From the Foreword 'It is an honour to be asked to write a foreword for this new book by Michael McMillan. I have been excited about this book ever since I read early drafts of its first two chapters some time ago at the birth of the project. At different times thereafter I have read other parts and my consistent impression has been that this is an author who has both a sophisticated academic understanding of the material and a great skill in communicating that widely. Those two qualities do not often go together! The book is about change. After a first chapter in which the author introduces us to the person-centred concept of the person, chapter two is devoted to the change process within the client, including a very accessible description of Rogers' process model. Chapter three goes on to explore why and how change occurs in the human being, while chapter four introduces the most up-to-date person-centred theory in relation to the nature of the self concept and its changing process.Chapters five and six explore why change occurs in therapy and the conditions that facilitate that change, while chapter seven looks beyond the core conditions to focus on the particular quality of presence, begging the question as to whether this is a transpersonal/transcendental quality or an intense experiencing of the core conditions themselves. This is an intensely modern book particularly in its postmodern emphasis. Rogers is sometimes characterised as coming from modernist times but he can also be seen as one of the early post modernists in his emphasis on process more than outcome and relationship more than personal striving. The modern nature of the book is also emphasised by a superb analysis of the relationship between focussing and person-centred therapy in Chapter five, linking also with Polanyi's notion of indwelling in this and other chapters. In suggesting that in both focussing and person-centred therapy the therapist is inviting the client to 'indwell' himself or herself, the author provides a framework for considering many modern perceptions of the approach including notions such as 'presence' and ' relational depth'.Also, the link with focussing is modern in the sense that the present World Association for the approach covers a fairly broad family including traditional person-centred therapists, experiential therapists, focussing-oriented therapists and process-guiding therapists. Important in this development is the kind of dialogue encouraged by the present book' - Dave Mearns, Strathclyde University The belief that change occurs during the therapeutic process is central to all counselling and psychotherapy. The Person-Centred Approach to Therapeutic Change examines how change can be facilitated by the counsellor offering empathy, unconditional positive regard and congruence. The Person-Centred Approach to Therapeutic Change outlines the main theoretical cornerstones