Amazon.com Elizabeth Berg has a single great gift as a novelist. She creates heroines who are stuck and unhappy, yet deeply sympathetic. This may seem like an easy trick to pull off, but it's not. Think about it: usually when a character is mired in a problem--especially a problem stemming from her own reluctance to change, or fear of commitment, or lack of identity--the reader is ready within a few dozen pages to shout, "Pull yourself together!" and set the book aside. In contrast, Berg's characters seem like enjoyable challenges: problems with actual solutions. In Never Change, Berg uses her gift to great advantage. Middle-aged Myra Lipinsky describes herself as "the one who sat on a folding chair out in the hall with a cigar box on my lap selling tickets to the prom, but never going." And despite a flourishing career as a visiting nurse, she feels as much an also-ran as ever. As the novel begins, in fact, high school seems to be rearing its ugly head again: Chip Reardon, the heartthrob of Myra's youth, has returned to town to live with his parents. Chip is dying from a brain tumor, and Myra becomes his nurse. Berg is not the kind of writer to lay bare the unsettling power dynamics of such a situation. Instead, Chip and Myra become friends and, well, learn how to love each other. It's a testament to the author's strong sense of character that we actually believe--and what's more, care about--Myra's emergence from her emotional cocoon. And the book is full of nice details, like this snapshot of children being read to at a library, "rising up on their knees to see the pictures, resting their hands unselfconsciously on those ahead of them so that they would not lose their balance." Such careful observations, recounted in Myra's voice, make us believe that she is a character worth knowing, and worth saving. --Claire Dederer From Publishers Weekly Oprah author Berg (her Open House was a 2000 Book Club selection) turns in another sweet, unprepossessing and reassuringly predictable novel whose characters experience loneliness, loss and healing. "Odd-shaped," and with an "unfortunate" face, Myra Lipinski has been lonely all her life; she trained as a nurse "because I knew it would be a way for people to love me." Now 51, she lives alone with her dog and works as a visiting nurse in Boston, caring for an array of eccentrics that includes the feuding Schwartz couple, the feisty DeWitt Washington and the anxious teenage mother Grace. Resigned to spinsterhood, Myra is secretly thrilled when her agency assigns her to care for a former crush, Chip Reardon, who has returned to his parents' home with end-stage brain cancer. In high school, Chip was a golden boy, athletic and clever, out of ugly duckling Myra's league. Now, though, he and Myra strike up a friendship based on their mutual loneliness and on Chip's resistance to his parents, who want him to pursue