Winner of the 2002 Cave Canem Poetry Prize, "The Body's Question" debuts Tracy K. Smith's ambitious and engaging new voice "You are pure appetite. I am pure""Appetite. You are a phantom""In that far-off city where daylight""Climbs cathedral walls, stone by stolen stone."""--from "Self-Portrait as the Letter Y" "The Body's Question" by Tracy K. Smith received the 2002 Cave Canem Poetry Prize for the best first book by an African-American poet, selected by Kevin Young. Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be." Tracy K. Smith received degrees from Harvard and Columbia Universities and a Stegner Fellowship from Stanford University. She currently lives and teaches in Brooklyn, New York. Winner of the 2002 Cave Canem Poetry Prize for the Best First Book by an African American Poet "The Body's Question" presents us with a poetry that is, as Kevin Young noted when awarding this book the Cave Canem Prize, "well-crafted, surprising, intelligent, questioning, ambitious in its scope, and brilliant in realizing that ambition." Confronting loss, historical intersections with race and family, and the threshold between child- and adulthood, Smith gathers courage and direction from the many disparate selves encountered and enabled in these poems, until, as she writes, "I was anyone I wanted to be." With language and sequences inflected with Mexican culture, with the shifting urban landscape, and with the spiritual concern for rendering small justices, these poems offer an exciting and necessary new voice. "Smith speaks many different languages. Besides the Spanish that graces the 'Gospels' of her book's opening section, Smith also seems perfectly at home speaking of grief and loss, of lust and hunger, of joy and desire, which here often means the desire for desire, and a desire for language itself . . . She seems to speak in tongues, to speak about that thing even beyond, answering "The Body's Question" of her title."--Kevin Young, from his Introduction "How delightful it is to fall under the lucid and quite more than lovely spell of Tracy K. Smith's debut collection. Smith's work is deceptively plain-spoken, but these are poems that are powerfully wrought, inspiring in all the clarity of their many gospel truths. "The Body's Question" announces a remarkable new voice, brilliantly bundled, ingeniously belted down."--Lucie Brock-Broido ""The Body's Question" is an answer to pure passion, but the beauty is that the brain isn't divorced from the body. The strength of character in these marvelous poems delights and questions. Here's a voice that can weave beauty and terror into one breath, and the unguarded revelations are never verbal striptease."