of the person-centred approach and then, applying these, describes why change occurs as a result of a person-centred therapeutic encounter. The author explores the counselling relationship as an environment in which clients can open themselves up to experiences they have previously found difficult to acknowledge and to move forward.Integral to the person-centred approach is Carl Rogers' radical view that change should be seen as an ongoing process rather than an alteration from one fixed state to another. In Rogers' view psychological health is best achieved by the person who is able to remain in a state of continual change. Such a person is open to all experiences and is therefore able to assimilate and adapt to new experiences, whether 'good' or 'bad'. By focusing explicitly on how change is theorized and facilitated in counselling, this book goes to the heart of person-centred theory and practice, making it essential reading for trainees and practitioners alike.
这本书的叙事结构简直是一场华丽的迷宫,作者仿佛是一位技艺高超的织工,将复杂的心理学概念编织成一张既精美又引人入胜的图案。我花了整整一周的时间才勉强理清故事的主线,而即便是那条主线,也常常在作者抛出的哲学思辨和令人目眩的叙事转折中消散无形。书中对“真实性”的探讨尤其让我着迷,它不是那种教科书式的定义,而是在一系列看似毫不相干的场景中反复涌现,像幽灵一样萦绕在读者的心头。比如,有一段情节描述了一位老园丁与一株奇异的蓝色玫瑰的对话,那段文字的意境深远,仅仅通过环境的描写就烘托出了人物内心深处极度压抑的渴望与自我欺骗的界限。尽管情节推进缓慢,时不时需要停下来反复咀嚼那些晦涩难懂的比喻,但正是这种挑战性,使得每一次理解的突破都带来了巨大的满足感。它不是一本让你放松阅读的书,更像是一次智力上的攀登,你需要准备好面对崎岖不平的道路和时常袭来的迷雾,但山顶的风景——那些关于人类内在冲突的深刻洞察——绝对值得你付出所有的努力和时间。
评分我很少读到像这样对“关系动力”进行如此解构的作品。作者似乎拥有将人类互动中最细微的张力放大至戏剧性程度的魔力。书中对于“无条件的积极关注”的呈现方式,与其说是在讲述理论,不如说是在描绘一幅幅鲜活的、充满缺陷和挣扎的肖像画。我尤其关注了其中关于“共情性倾听”的章节,它不是那种被动地接受信息,而是主动地构建一个临时的、安全的庇护所,让那些被社会规范压抑的声音得以发出。这种构建过程的复杂性被展现得淋漓尽致——它需要参与者双方都付出极大的勇气和脆弱性。我甚至能从字里行间感受到角色们在表达真实自我时,那种颤抖的声音和略微后退的肢体语言。这种对微妙非语言线索的捕捉,使得整本书的质感极为真实和厚重。它迫使读者反思自己在日常交往中,究竟是真正在“听”,还是仅仅在等待下一个可以插话的机会。这是一本能切实改变你与世界相处方式的书,尽管过程可能有些痛苦,因为它揭示了我们太多的防御机制。
评分从装帧设计到排版细节,这本书本身就像一个精心布置的展览。纸张的质感偏向于粗粝的复古感,油墨的颜色选择也偏向于深沉的灰调,这无形中为阅读体验奠定了一种沉静而略带压抑的基调。这种对媒介本身的重视,体现了作者对“体验”的重视。书中的案例研究部分尤其精彩,它们并非是那种经过美化的成功故事,而是充满了未完成的句号和开放性的结局。我注意到,在描述一个案例的转折点时,作者总是选择在最关键的时刻戛然而止,留下大量的空白让读者自己去填补意义。这是一种非常高明的处理手法,它将“分析者”和“被分析者”的角色模糊化了,读者不再是被动的知识接收者,而是主动的意义构建者。这本书更像是一套精密的乐谱,它提供了主要的旋律和和声,但演奏的音色、速度和情感的饱满度,最终还是取决于拿起这本书的那个“人”的内心世界。它是一种关于“成为”的书,而不是关于“知道”的书。
评分这本书的语言风格如同十九世纪末的古典音乐,每一个句子的节奏感都经过了精心打磨,充满了庄严而克制的优雅。它绝非那种直截了当的散文,而是充满了大量的从句和复杂的修饰成分,要求读者必须保持高度的专注力。初读时,我时常感到挫败,因为上下文之间的逻辑跳跃显得有些突兀,似乎作者在用一种只有他自己能理解的密码进行交流。然而,随着阅读的深入,我开始欣赏这种“反直觉”的组织方式。它模仿了潜意识的运作模式,信息不是线性输入的,而是以碎片化的、情绪化的包络线形式渗入读者的意识。特别是当书中描绘角色经历重大情感创伤时,作者会突然切换到一种近乎诗歌的、高度凝练的笔法,将那份巨大的痛苦压缩在一个看似平静的短语中,这种对比产生的冲击力是毁灭性的。它要求读者不仅用头脑去理解,更要用情感的触角去触碰那些隐藏在文字背后的巨大虚空。
评分我必须承认,这本书在探讨“个人成长”与“环境限制”之间的永恒张力时,展现了一种近乎冷酷的现实主义。它并没有提供那种廉价的、保证成功的“快速修复”指南,而是直面了改变的艰巨性——它不是一个终点,而是一个永远在进行中的、充满矛盾的动态过程。书中一个重要的隐喻是关于“攀爬冰川”的比喻,强调每一步前进都伴随着滑落的风险,并且这种风险无法完全消除,只能通过持续的警觉和对自身局限的认知来管理。这与当下社会推崇的“积极心态至上”的文化形成了鲜明的对比。作者毫不留情地指出,某些根深蒂固的模式和历史创伤具有巨大的惯性,想要从中挣脱,需要的不仅仅是意愿,更是一种近乎殉道的决心。因此,这本书更像是一面镜子,映照出我们内心深处那些不愿承认的软弱和妥协,它不会给你拥抱,只会递给你一把冰冷的镐头,让你自己去凿出前路。
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