In this searing indictment of current administration policy, Charles Tiefer, a distinguished scholar of national legal affairs and former solicitor of the House of Representatives, argues that President George W. Bush methodically manipulates the law to promote right-wing causes. The beneficiaries of these machinations range from frontline pro-weapon and anti-women's rights groups to major industries that profit from lax environmental standards and military intervention in resource-rich regions. Accessibly written, legally rigorous, and meticulously documented, "Veering Right" demonstrates how the administration's already-ample arsenal for accomplishing ideological goals was expanded with weapons such as Attorney General John Ashcroft's social crusades and the polarizing 2004 election campaign. Tiefer lays out a compelling case for how the administration consistently erects barriers to media and congressional oversight that might expose covert motivations to public scrutiny.With an eye on the future, the White House is building a durable and potentially dominant machine for pursuing ideological goals by awarding lifetime judgeships and by exchanging favors for campaign funding. This book presents eye-opening evidence that ultra-conservatives could achieve previously unimaginable successes during a second Bush term. As a former Solicitor of the House of Representatives, Tiefer possesses a wealth of insight gleaned from decades of no-holds-barred investigations and judicial struggles. His wide-ranging perspective takes into account cultural changes, constitutional issues, partisan and electoral developments, and political personalities. The most exhaustive analysis to date of the Bush administration's real agenda, this book provides a rare insider's view of the strategic, devious, and potentially overpowering ways that presidents make ideological use of the law."Veering Right" documents how President Bush's secrecy and deception undermined the democratic process by misleading Congress and the public about international and domestic matters ranging from doctored Iraq weapons intelligence to covered-up drugmaker subsidies paid for by seniors. Bush's first term lays the groundwork for even more extreme right wing policies if he is re-elected. This agenda includes tilting the nation's tax structure against the middle class in Democratic states, weakening traditional Medicare by concentrating rising costs on poorer and sicker seniors, and exporting jobs via the trade fast track. John Ashcroft used religiosity and race-baiting to build his political career and, after 9/11, blocked questioning of his abuses - ranging from concealed undermining of the Bill of Rights to promoting the intolerance of the religious right - by labeling it as suspicious and even treasonous.Bush