The Group of Seven and Tom Thomson

The Group of Seven and Tom Thomson pdf epub mobi txt 电子书 下载 2026

出版者:Firefly Books Ltd
作者:David P. Silcox
出品人:
页数:444
译者:
出版时间:2006-8-14
价格:GBP 36.38
装帧:Hardcover
isbn号码:9781554071548
丛书系列:
图书标签:
  • 绘画
  • tom
  • seven
  • of
  • group
  • 艺术
  • 標籤!!
  • 加拿大
  • 加拿大艺术
  • 绘画
  • 自然主义
  • 风景画
  • 七人团
  • 汤姆·汤姆森
  • 艺术史
  • 加拿大历史
  • 20世纪艺术
  • 艺术运动
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具体描述

This compact edition is identical to Silcox's 2003 award winning bestseller. The book is a comprehensive study of the famous Canadian art movement, its time, 400 full colour artworks are organised by region and theme, each group introduced by an essay. At a critical time in Canada's history, the Group of Seven revolutionised the country's appreciation of itself by celebrating Canada as a wild and beautiful land. These paintings of the wilderness evoke the same response in viewers today as they did when first exhibited. The Group of Seven and Tom Thomson includes many never-before reproduced paintings and presents the most complete and extensive collection of these artists' works ever published. The 400 paintings and drawings reveal the remarkable genius of all 10 painters who at some point were part of the movement. Tom Thomson, who died before the Group was established, was always present in the public mind. Included are works by: Frank Carmichael, Frank Johnston, A.J. Casson, Arthur Lismer, Le Moine FitzGerald, I.E.H. MacDonald, Lawren Harris, Tom Thomson, Edwin Holgate, F.H. Varley, A.Y. Jackson. The artwork is organised by the various regions of Canada, with additional sections on the war years and still-life paintings. Introductory essays provide a context for a greater understanding and appreciation of Canada's most celebrated artists.

探寻加拿大早期现代艺术的波澜壮阔:一部聚焦二十世纪初本土精神的视觉史诗 书名:《光影交织:加拿大先驱艺术家群像与北美边疆的诗意回响》 内容简介: 本书深入剖析了二十世纪初加拿大艺术图景中,一股至关重要的、充满本土精神和现代主义激情的艺术运动的起源、发展与深远影响。我们不再仅仅关注某一个特定的七人团体或一位标志性画家,而是将目光投向那个时代在广袤北美大陆上,一群锐意革新、力图以全新视觉语言捕捉这片土地独特光影与原始生命力的艺术家们。 这部作品是一部视觉史诗,旨在重构一个时代的艺术氛围、社会背景以及艺术家们在面对一个尚待定义的“加拿大身份”时所展现出的巨大创造力。它详尽地描绘了从十九世纪末到一九三〇年代,加拿大视觉艺术领域所经历的深刻转型,如何从欧洲传统的学院派影响中挣脱出来,转向对本国地貌、气候和原住民文化的真诚致敬。 第一部分:欧洲回响与北美觉醒 (The Echoes of Europe and the North American Awakening) 本书的第一部分,首先为读者奠定了理解这场艺术变革的历史基础。我们考察了当时加拿大艺术家的教育路径——他们大多远赴伦敦、巴黎或纽约学习传统技法。然而,随着时代发展,一股“回归本土”的思潮开始萌芽。艺术家们逐渐意识到,模仿欧洲的田园风光或历史题材,无法准确表达他们眼中那片广阔、严酷而又充满神秘感的北方荒野。 我们将细致探讨托罗尼恩(The Group of Seven)的几位核心成员(如林斯利、哈里斯等)早期在城市环境中的创作状态,以及促使他们转向集体探索的催化剂。特别地,我们聚焦于早期探险家、博物学家和原住民文化对他们审美观念的冲击。艺术史上的“发现之旅”并非仅仅是地理上的,更是精神层面的——艺术家们开始相信,真正的加拿大艺术,必须诞生于对原始苔原、寒冷湖泊和岩石海岸线的直观体验之中。 第二部分:边疆的视觉语言:光线、形式与革新 (The Visual Language of the Frontier: Light, Form, and Innovation) 核心章节深入分析了这场艺术探索在技术和哲学层面上的突破。这些艺术家不再满足于描绘风景的“客观再现”,而是致力于捕捉“印象”和“情感”。本书详细分析了他们如何摒弃传统细致的笔触,转而采用大面积的色块、强烈的色彩对比以及富有表现力的线条来构建画面。 我们对“北方”主题的解析是本书的一大亮点。书中收录和比对了大量未被充分讨论的作品,探讨了这些艺术家如何处理极端天气条件下的光线变化——从仲夏午后刺眼的阳光,到漫长冬季的幽蓝与寂静。他们对阿尔冈昆公园(Algonquin Park)和后来的北方法域(如魁北克的圣伊莱尔山脉)的描绘,不仅仅是风景画,而是对加拿大国家性格的隐喻建构。本书尤其强调,他们如何借鉴后印象派和野兽派的某些元素,但将其完全本土化,创造出一种既现代又根植于本土经验的风格。 第三部分:超越七人:更广阔的艺术网络 (Beyond the Core Seven: The Wider Artistic Network) 本书的独特之处在于,它将视角拓展至核心团体之外,描绘了一个更复杂、更具活力的艺术生态系统。我们审视了与这七人既有合作、又有分歧的其他重要人物,他们对加拿大艺术的贡献同样不可磨灭。 例如,书中探讨了那些在水彩画领域取得卓越成就的艺术家,他们以更为轻盈和即兴的方式捕捉光影,与油画组的厚重感形成了有趣的对话。此外,我们也关注了那些在不同地域(如西海岸或海洋省份)进行探索的画家,他们虽然未加入七人组,但同样在发展独特的地域性艺术风格。通过这种“群像式”的描绘,我们得以全面理解二十世纪初加拿大艺术的多元面貌。 第四部分:文化对话与遗产传承 (Cultural Dialogue and Enduring Legacy) 最后一部分着眼于艺术的社会影响和历史定位。本书探讨了这些作品如何被公众、评论界乃至政府所接受和推广,它们在构建“加拿大身份”认同的过程中扮演了怎样的角色。我们分析了这些作品如何成为国家博物馆的基石,以及它们如何影响了后来的抽象表现主义和当代艺术家的创作。 本书还细致探讨了艺术家们与原住民文化的复杂关系。通过对早期素描和记录的考察,我们审视了艺术家们在接触原住民艺术和生活方式时所经历的敬畏、误解与吸收,揭示了他们在试图描绘这片土地的“灵魂”时所进行的艰难探索。 总结: 《光影交织》并非对既有研究的简单重复,而是一次对加拿大早期现代艺术高潮时期进行深度重构的努力。它旨在提供一个更宽广、更细致的观察视角,通过对一系列先驱艺术家的创作动机、技术选择和社会背景的详尽分析,描绘出二十世纪初加拿大艺术如何以一种充满激情和原创性的方式,成功地将其本土经验转化为具有世界意义的视觉语言。本书适合所有对现代艺术史、北美文化发展以及自然景观与人类精神交汇感兴趣的读者。

