图书标签: 艺术史 艺术 老师推荐❤ pamela_lee Pamela M. Lee
发表于2024-10-06
Chronophobia pdf epub mobi txt 电子书 下载 2024
In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology. Lee discusses the chronophobia of art relative to the emergence of the Information Age in postwar culture. The accompanying rapid technological transformations, including the advent of computers and automation processes, produced for many an acute sense of historical unknowing; the seemingly accelerated pace of life began to outstrip any attempts to make sense of the present. Lee sees the attitude of 1960s art to time as a historical prelude to our current fixation on time and speed within digital culture. Reflecting upon the 1960s cultural anxiety about temporality, she argues, helps us historicize our current relation to technology and time. After an introductory framing of terms, Lee discusses such topics as "presentness" with repect to the interest in systems theory in 1960s art; kinetic sculpture and new forms of global media; the temporality of the body and the spatialization of the visual image in the paintings of Bridget Riley and the performance art of Carolee Schneemann; Robert Smithson's interest in seriality and futurity, considered in light of his reading of George Kubler's important work The Shape of Time: Remarks on the History of Things and Norbert Wiener's discussion of cybernetics; and the endless belaboring of the present in sixties art, as seen in Warhol's Empire and the work of On Kawara.
Pamela M. Lee is Associate Professor of Art and Art History at Stanford University. She is the author of Object to be Destroyed: The Work of Gordon Matta-Clark (MIT Press, 1999)
一开始不喜欢这样的写作风格来写史。但是习惯了倒觉得,我也能这样写啊。虽然有一章跟我兴趣关系不大的没读但是暂且也不会读了。所以先算看完了吧。(首页友邻能否看到这种标记广播啊啊啊啊看到了吱一声啊啊啊啊憋死我了!!!
评分一开始不喜欢这样的写作风格来写史。但是习惯了倒觉得,我也能这样写啊。虽然有一章跟我兴趣关系不大的没读但是暂且也不会读了。所以先算看完了吧。(首页友邻能否看到这种标记广播啊啊啊啊看到了吱一声啊啊啊啊憋死我了!!!
评分一开始不喜欢这样的写作风格来写史。但是习惯了倒觉得,我也能这样写啊。虽然有一章跟我兴趣关系不大的没读但是暂且也不会读了。所以先算看完了吧。(首页友邻能否看到这种标记广播啊啊啊啊看到了吱一声啊啊啊啊憋死我了!!!
评分一开始不喜欢这样的写作风格来写史。但是习惯了倒觉得,我也能这样写啊。虽然有一章跟我兴趣关系不大的没读但是暂且也不会读了。所以先算看完了吧。(首页友邻能否看到这种标记广播啊啊啊啊看到了吱一声啊啊啊啊憋死我了!!!
评分一开始不喜欢这样的写作风格来写史。但是习惯了倒觉得,我也能这样写啊。虽然有一章跟我兴趣关系不大的没读但是暂且也不会读了。所以先算看完了吧。(首页友邻能否看到这种标记广播啊啊啊啊看到了吱一声啊啊啊啊憋死我了!!!
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Chronophobia pdf epub mobi txt 电子书 下载 2024