A leading figure in the New British Sculpture movement of the early 1980s, Richard Wentworth (born 1947) uses photography to register chance encounters of oddities and discrepancies in the modern landscape, expanding the possibilities of sculpture into the public realm. Documenting Wentworth's ongoing series "Making Do and Getting By," the book's 750 images document excess--a creativity beyond functionality, something transformative that lurks beneath the surface intention in acts of ordering and repair. In one image, a car door serves to mend a fence; in another, wooden crates are wedged into a doorway. Wentworth seizes on this rupture between object and intended function, object and meaning. In "Making Do and Getting By," Wentworth redefines the art of the human hand with a light and witty touch.
具體描述
讀後感
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用戶評價
悲傷，從朋友那藉的結果不知道去哪瞭，期待他今年的采訪吧
评分街頭遊蕩者發現大街小巷的現成品，小小的物件反應人們如何一點一滴改變著自己的生活
评分街頭遊蕩者發現大街小巷的現成品，小小的物件反應人們如何一點一滴改變著自己的生活
评分悲傷，從朋友那藉的結果不知道去哪瞭，期待他今年的采訪吧
评分～
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