Voices and Poetry of Ireland

Voices and Poetry of Ireland pdf epub mobi txt 电子书 下载 2026

出版者:Sourcebooks Inc
作者:Not Available (NA)
出品人:
页数:104
译者:
出版时间:
价格:228.00元
装帧:HRD
isbn号码:9781402204043
丛书系列:
图书标签:
  • FICTION
  • AUDIOBOOK
  • Ireland
  • Poetry
  • Voices
  • Literature
  • Language
  • Culture
  • History
  • Tradition
  • Folk
  • Expression
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具体描述

A rich and colourful celebration of the poetic heritage of Ireland, this CD and book anthology features classic and contemporary Irish poems read by 100 of the best-known voices in Irish life. A rich and colourful celebration of the poetic heritage of Ireland, this CD and book anthology features classic and contemporary Irish poems read by 100 of the best-known voices in Irish life, including Maeve Binchy, Bono, Pierce Brosnan, The Corrs, Bertie Ahern, Bob Geldof, Seamus Heaney, Marian Keyes and Sinead O’Connor. The collection includes famous poems such as Yeats’s “The Fisherman” and Wilde’s “The Ballad of Reading Gaol” alongside new work from Ireland’s finest living writers.

《爱尔兰之声与诗歌》并非一本诗集,而是对构成爱尔兰文学灵魂的丰富声响与独特表达的一次深入探索。本书不收录任何具体的诗歌文本,而是致力于揭示爱尔兰诗歌得以诞生、发展并触动人心的深层土壤。它将带领读者穿越爱尔兰悠久而动荡的历史长河,探寻那些塑造了其人民声音和集体意识的关键时刻。 本书首先从爱尔兰古老的口头传统与神话故事入手,这些故事如同古老的泉水,滋养了后世无数的文学创作。我们将在凯尔特神话的迷雾中,追溯英雄的传说、精灵的低语以及那些世代相传的民间故事,理解它们如何为爱尔兰的想象力注入了最初的活力。接着,本书将目光投向基督教传入爱尔兰后,修道士们在羊皮纸上留下的独特印记,以及早期爱尔兰诗歌如何与宗教信仰、民族认同复杂地交织在一起。 随后,本书将重点考察爱尔兰与英格兰之间那段漫长而充满张力的关系,这段关系对爱尔兰文学产生了不可磨灭的影响。我们将分析殖民统治、民族起义以及对语言的争夺如何激发出爱尔兰诗歌中的反抗精神、乡愁以及对身份的深刻追问。从18世纪的颂歌到19世纪的浪漫主义浪潮,本书将梳理不同历史时期爱尔兰诗歌在形式、主题和情感表达上的演变,探讨如“荒野”意象、对自然的赞美、以及对失落家园的眷恋等母题是如何在诗歌中得以体现的。 更重要的是,《爱尔兰之声与诗歌》将深入探讨塑造爱尔兰诗歌“声音”的社会、文化和政治因素。我们将审视语言的变迁,从盖尔语的衰落到英语的兴起,以及这种语言的转换如何为诗歌带来了新的表达方式和文化张力。本书还将关注爱尔兰社会的变迁,包括移民潮、贫困、宗教冲突等,这些经历如何成为诗歌创作的重要素材,并赋予其独特的悲悯与韧性。 本书还会分析爱尔兰诗歌中常见的几种“声音”:坚韧不屈的抗争之声,深情款款的乡愁之声,对自然与土地的敬畏之声,以及充满智慧与狡黠的民间叙事之声。我们将探讨这些声音如何通过不同的诗人、不同的创作阶段得以呈现,它们之间如何相互呼应,又如何构成爱尔兰文学的整体图景。 《爱尔兰之声与诗歌》并非一本简单的文学评论集,而是一次对爱尔兰文学灵魂的追寻。它希望通过对历史、文化、社会语境的细致描摹,以及对语言与表达方式的深入剖析,让读者深刻理解爱尔兰诗歌为何能够如此动人,其“声音”为何能够跨越时空,触及世界各地读者的心灵。本书旨在为读者构建一个理解爱尔兰诗歌宏大背景的框架,使其在未来的阅读中,更能领略其独特魅力,听到那些超越纸面的、鲜活而永恒的爱尔兰之声。

