圖書標籤: HistorieDeL'Art 藝術史 藝術 文化 哲學 theory perception Medea
发表于2024-11-07
Surface:MATTERS OF AESTHETICS, MATERIALITY, AND MEDIA pdf epub mobi txt 電子書 下載 2024
What is the place of materiality—the expression or condition of physical substance—in our visual age of rapidly changing materials and media? How is it fashioned in the arts or manifested in virtual forms? In Surface, cultural critic and theorist Giuliana Bruno deftly explores these questions, seeking to understand materiality in the contemporary world.
Arguing that materiality is not a question of the materials themselves but rather the substance of material relations, Bruno investigates the space of those relations, examining how they appear on the surface of different media—on film and video screens, in gallery installations, or on the skins of buildings and people. The object of visual studies, she contends, goes well beyond the image and engages the surface as a place of contact between people and art objects. As Bruno threads through these surface encounters, she unveils the fabrics of the visual—the textural qualities of works of art, whether manifested on canvas, wall, or screen. Illuminating the modern surface condition, she notes how façades are becoming virtual screens and the art of projection is reinvented on gallery walls. She traverses the light spaces of artists Robert Irwin, James Turrell, Tacita Dean, and Anthony McCall; touches on the textured surfaces of Isaac Julien’s and Wong Kar-wai’s filmic screens; and travels across the surface materiality in the architectural practices of Diller Scofidio + Renfro and Herzog & de Meuron to the art of Doris Salcedo and Rachel Whiteread, where the surface tension of media becomes concrete. In performing these critical operations on the surface, she articulates it as a site in which different forms of mediation, memory, and transformation can take place.
Surveying object relations across art, architecture, fashion, design, film, and new media, Surface is a magisterial account of contemporary visual culture.
Giuliana Bruno is professor of visual and environmental studies at Harvard University. Her books include Public Intimacy: Architecture and the Visual Arts and Atlas of Emotion: Journeys in Art, Architecture, and Film.
反思一下可能是自己真的不習慣(也不喜歡)這種用視覺研究/藝術史角度研究電影的方法,不管說得再天花亂墜,博物館和裝置藝術的受眾跟電影/院比起來都太過局限瞭,兩者確實有共通之處,但對於“電影搬入博物館並與之融閤”的趨勢無法采取像作者一樣正麵的態度,畢竟光通過書裏的描述和圖片很難進入那個視聽觸覺記憶被全方位激活的世界。再者也不喜歡作者的行文,說是詩意和散文化,但metaphor和wordplay來來去去也就那幾個。另外,這本書藍色漸變的設計也太醜瞭……
評分反思一下可能是自己真的不習慣(也不喜歡)這種用視覺研究/藝術史角度研究電影的方法,不管說得再天花亂墜,博物館和裝置藝術的受眾跟電影/院比起來都太過局限瞭,兩者確實有共通之處,但對於“電影搬入博物館並與之融閤”的趨勢無法采取像作者一樣正麵的態度,畢竟光通過書裏的描述和圖片很難進入那個視聽觸覺記憶被全方位激活的世界。再者也不喜歡作者的行文,說是詩意和散文化,但metaphor和wordplay來來去去也就那幾個。另外,這本書藍色漸變的設計也太醜瞭……
評分反思一下可能是自己真的不習慣(也不喜歡)這種用視覺研究/藝術史角度研究電影的方法,不管說得再天花亂墜,博物館和裝置藝術的受眾跟電影/院比起來都太過局限瞭,兩者確實有共通之處,但對於“電影搬入博物館並與之融閤”的趨勢無法采取像作者一樣正麵的態度,畢竟光通過書裏的描述和圖片很難進入那個視聽觸覺記憶被全方位激活的世界。再者也不喜歡作者的行文,說是詩意和散文化,但metaphor和wordplay來來去去也就那幾個。另外,這本書藍色漸變的設計也太醜瞭……
評分反思一下可能是自己真的不習慣(也不喜歡)這種用視覺研究/藝術史角度研究電影的方法,不管說得再天花亂墜,博物館和裝置藝術的受眾跟電影/院比起來都太過局限瞭,兩者確實有共通之處,但對於“電影搬入博物館並與之融閤”的趨勢無法采取像作者一樣正麵的態度,畢竟光通過書裏的描述和圖片很難進入那個視聽觸覺記憶被全方位激活的世界。再者也不喜歡作者的行文,說是詩意和散文化,但metaphor和wordplay來來去去也就那幾個。另外,這本書藍色漸變的設計也太醜瞭……
評分反思一下可能是自己真的不習慣(也不喜歡)這種用視覺研究/藝術史角度研究電影的方法,不管說得再天花亂墜,博物館和裝置藝術的受眾跟電影/院比起來都太過局限瞭,兩者確實有共通之處,但對於“電影搬入博物館並與之融閤”的趨勢無法采取像作者一樣正麵的態度,畢竟光通過書裏的描述和圖片很難進入那個視聽觸覺記憶被全方位激活的世界。再者也不喜歡作者的行文,說是詩意和散文化,但metaphor和wordplay來來去去也就那幾個。另外,這本書藍色漸變的設計也太醜瞭……
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Surface:MATTERS OF AESTHETICS, MATERIALITY, AND MEDIA pdf epub mobi txt 電子書 下載 2024