In this searing indictment of current administration policy, Charles Tiefer, a distinguished scholar of national legal affairs and former solicitor of the House of Representatives, argues that President George W. Bush methodically manipulates the law to promote right-wing causes. The beneficiaries of these machinations range from frontline pro-weapon and anti-women's rights groups to major industries that profit from lax environmental standards and military intervention in resource-rich regions. Accessibly written, legally rigorous, and meticulously documented, "Veering Right" demonstrates how the administration's already-ample arsenal for accomplishing ideological goals was expanded with weapons such as Attorney General John Ashcroft's social crusades and the polarizing 2004 election campaign. Tiefer lays out a compelling case for how the administration consistently erects barriers to media and congressional oversight that might expose covert motivations to public scrutiny.With an eye on the future, the White House is building a durable and potentially dominant machine for pursuing ideological goals by awarding lifetime judgeships and by exchanging favors for campaign funding. This book presents eye-opening evidence that ultra-conservatives could achieve previously unimaginable successes during a second Bush term. As a former Solicitor of the House of Representatives, Tiefer possesses a wealth of insight gleaned from decades of no-holds-barred investigations and judicial struggles. His wide-ranging perspective takes into account cultural changes, constitutional issues, partisan and electoral developments, and political personalities. The most exhaustive analysis to date of the Bush administration's real agenda, this book provides a rare insider's view of the strategic, devious, and potentially overpowering ways that presidents make ideological use of the law."Veering Right" documents how President Bush's secrecy and deception undermined the democratic process by misleading Congress and the public about international and domestic matters ranging from doctored Iraq weapons intelligence to covered-up drugmaker subsidies paid for by seniors. Bush's first term lays the groundwork for even more extreme right wing policies if he is re-elected. This agenda includes tilting the nation's tax structure against the middle class in Democratic states, weakening traditional Medicare by concentrating rising costs on poorer and sicker seniors, and exporting jobs via the trade fast track. John Ashcroft used religiosity and race-baiting to build his political career and, after 9/11, blocked questioning of his abuses - ranging from concealed undermining of the Bill of Rights to promoting the intolerance of the religious right - by labeling it as suspicious and even treasonous.Bush