作者简介

目录信息

The Mother (Padraic Pearse, read by Bertie Ahern) ::
A Glass Of Beer (James Stephens, read by Robert Ballagh) ::
The Mystery (Amergin, translated by Douglad Hyde, read by Patrick Bergin) ::
Pangur Ban (Anon, translated by Robin Flower, read by Maeve Binchy) ::
Danny (JM Synge, read by Charlie Bird) ::
Nuala (Brendan Kennelly, read by Tara Blaze) ::
Mirror In February (Thomas Kinsella, read by Luka Bloom) ::
God’s Laughter (Brendan Kennelly, read by Bono) ::
A Little Boy In The Morning (Francis Ledwidge, read by John Bowman) ::
Four Voices Without An Instrument (Medbh McGuckian, read by Paul Brady) :: Father And Son (FR Higgins, read by Pierce Brosnan) ::
To LL (Oscar Wilde, read by Vincent Browne) ::
Mid-Term Break (Seamus Heaney, read by Gabriel Byrne) ::
The Second Coming (WB Yeats, read by Liam Clancy) ::
The Friction Of Feet In Time (Michael Coady, read by Paddy Cole) ::
Never Give All The Heart (WB Yeats, read by Andrea Corr) ::
First Annual Report (Gerry Corr, read by Sharon Corr) ::
The Man From God Knows Where (Florence Wilson, read by Phil Coulter) :: The Bells Of Shandon (Francis Sylvester Mahony, read by John Creedon) :: The Fisherman (WB Yeats, read by Anthony Cronin) ::
An Old Woman Of The Roads (Padraic Colum, read by Jenanne Crowley) :: Shades Of Ranelagh (Macdara Woods, read by Bill Cullen) ::
The Christmas Rose (C Day Lewis, read by Dana) ::
Duffy’s Circus (Paul Muldoon, read by Ian Dempsey) ::
My Land (Thomas Davis, read by Dermot Desmond) ::
Winter Birds (Moya Cannon, read by Moya Doherty) ::
Death Of An Irishwoman (Michael Hartnett, read by Theo Deorgan) ::
Nude (Nuala Ni Dhomhnaill, translated by Paul Muldoon, read by Anne Doyle) ::
Pity The Islanders, Lucht An Oileain (David Quin, read by Danny Doyle) :
Ode (Arthur O’Shaughnessy, read by Ronnie Drew) ::
Someone (Deniis O’Driscoll, read by Joe Duffy) ::
To My Daughter Betty, The Gift Of God (Thomas Kettle, read by Myles Dungan) ::
from The Paddiad, or The Devil As A Patron Of Irish Letters (Patrick Kavanagh, read by Eamon Dunphy) ::
The Lovers (Anthony Cronin, read by Paul Durcan) ::
July In Bettystown (Gerard Fanning, read by Dave Fanning) ::
Dublin Made Me (Donagh MacDonagh, read by Colin Farrell) ::
Night Feed (Eavan Boland, read by Marian Finucane) ::
Biddy Mulligan, The Pride Of The Coombe (Seamus Kavanagh, read by Brenda Fricker) ::
from The Ballad Of Reading Gaol (Oscar Wilde, read by Gavin Friday) ::
The Rain Stick (Seamus Heaney, read by James Galway) ::
Bagpipe Music (Louis MacNeice, read by Bob Geldof) :
Speaking To My Father (Theo Dorgan, read by Des Geraghy) ::
Emotions (Rory Gleeson, read by Brendan Gleeson) ::
She Moved Through The Fair (Padraic Colum, read by Larry Gogan) ::
Seals At High Island (Richard Murphy, read by Aidan Hardiman) ::
Sunday’s Well (Vona Groarke, read by MAry Harney) ::
Christy Brown Came To Town (Richard Harris, read by Ricchard Harris) ::
How To Be My Heart (Pat Boran, read by Shay Healy) ::
What Then? (WB Yeats, read by Seamus Heaney) ::
Dark Rosaleen (Owen Roe MacWard, translated by James Clarence Mangan, read by Michael D Higgins) ::
Claudy (James Simmons, read by John Hume) :
I Grabbed An Education (Patrick Kavanagh, read by Neil Jordan) ::
All Of These People (Michael Longley, read by Fergal Keane) ::
