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Photographs are often treated as important moments, but really they are little fragments and souvenirs of an unfinished world.

Book | Saul Leiter | “There is a tremendous advantage of being unimportant." "A person 's back tells me more than the front." "It is not where it is or what it is that matters but how you see it."

Photographs are often treated as important moments, but really they are little fragments and souvenirs of an unfinished world.

大量俯拍、雨天、雪天、玻璃反射、遮擋、動感、車廂內，Sual的鏡頭語言值得細細品味、學習。不同於好友Frank的50mm黑白，Saul更喜歡用90mm，更是彩色攝影先鋒。

在書店攝影區晃蕩的時候，這本書就放在最愛的溫德森的旁邊，拿起一翻就愛上瞭，色彩的搭配、黑白的人像都很贊！且書的排版和裝潢以及紙質都很完美，越看越愛。

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...