turned the public's reaction after 9/11 away from the logical Saudi suspects and against Iraq in a spectacular double-play to push his agenda in the world's oil patch. Secretary of the Interior Gail Norton and her crew of lawyer-lobbyists ran the public's resources and its pollution controls like a candy store for pariah industries. Bush's domestic legal gambits around big money paid off in 2004 with a historical gross campaign war chest as a quid pro quo for favors rendered. The Bush Administration dismantled international legal regimes ranging from arms control and women's rights to global climate control and international tobacco regulation. Bush's unilateralist alienation of potential support abroad hobbled both the Iraq occupation and the effort against terrorism.
這本書的配角群像塑造堪稱一絕,幾乎每一個齣場時間不長的角色,都擁有清晰而鮮明的“宿命感”。他們不像傳統小說中那樣僅僅是推動主角劇情的工具人,而是擁有自己完整的人生軌跡和難以言說的苦衷。比如那個在街角賣花的老婦人,她寥寥數語的對白,卻暗示瞭她一生的遺憾;又比如那個總是穿著不閤時宜西裝的銀行職員,他的刻闆背後隱藏著對自由的極度渴望。作者對社會不同階層的觀察入微,從上流社會的虛僞做作,到底層民眾的卑微掙紮,都描繪得真實可信,沒有偏頗,充滿瞭對“人”這個物種復雜性的理解。這種全景式的、不偏不倚的描摹,讓整個故事的世界觀顯得異常宏大和厚重。它成功地營造瞭一個完整的、呼吸著的社會生態係統,而不是一個為中心人物服務的舞颱。正是因為配角的豐滿,纔使得主角的選擇和睏境,顯得更加具有普遍性和曆史的厚重感,讓人感到這個故事不僅是個人的悲劇,也是時代的注腳。
评分這本書的敘事手法簡直是大師級的,作者像是一位技藝精湛的織工,將時間綫和人物命運交織在一起,讓人完全沉浸其中。故事開始時,那種緩慢而精緻的鋪陳,仿佛是老式膠片電影的開場,每一個鏡頭都充滿瞭隱喻和未言明的張力。我尤其欣賞作者對於環境細節的描摹,那種潮濕的、帶著黴味的空氣,城市裏永不停歇的喧囂,都被刻畫得入木三分,讓人仿佛能親手觸摸到那些場景。主角的內心掙紮,那種在道德的灰色地帶徘徊的煎熬,被刻畫得極其真實可信,沒有臉譜化的善惡對立,隻有復雜的人性展現。讀到中間部分時,情節的推進速度明顯加快,幾次轉摺都齣乎意料,但迴想起來,又覺得一切都順理成章,這是高明之處。那種閱讀的快感,就像是坐著一輛高速列車,窗外的風景飛速後退,但你對下一站的目的地充滿瞭好奇和期待。更妙的是,作者在關鍵時刻的留白處理,留給讀者極大的解讀空間,而不是將所有綫索都強行收攏,使得這本書在閤上書頁之後,依然能在腦海中持續發酵和迴響。這種開放式的結局處理,非常考驗讀者的共情能力和分析能力,也讓這本書擁有瞭更高的重讀價值。
评分這本書給我最大的震撼來自於其對“疏離感”的深刻探討。書中描繪的個體與社會、個體與個體之間的隔閡,是如此的冷峻和徹底,讀完後讓人忍不住審視自己與周圍世界的連接狀態。角色們大多生活在一種精神上的真空地帶,他們彼此靠近,卻又各自為營,即便是最親密的伴侶之間,也存在著一條無法逾越的鴻溝。作者沒有對這種疏離進行道德批判,而是將其視為現代生存狀態的一種必然結果,這種冷靜的觀察視角,比激烈的控訴更具穿透力。書中的對話設計也極具特色,很多時候,角色們說齣來的話與他們真正的想法之間存在巨大的落差,大量的潛颱詞和未竟之言構成瞭文本的骨架。我時常需要停下來,揣摩一個眼神、一個停頓背後隱藏的真實意圖,這使得閱讀過程充滿瞭心理上的博弈。它不是一本讓人讀後感到溫暖或安慰的書,它更像一麵冷鏡子,映照齣人與人之間那些微妙的、難以言說的裂縫,引人深思。
评分從結構上來看,這本書的章節編排非常巧妙,它采用瞭非綫性的敘事結構,將過去與現在、迴憶與現實不斷地進行交叉剪輯,這種手法要求讀者必須保持高度的專注力,纔能將散落在各處的故事碎片拼湊完整。在初期,我不得不經常翻迴去重讀前幾頁,以確認某個角色的身份或者某個事件發生的時間點,這確實增加瞭閱讀的難度,但也帶來瞭極大的智力上的滿足感——每一次成功理清邏輯脈絡,都像是在解開一個復雜的密碼。作者似乎並不在乎綫性閱讀的便捷性,而是更著重於展示“記憶”和“創傷”是如何在我們的人生中留下重疊的印記的。特彆是當兩個時間綫的敘事綫索在某一關鍵事件上匯閤時,那種“啊哈”的頓悟感,是其他小說難以給予的體驗。此外,書中的一些場景調度,比如在一個雨夜的火車站颱,不同時間段的同一批人物以不同的身份齣現,這種多重曝光的敘事技巧,展現瞭作者對敘事工具的純熟掌握,令人贊嘆。
评分這本書的語言風格,老實說,初讀時需要適應一下,因為它帶著一種古典的、近乎於散文詩般的韻律感,和現在市麵上流行的快節奏小說截然不同。作者似乎對每一個詞語的選擇都精雕細琢,句子結構往往很長,充滿瞭復雜的從句和精妙的排比,初看可能會覺得有些費力,但一旦捕捉到那種節奏,就會被其獨特的魅力所吸引。它不是那種直白的敘事,更像是在用一種極其優美的方式講述一個殘酷的故事。我特彆喜歡作者在描述人物情緒時所采用的意象,比如用“被銹蝕的鍾擺”來形容停滯不前的希望,或者用“破碎的琉璃”來比喻脆弱的信任,這些畫麵感極強的比喻,極大地提升瞭文本的文學質感。雖然節奏偏慢,但它像一壇陳年的老酒,需要時間去品味,去感受那些潛藏在文字深處的微妙情感波動。對於追求純粹娛樂性的讀者來說,或許會覺得它有些“沉重”,但對於鍾情於文字本身美感的讀者而言,這本書無疑是一場盛宴。它迫使我放慢呼吸,去聆聽文字背後的低語,去體會那種被精心構建的語境所帶來的震撼。
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