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翻阅这本影集的时候，耳畔不断回想着爵士乐。

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大量俯拍、雨天、雪天、玻璃反射、遮挡、动感、车厢内，Sual的镜头语言值得细细品味、学习。不同于好友Frank的50mm黑白，Saul更喜欢用90mm，更是彩色摄影先锋。

大量俯拍、雨天、雪天、玻璃反射、遮挡、动感、车厢内，Sual的镜头语言值得细细品味、学习。不同于好友Frank的50mm黑白，Saul更喜欢用90mm，更是彩色摄影先锋。

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...

Saul Leiter used the smoke that snaked from the city’s pavements, or the steam that collects on the windows of a cafe, or the churned snow on the streets, as ways to manipulate the saturation of light, the contrasts of focus, and the sheen and tone of colo...