turned the public's reaction after 9/11 away from the logical Saudi suspects and against Iraq in a spectacular double-play to push his agenda in the world's oil patch. Secretary of the Interior Gail Norton and her crew of lawyer-lobbyists ran the public's resources and its pollution controls like a candy store for pariah industries. Bush's domestic legal gambits around big money paid off in 2004 with a historical gross campaign war chest as a quid pro quo for favors rendered. The Bush Administration dismantled international legal regimes ranging from arms control and women's rights to global climate control and international tobacco regulation. Bush's unilateralist alienation of potential support abroad hobbled both the Iraq occupation and the effort against terrorism.
这本书的叙事手法简直是大师级的,作者像是一位技艺精湛的织工,将时间线和人物命运交织在一起,让人完全沉浸其中。故事开始时,那种缓慢而精致的铺陈,仿佛是老式胶片电影的开场,每一个镜头都充满了隐喻和未言明的张力。我尤其欣赏作者对于环境细节的描摹,那种潮湿的、带着霉味的空气,城市里永不停歇的喧嚣,都被刻画得入木三分,让人仿佛能亲手触摸到那些场景。主角的内心挣扎,那种在道德的灰色地带徘徊的煎熬,被刻画得极其真实可信,没有脸谱化的善恶对立,只有复杂的人性展现。读到中间部分时,情节的推进速度明显加快,几次转折都出乎意料,但回想起来,又觉得一切都顺理成章,这是高明之处。那种阅读的快感,就像是坐着一辆高速列车,窗外的风景飞速后退,但你对下一站的目的地充满了好奇和期待。更妙的是,作者在关键时刻的留白处理,留给读者极大的解读空间,而不是将所有线索都强行收拢,使得这本书在合上书页之后,依然能在脑海中持续发酵和回响。这种开放式的结局处理,非常考验读者的共情能力和分析能力,也让这本书拥有了更高的重读价值。
评分这本书的配角群像塑造堪称一绝,几乎每一个出场时间不长的角色,都拥有清晰而鲜明的“宿命感”。他们不像传统小说中那样仅仅是推动主角剧情的工具人,而是拥有自己完整的人生轨迹和难以言说的苦衷。比如那个在街角卖花的老妇人,她寥寥数语的对白,却暗示了她一生的遗憾;又比如那个总是穿着不合时宜西装的银行职员,他的刻板背后隐藏着对自由的极度渴望。作者对社会不同阶层的观察入微,从上流社会的虚伪做作,到底层民众的卑微挣扎,都描绘得真实可信,没有偏颇,充满了对“人”这个物种复杂性的理解。这种全景式的、不偏不倚的描摹,让整个故事的世界观显得异常宏大和厚重。它成功地营造了一个完整的、呼吸着的社会生态系统,而不是一个为中心人物服务的舞台。正是因为配角的丰满,才使得主角的选择和困境,显得更加具有普遍性和历史的厚重感,让人感到这个故事不仅是个人的悲剧,也是时代的注脚。
评分从结构上来看,这本书的章节编排非常巧妙,它采用了非线性的叙事结构,将过去与现在、回忆与现实不断地进行交叉剪辑,这种手法要求读者必须保持高度的专注力,才能将散落在各处的故事碎片拼凑完整。在初期,我不得不经常翻回去重读前几页,以确认某个角色的身份或者某个事件发生的时间点,这确实增加了阅读的难度,但也带来了极大的智力上的满足感——每一次成功理清逻辑脉络,都像是在解开一个复杂的密码。作者似乎并不在乎线性阅读的便捷性,而是更着重于展示“记忆”和“创伤”是如何在我们的人生中留下重叠的印记的。特别是当两个时间线的叙事线索在某一关键事件上汇合时,那种“啊哈”的顿悟感,是其他小说难以给予的体验。此外,书中的一些场景调度,比如在一个雨夜的火车站台,不同时间段的同一批人物以不同的身份出现,这种多重曝光的叙事技巧,展现了作者对叙事工具的纯熟掌握,令人赞叹。
评分这本书给我最大的震撼来自于其对“疏离感”的深刻探讨。书中描绘的个体与社会、个体与个体之间的隔阂,是如此的冷峻和彻底,读完后让人忍不住审视自己与周围世界的连接状态。角色们大多生活在一种精神上的真空地带,他们彼此靠近,却又各自为营,即便是最亲密的伴侣之间,也存在着一条无法逾越的鸿沟。作者没有对这种疏离进行道德批判,而是将其视为现代生存状态的一种必然结果,这种冷静的观察视角,比激烈的控诉更具穿透力。书中的对话设计也极具特色,很多时候,角色们说出来的话与他们真正的想法之间存在巨大的落差,大量的潜台词和未竟之言构成了文本的骨架。我时常需要停下来,揣摩一个眼神、一个停顿背后隐藏的真实意图,这使得阅读过程充满了心理上的博弈。它不是一本让人读后感到温暖或安慰的书,它更像一面冷镜子,映照出人与人之间那些微妙的、难以言说的裂缝,引人深思。
评分这本书的语言风格,老实说,初读时需要适应一下,因为它带着一种古典的、近乎于散文诗般的韵律感,和现在市面上流行的快节奏小说截然不同。作者似乎对每一个词语的选择都精雕细琢,句子结构往往很长,充满了复杂的从句和精妙的排比,初看可能会觉得有些费力,但一旦捕捉到那种节奏,就会被其独特的魅力所吸引。它不是那种直白的叙事,更像是在用一种极其优美的方式讲述一个残酷的故事。我特别喜欢作者在描述人物情绪时所采用的意象,比如用“被锈蚀的钟摆”来形容停滞不前的希望,或者用“破碎的琉璃”来比喻脆弱的信任,这些画面感极强的比喻,极大地提升了文本的文学质感。虽然节奏偏慢,但它像一坛陈年的老酒,需要时间去品味,去感受那些潜藏在文字深处的微妙情感波动。对于追求纯粹娱乐性的读者来说,或许会觉得它有些“沉重”,但对于钟情于文字本身美感的读者而言,这本书无疑是一场盛宴。它迫使我放慢呼吸,去聆听文字背后的低语,去体会那种被精心构建的语境所带来的震撼。
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