作者简介

David P. Silcox, Managing Director of Sotheby''s Canada, is an art historian, a cultural administrator and a Senior Fellow at Massey College. He is recognized for his work on the painters David Milne, Christopher Pratt and Jack Bush.

From the Author

In Canada, everyone grew up with and loved reproductions of paintings by the Group of Seven and Tom Thomson. These painters (all eleven of them!) defined the way Canadians saw their country.The Group was formed in 1920 and exhibited together only eight times from 1920 to 1931 before they disbanded in 1933. One member dropped out right after the first exhibition; another was added in 1926, another in 1929, and yet another in 1932, but the name, with delightful illogic, remained unchanged. ''The …+ read more

In Canada, everyone grew up with and loved reproductions of paintings by the Group of Seven and Tom Thomson. These painters (all eleven of them!) defined the way Canadians saw their country.

The Group was formed in 1920 and exhibited together only eight times from 1920 to 1931 before they disbanded in 1933. One member dropped out right after the first exhibition; another was added in 1926, another in 1929, and yet another in 1932, but the name, with delightful illogic, remained unchanged. ''The Group had no formal organization,'' A.Y. Jackson wrote later, ''and since we had no money we had no need of a treasurer.'' They never painted together as a group, and indeed on only two occasions did even four of them paint together. Their main focal points in Toronto were their studios and the Arts and Letters Club, where they regularly had lunch together.

You would think that such an important art movement, which determined the course of Canadian painting for decades, would have many publications to honour and display their work. But, until now, there has not been a single volume in which a generous selection of work by each member could be seen. Out of 369 colour plates, nearly a third are reproduced here for the first time. They show the wide range of subjects that attracted the Group: landscapes from the Atlantic to the Pacific and Arctic oceans, cities, towns, villages, and farms, people, flowers, and the turmoil of the First World War. This is as large a compendium of these magnificent works as is likely to be published in our time.

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很美的畫冊,忍不住買下來收藏。並非編年體回顧the group of seven從創立到成名的歷程,而是用畫中意象(花園,靜物,城市,村莊,東岸,北極等等)分隔章節。實在的內容不少,但沒來由的讚美略顯過多。

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很美的畫冊,忍不住買下來收藏。並非編年體回顧the group of seven從創立到成名的歷程,而是用畫中意象(花園,靜物,城市,村莊,東岸,北極等等)分隔章節。實在的內容不少,但沒來由的讚美略顯過多。

评分

很美的畫冊,忍不住買下來收藏。並非編年體回顧the group of seven從創立到成名的歷程,而是用畫中意象(花園,靜物,城市,村莊,東岸,北極等等)分隔章節。實在的內容不少,但沒來由的讚美略顯過多。

评分

很美的畫冊,忍不住買下來收藏。並非編年體回顧the group of seven從創立到成名的歷程,而是用畫中意象(花園,靜物,城市,村莊,東岸,北極等等)分隔章節。實在的內容不少,但沒來由的讚美略顯過多。

评分

很美的畫冊,忍不住買下來收藏。並非編年體回顧the group of seven從創立到成名的歷程,而是用畫中意象(花園,靜物,城市,村莊,東岸,北極等等)分隔章節。實在的內容不少,但沒來由的讚美略顯過多。

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