,100,102,105,111。introduction和notes让我再怀念一次Wilson。我对Morris的诗歌大概是没爱了,Blake可以看。
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