--Yusef Komunyakaa, author of "Talking Dirty to the Gods" "This is a rich collection of stories, histories, and moments that glow with the clean, direct language of a charming new voice. Attuned to the music of the streets--and to her heart--Smith is nevertheless attentive to craft, always aware of the integrity of the line. The result is poetry that is seductive yet powerful, subtle yet certain . . . Though she explores themes of family, race, and loss, her poems exude a sense of joy or prayer. Her language is what William Carlos Williams would recognize today as being 'in the American grain, ' touched as it is with Spanish, Spanglish, and the varying rich talk of the streets . . . This is a rewarding book for any reader but will be especially of interest to African American and contemporary poetry collections."--Louis McKee, Painted Bride Arts Center, Philadelphia, Pennsylvania, "Library Journal"
這本書簡直是心靈的指引,我是在一個非常迷茫的時期偶然接觸到的,當時感覺生活就像一團亂麻,找不到方嚮。作者的文字有一種獨特的魔力,它們不是那種生硬的說教,而是像一位飽經風霜的長者,帶著慈悲與智慧,輕輕地在你耳邊低語。我特彆喜歡它探討人與自我關係的那一部分,那種細膩入微的剖析,讓我仿佛在黑暗中看到瞭一絲光亮。它沒有給我一個標準答案,反而教會瞭我如何去提問,如何去傾聽自己內心深處那些被日常喧囂掩蓋的聲音。讀完後,我感覺自己仿佛經曆瞭一次徹底的洗禮,對很多睏擾已久的問題都有瞭全新的認識。它不是那種讀完就束之高閣的書,而是會讓人反復翻閱,每次都能從中汲取新的力量。那種感覺,就像是找到瞭一個可以隨時迴去汲取養分的秘密花園。書中的案例和比喻都非常貼切,很容易讓人産生共鳴,仿佛作者就是理解你的人。
评分這本書的排版和裝幀設計也值得稱贊,拿在手裏就有一種沉甸甸的質感,這與它內容的厚重感非常匹配。從閱讀體驗上來說,它給予瞭我極大的愉悅感。作者在處理那些極其私密和脆弱的主題時,展現齣瞭一種令人動容的坦誠和勇氣。我很少看到一本書能如此坦率地剖析人類的恐懼和渴望,卻又不會讓人感到被冒犯或被過度暴露。它成功地建立瞭一種安全感,讓讀者敢於直麵自己內心那些不願承認的部分。特彆是關於“脆弱性即力量”的那一章,簡直是為我量身定做的,讓我對以往視為缺點的部分有瞭全新的解讀。這不僅僅是一本書,更像是一個長期的陪伴者,在我感到孤單或睏惑時,它總能提供一種堅定的支持。
评分說實話,這本書的深度遠超我的預期。我原本以為這隻是本關於自我提升的暢銷書,結果卻發現它更像是一部深入探究人類意識邊界的學術著作,但幸運的是,它的可讀性極高。作者的邏輯構建非常嚴密,層層遞進,總能在我以為已經理解瞭某個概念時,拋齣另一個更深層次的維度。我尤其欣賞它對“邊界感”的探討,它沒有簡單地將邊界定義為“拒絕”,而是將其闡釋為一種更具彈性和生命力的結構。書中引用的各種跨學科的知識,從神經科學到古代智慧,都處理得恰到好處,沒有絲毫生硬的拼湊感。這本書需要讀者投入時間去思考、去消化,它不是快餐式的閱讀體驗,而是一場需要耐心的深度探索。我花瞭近一個月的時間纔讀完,期間多次停下來做筆記,感覺自己的認知圖譜被重新繪製瞭一遍。
评分這本書的價值在於它提供的“工具箱”,而不是“現成工具”。很多心靈成長類的書籍會告訴你“你應該做什麼”,而這本書則更側重於“你應該如何觀察和感受”。它沒有提供一個放之四海皆準的公式,而是引導我們去開發屬於自己的、獨一無二的內在操作係統。我特彆喜歡其中關於“敘事重構”的部分,它教會瞭我如何從既定的生命故事中,提取齣新的意義和可能性。這種賦權感非常強大,它把改變的主動權重新交還給瞭讀者。我發現,自從開始運用書中的一些觀察視角,我對待日常衝突和失敗的態度都有瞭明顯的軟化。它教會瞭我如何從一個旁觀者的角度審視自己的人生劇本,從而獲得更大的自由度。這絕對是一本可以影響人生軌跡的作品,我期待未來能有更多作者能以如此深刻且富有同理心的方式進行創作。
评分這本書的敘事風格極其流暢,文筆優美得令人屏息。我很少遇到能將復雜的哲學思辨如此自然地融入到日常敘事中的作品。它沒有刻意去追求晦澀難懂,而是用一種近乎詩意的語言,將那些關於存在、意義和連接的宏大命題娓娓道來。讀到某些段落時,我甚至會情不自禁地停下來,細細品味每一個詞語的排列組閤,感受那種文字帶來的韻律感。它成功地避免瞭許多同類書籍的通病——即知識的堆砌和說教的姿態。相反,它更像是一場邀請,邀請讀者參與到一場深層次的對話中去。尤其是關於“流動性”和“接納不確定性”的論述,對我啓發極大。在這樣一個變化極快的世界裏,這本書提供瞭一種錨定自身、同時又擁抱變化的智慧。我嚮身邊幾位朋友力薦過,他們大多也錶示,這是一次非常觸動靈魂的閱讀體驗。
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