Stony Grey Soil (Patrick Kavanagh, read by Frank Kelly) ::
Ulster Names (John Hewitt, read by Gerry Kelly) ::
The Singer’s House (Seamus Heaney, read by John Kelly) ::
The Three Speaks (Cathal O Searcaigh, translated by Anna Ni Dhomhnaill, read by Brian Kennedy) ::
The Fiddler Of Dooney (WB Yeats, read by Senator Edward M Kennedy) ::
To A Child (Patrick Kavanagh, read by Sister Stanislaus Kennedy) ::
My Father (John B Keane, read by Brendan Kennelly) ::
Antarctica (Derek Mahon, read by Pat Kenny) ::
Thems Your Mammy’s Pills (Leland Bardwell, read by Marian Keyes) ::
Omos Do John Millington Synge (Martin O Direain, read by Mick Lally) ::
There Are Days (John Montague, read by Desmond Lynham) ::
The Sunlight On The Garden (Louis MacNeice, read by John Lynch) ::
To A May Baby (Winifred M Letts, read by Ciaran MacMathuna) ::
I Will Go With My Father (Joseph Campbell, read by Jimmy Magee) ::
Requiem For The Croppies (Seamus Heaney, read by Tommy Makem) ::
The Country Fiddler (John Montague, read by Paddy Moloney) ::
Christ Goodbye (Padraic Fiacc, read by Eamon McCann) ::
Literary History (Rita Kelly, read by Charlie McCreevy) ::
The Game Of Your Life (Gabriel Fitzmaurice, read by Paul McGrath) ::
Shapes And Shadows (Derek Mahon, read by Paul McGuinness) ::
The People I Grew Up With Were Afraid (Michael Gorman, read by Pauline McLynn) :: Solstice (Gerry Dawe, read by Van Morrison) ::
The Village Schoolmaster, from The Deserted Village (Oliver Goldsmith, read by Mike Murphy) ::
Fontenoy (Emily Lawless, read by Kevin Myers) ::
The View From Under The Table (Paula Meehan, read by Christina Noble) ::
A Kind Of Trust (Brendan Kennelly, read by Michael Noonan) ::
The Jackeen’s Lament For The Blaskets (Brendan Beehan, translated by Donagh MacDonagh, read by Seantor David Norris) ::
A Woman Untouched (Frank McGuinness, read by Miriam O’Callaghan) ::
Pride (Paul Williams, read by Sinead O’Connor) ::
Poem From A Three Year Old (Brendan Kennelly, read by Daniel O’Donnell) :: Plaisir D’Amour (Patrick Galvin, read by Ardal O’Hanlon) ::
Schoolfriends (Susan Connolly, read by Deirdre O’Kane) ::
Ship Of Death (Kerry Hardie, read by Olivia O’Leary) ::
The Boys Of Barr Na Saraide (Sigerson Clifford, read by Michael O Muircheartaigh) ::
The Ballad Of Father Gilligan (WB Yeats, read by Milo O Shea) ::
Canticle (John F Deane, read by Morgan O’Sullivan) ::
CeaseFire (Michael Longley, read by Fintan O’Toole) ::
The Fairies (William Allingham, read by Maureen Potter) ::
Bewley’s Oriental Cafe Westmoreland Street (Paul Durcan, read by Deirdre Purcell) ::
Swineherd (Eilean Ni Chuilleanan, read by Niall Quinn) ::
A Disused Shed In Co Wexford (Derek Mahon, read by Ruari Quinn) ::
The Did-You-Come-yests Of The Western World (Rita Ann Higgins, read by Gerry Ryan) ::
Peter Street (Peter Sirr, read by Jim Sheridan) ::
A Drover (Padraic Colum, read by Jim Sheridan) ::
Everything Is Going To Be All Right (Derek Mahon, read by ~censored~ Spring) ::
I See His Blood Up On The Rose (Joseph Mary Plunkett, read by Nial Toibin) :: The Aluminium Box (Frank Ormsby, read by Sile De Valera) ::
Beannacht (John O’Donoghue, read by Kathleem Watkins) ::
Anseo (Paul Muldoon, read by Bill Whelan) ::
The Planter’s Daughter (Austin Clarke, read by Terry Wogan)
· · · · · · (收起)

