具體描述
Like Pygmalion with his Galatea, we create the characters of people in our lives. Although others appear to us to be who they just 'are', there are complicated psychological processes, outside of our awareness, that lead us to experience people in ways that we ourselves construct. Psychoanalytic theory offers a wealth of understanding of how people unconsciously create what they both need and dread. But these processes are not well understood by most therapists. Too often, therapists join their patients in overlooking their own role in creating the relationships in their lives, such that it seems that patients were simply unfortunate to 'have' an un-giving mother or to 'find' an unloving spouse. Because processes of creation in relationship are largely unconscious, they are much harder to see. As a result, most theorists of relationships acknowledge that they exist, but offer little language or explication for how they unfold or manifest themselves. Playing Pygmalion is an effort to trace in psychological terms the subtle interplay by which people create the other. This book adapts the psychoanalytic concepts of transitional object usage and projective identification to show their importance and applicability beyond the therapeutic situation to the understanding of people's relational lives. Using examples from literature, film and clinical work to illustrate the theory, the book goes on to consider in depth the relationship narratives of four pairs of ordinary people to demonstrate how people unconsciously 'create' one another. The stories demonstrate that the 'other' is always more than one conceives him or her to be. Readers inevitably rethink some of their important relationships in terms of how they are creating people or being created by them. This may lead them to take in other aspects of the person, to see how they are looking very selectively at a human being who exists beyond their relationship. These stories also provide cautionary tales to therapists who begin to believe in the simple reality of their patients' constructions of important people in their lives.
作者簡介
目錄資訊
讀後感
用戶評價
這部作品的敘事節奏如同夏日午後一場突如其來的雷陣雨，讓人措手不及卻又酣暢淋灕。作者對於人物內心世界的描摹，精細得如同微雕匠手中的刻刀，即便是最微不足道的猶豫和掙紮，也被賦予瞭鮮活的生命力。我尤其欣賞它在環境氛圍的營造上所下的苦功，那些氤氳在字裏行間的潮濕空氣、被月光拉長的斑駁樹影，無不烘托齣一種既古典又帶著一絲頹靡的獨特美學。情節的推進並非直來直去，而是像迷宮一樣迂迴麯摺，每當以為觸及真相時，總有新的謎團如同藤蔓般纏繞上來，讓你不得不放慢腳步，仔細分辨那些潛藏在對話和動作背後的深層含義。讀完之後，那種迴味悠長的感覺，仿佛是品嘗瞭一口陳年的威士忌，初嘗辛辣，後勁卻是悠遠而復雜的甘醇，引人深思其間那些關於選擇與命運的哲學探討。
评分說實話，一開始被這本書的篇幅嚇到瞭，但一旦沉浸進去，時間仿佛就失去瞭度量衡。作者的筆觸極其老練，尤其是在處理多綫敘事時展現齣的掌控力令人贊嘆。他巧妙地將幾條看似毫無關聯的綫索，用一種近乎於無形的絲綫串聯起來，直到故事高潮時，那些先前散落的碎片纔猛然間拼湊成一幅宏大而令人震撼的圖景。這種結構上的精妙，體現瞭創作者對整體框架有著極其清晰且堅定的把握，絕非一時興起之作。閱讀過程中，我體驗到一種持續的智力上的挑戰，它要求讀者不僅要跟上事件的發展，更要主動去解讀那些留白之處的弦外之音。這種閱讀體驗是極其充實的，而非被動地接受信息，更像是一場與作者的智力博弈，非常過癮。
评分對於那些追求“代入感”的讀者來說，這本書可能需要你稍微付齣一點努力，因為它拒絕提供廉價的情感共鳴。人物的塑造是極其復雜和多麵的，他們身上的優點和缺點往往交織在一起，難以用簡單的“好人”或“壞人”來界定。我欣賞作者這種近乎冷酷的客觀性，他把人物放置在睏境之中，然後冷靜地記錄他們的反應，從不輕易下判斷。這種處理方式帶來的結果是，你很難完全愛上某個角色，但你一定會深刻地理解他們每一步選擇背後的邏輯。這種對人性的深刻洞察，使得整部作品超越瞭一般的娛樂範疇，更像是一部關於人類行為模式的深度社會觀察報告，引人深思我們自身在相似壓力下會做齣何種選擇。
评分整體而言，這是一部需要在安靜的環境中，最好是捧著實體書，慢慢品讀的作品。它似乎並不迎閤當下快餐文化的潮流，它要求讀者投入完整的心神去解碼其中的隱喻和暗示。書中穿插的那些曆史典故和文化符號，雖然豐富瞭文本的層次，但也意味著如果你不具備一定的背景知識，可能會錯過一些精妙之處。但這絕不是缺點，反而更像是一種篩選機製，確保那些真正願意深入探索的讀者能夠獲得更豐厚的迴報。讀完之後，我感覺我的思維模式仿佛被稍微調整瞭一下，看世界的角度似乎也變得更寬廣瞭一些，這種潛移默化的影響，纔是真正的好書所能給予的無價之寶。
评分這書的語言風格，簡直可以拿來當做散文範本來研究。它有一種古典的韻味，但又並非故作高深，而是自然而然地流淌齣一種優雅與力量的結閤。那些用來描摹場景和心理活動的詞匯，精準且富有畫麵感，使得即便是最平淡無奇的日常場景，也仿佛被鍍上瞭一層奇異的光澤。我記得其中有一段關於人物在深夜獨處的描寫，那種對孤獨的細膩捕捉，簡直讓人感同身受，連空氣中的微塵似乎都能被清晰地“看見”。這種文字功底，足以讓許多隻追求快節奏的現代作品汗顔。它不急於讓你知道接下來會發生什麼，而是沉浸於“如何”發生，這種對過程的尊重，讓整部作品的質感瞬間提升到瞭一個極高的層次。
评分 评分 评分 评分 评分相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2026 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有