aggressive treatment for his cancer. Chip prefers to die peacefully, a decision that only Myra seems to understand. Chip and Myra become inseparable: he tags along on her patient visits and eventually moves into her house, where their budding friendship takes a romantic turn. On the brink of death, Chip helps Myra to realize that her isolation is as much self-induced as fated; throughout their lives, both he and Myra have shied away from human closeness. In an inspiring, well-deserved denouement, Chip's inevitable death forces Myra to embrace the world in all its bittersweet complexity. Berg's fans will be grateful for the same gift: a novel that serves as a gentle, if unambitious, reminder to "only connect." 10-city author tour. Copyright 2001 Cahners Business Information, Inc. See all Editorial Reviews
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说实话,我买这本书纯粹是听了朋友的推荐,那位朋友对这本书的评价极高,形容它“像一剂清醒剂”。拿到后我本以为这又是那种故作深沉、用华丽辞藻堆砌起来的“文学垃圾”。但这次,我的偏见被彻底打破了。这本书最迷人之处在于它的“克制”。在所有可以大声疾呼、可以情绪爆发的地方,作者选择了沉默或极简的处理。它拒绝煽情,拒绝提供廉价的安慰,而是用一种近乎冷静的、近乎科学的笔触去解剖人性中的那些脆弱和矛盾。阅读过程中,我的情绪波动并不大,但我的脑子里却像在进行一场没有硝烟的战争,所有的既有观念都在被反复审视和推翻。作者非常擅长运用象征和隐喻,但这些象征又不是那种故弄玄虚的符号,而是根植于我们共同的生存经验之中,因此解读起来既有挑战性又充满乐趣。这本书更像是一面镜子,你看到的不是作者本人的面孔,而是你自己被光线折射后最真实的状态。
评分我花了整整一个月的时间才读完它,这对我来说是一个非常漫长的过程,通常我一周就能读完一本同等篇幅的书。这本书的阅读速度完全由你自己的心境决定。它有一种非常奇特的“吸力”,当你完全沉浸其中时,外界的一切仿佛都消失了,时间的概念变得模糊不清;但当你心神不定,被生活中的琐事打断时,你就会发现自己很难重新回到那个语境中去。作者的行文风格充满了对“存在”本身的好奇心,没有一个明确的论点贯穿始终,更像是一系列精美的、但彼此关联紧密的艺术品陈列。每一章都可以被视为一个独立的思考模块,但当你把它们串联起来时,一种宏大而又微妙的整体感便油然而生。这本书的价值不在于它能“教”你什么,而在于它能“唤醒”你什么。它让你重新关注到生命本身的质感,那种带着泥土气息的、真实的触感,而不是被标签和定义所包裹的那个虚假的世界。读完后,我感觉自己对周围的人和事多了一层温柔的理解,少了一分急躁的评判。
评分这本书,说实话,我拿到手的时候其实是有点犹豫的。封面设计得非常简洁,黑白为主,那种冷峻的风格让我以为这会是一本晦涩难懂的哲学著作,或者是那种充斥着大量专业术语的社科研究。我平时更偏爱那种情节跌宕起伏、人物性格鲜明的叙事性作品,所以这次尝试阅读可以说是抱着一种“挑战自我”的心态。然而,一旦翻开第一页,那种预期的沉重感就奇妙地消散了。作者的文字非常具有流动性,像是带着你走进一条蜿蜒的小径,每一步都有新的发现。它不是那种强行灌输观点的书,而是更像一位经验丰富的朋友在娓娓道来,分享他对生活、对时间流逝的独特见解。我尤其欣赏作者对日常细节的捕捉能力,那些我们习以为常的瞬间,在经过他笔尖的打磨后,忽然折射出一种令人深思的光芒。整本书读下来,感觉像经历了一场漫长而宁静的冥想,心灵得到了极大的梳理。它没有给我任何宏大的叙事框架,反而聚焦于个体存在中那些微妙的张力和转瞬即逝的美感,让人在合上书本后,久久地回味那种微妙的、难以言喻的触动。
评分这本书的阅读体验,可以说是全程处于一种“高频振动”的状态。我不是说它节奏快,而是它的思想密度极高,需要读者不断地进行深度加工和反刍。很多篇章读完后,我必须停下来,合上书本,盯着天花板沉思至少五分钟,才能勉强消化掉作者抛出的那个概念或者提出的那个反问。它的语言风格是那种极富节奏感的散文体,句式长短交错,语气时而激昂有力,时而低沉婉转,仿佛在进行一场精心编排的独白剧。尤其让我印象深刻的是作者在描述“时间”这一主题时所采取的独特视角,它不是线性的,而是像一个多维度的空间,过去、现在、未来似乎可以同时存在和相互影响。这种处理方式非常考验读者的心智成熟度,如果你期待的是那种轻松愉快的消遣读物,这本书绝对会让你失望。但如果你渴望在精神层面进行一次酣畅淋漓的“搏斗”,想看看自己的思维边界能被拓展到何种程度,那么这本书无疑是一剂强效的催化剂。它不是给你答案,它是给你更高级的提问方法。
评分我必须承认,这本书对我来说是一次彻头彻尾的“意料之外”。我原本期待的是那种能提供清晰路线图或标准答案的指导手册,毕竟生活中的许多难题似乎都需要一个明确的“怎么办”。但这本书,它完全没有给我们提供捷径,它做的是更根本、也更困难的事情——它挑战了我们对“改变”和“稳定”的固有认知。叙事结构非常松散,更像是一系列散点式的观察和心绪的捕捉,这在阅读初期让人有些抓不住重点,甚至会产生一丝焦躁感,仿佛在试图捕捉水中游走的鱼群。不过,耐心读下去后,我开始领悟到作者的用意。这种松散恰恰是为了模拟真实生活中的碎片化体验。它没有给你一个明确的“目标”,而是让你在阅读的过程中,自行去拼凑出属于你自己的理解和感悟。书中有些段落的用词极为精妙,精准地击中了那种在现代社会中普遍存在的疏离感和漂泊感,让人忍不住拍案叫绝,仿佛作者偷窥到了我内心深处的某些隐秘想法。这是一种非常私密的阅读体验,它不强求共鸣,但一旦共鸣产生,那种连接感是极其深刻的。
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