读后感

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从文学史的角度来看,这本书无疑是**一次对传统抒情传统的有力继承与颠覆**的完美结合体。它既能让你感受到古典文学的厚重底蕴,又能在转瞬之间用极其现代的视角和语言将你拽回当下。作者对于**“失落”与“寻找”**这一永恒母题的处理,显得尤为成熟和克制。他没有陷入无病呻吟的悲观泥潭,而是通过对具体意象(比如某种光线、某个建筑的阴影)的细致描摹,将抽象的失落感具象化,使得情感的表达既深沉又具有普遍性。最让我赞叹的是它对**语言本身的敬畏与玩弄**。作者毫不吝啬地展示他对词汇的精妙掌控,能让一个最普通的词语,在特定的语境下爆发出全新的、意想不到的意义。阅读这本书的过程,与其说是接收信息,不如说是一场**智力与情感的双重健行**,它考验你的专注度,同时又以其磅礴的生命力回报你无尽的思考空间。这是一部需要被珍藏,并反复品读的佳作。

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这本书的结构安排,简直像一个**迷宫,精致且令人着迷**。它并非按照时间顺序或主题线索铺陈,而是通过反复的回溯、跳跃和意象的呼应,构建起一个复杂的情感场域。有时候,你读到某一段话,会突然发现它和前五十页某个看似不相干的意象产生了奇异的共振,这种**“啊哈”的顿悟时刻**,贯穿了整本书,极大地增强了阅读的互动性和探索欲。作者似乎对“记忆的碎片化”有着深刻的理解,他的叙事逻辑不是线性的,而是**网状的、螺旋上升的**。这使得阅读过程充满了解谜的乐趣,读者必须主动参与到文本的建构中去,否则很容易在看似零散的词语和画面中迷失方向。特别是一些长篇的散文诗,那些反复出现的、带有强烈个人色彩的符号,如同密码一般,一旦被成功解读,便会开启一扇通往作者内心深处的密室。这种**结构上的复杂美学**,是许多当代诗集难以企及的高度,它让每一次重读都能发现新的路径和连接点。

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说实话,最初被这本书吸引,是因为封面设计那种近乎野蛮生长的抽象感,而内容上呈现的,则是一种更为**内敛的、哲学性的对“存在”的拷问**。它不是那种能让你哼唱出朗朗上口的篇章,它更像是一面打磨得极度光滑的镜子,映照出的是我们最不愿直面的自我困境与时代背景的巨大疏离感。我尤其欣赏作者在处理现代都市人精神困境时的那种**疏离而又精准的剖析**,那种“身处人群,却孤独至极”的体验被捕捉得如此尖锐,几乎让人感到一丝疼痛。语言运用上,作者似乎特别偏爱使用**跨界和并置**的修辞手法,将原本风马牛不相及的事物并置一处,产生了令人耳目一新的张力,每一次阅读都是一次对既有认知边界的挑战。它迫使你慢下来,不仅仅是阅读文字,而是去阅读那些文字之间的空白,去聆听那些未被言说的部分。这种阅读体验非常**耗费心神,但回报是巨大的**,因为它拓展了你对“诗歌”这一形式可能性的理解,不再局限于传统韵律或情感抒发,而上升到了对人类经验结构的重构层面。

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这本诗集简直是一场意想不到的文学探险,它以一种近乎原始的能量将我卷入了一个充满光影、泥土和古老低语的世界。我本以为会读到一些优美但略显疏离的吟诵,没想到作者的笔触如此**沉郁而富有质感**。每一次翻页,都像是在触摸一块被海风和岁月打磨过的石头,粗粝,却蕴含着深厚的故事。特别是那些关于乡村生活和自然意象的描摹,那种对土地的依恋和对季节更迭的敏锐观察,简直让人身临其境,仿佛能闻到刚割下的干草和雨后青苔的气味。叙事节奏的把控极为高明,时而如同苏醒的河流般奔腾不息,将一系列意象倾泻而出,让人应接不暇;时而又如同黎明前最深的寂静,每一个词语都带着重量,需要反复咀嚼才能体会其后隐藏的巨大张力。这本书的深度不在于华丽的辞藻堆砌,而在于那种**不动声色的力量**,它不急于解释,而是将读者直接抛入情境之中,让读者自己去感受、去拼凑那些破碎却又完整的情感碎片。读完后,内心久久不能平静,仿佛灵魂被重新洗涤了一遍,对日常周遭的观察也变得更为细致入微,这种**审美上的重塑**,才是好诗歌最了不起的馈赠。

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我必须强调这本书在**声音和节奏**上的独特表现力。即使是默读,我似乎也能清晰地“听见”作者的语调变化,仿佛有一位技艺高超的说书人在耳边低语。他的句子长度变化极为自由,从极短促、断裂的宣告式短句,到层层递进、如溪流般绵延的复杂长句,这种**韵律上的自由爵士感**,让人在阅读中体验到一种情绪的过山车。某些段落的排版设计也极具匠心,空白的使用如同音乐中的休止符,赋予了文字以呼吸的空间,强化了那些沉重主题的力量感。它有一种**不容置疑的权威性**,不是那种高高在上的说教,而是一种基于深刻体验后沉淀下来的、不可动摇的信念。读起来,你会感觉到一种**强烈的共鸣**,仿佛作者捕捉到了你内心深处那些你本以为只有你自己才懂的隐秘情绪。这是一种非常**诚实且大胆的表达**,不加修饰地展示了人性的脆弱与坚韧的并存。

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