图书标签: 王家卫 电影 传记 香港 香港电影 电影人传记 画集 Film
发表于2025-02-07
WKW pdf epub mobi txt 电子书 下载 2025
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.
王用了一个我不认识的英文单词。
评分更期待墨镜王拍的电视剧了。
评分惊世旷世之作也许需要遭逢大难,历尽苦海波澜,食尽人间苦味,在绝望中回首绝望,可健康幸福美满的人生与创造一流的艺术品并不必然违逆。用并没有熟练到可以如杨德昌一般用来思维的英语接受采访也算是典型的墨镜风格,朦胧模糊的语言类似于他酷爱的停格加印技巧。从访谈录的层面评估,只读这一本,足够。
评分他的用功程度比孝賢還要誇張。現場不需要劇本也是他的用功方法之一。相當可怕的創作方式,等同於先榨乾自己,再榨乾劇組,最後再榨乾一次自己
评分姜文和巩俐演中文版《欲望号街车》,王家卫也是够能想。
1•介于小开和恶少之间 作为一个电影导演,王家卫介于洋场小开和洋场恶少之间。说他小开,是指他的见多识广,混迹于西方电影艺术之殿堂,喜欢在电影画面上挥金如土,追求精致和完美。说他介于小开和恶少之间,是指他徘徊于华丽的欲望和高深莫测的冷漠,不知自己究竟应该放纵...
评分在对话五里终于谈到摄像头的角度。他说,“我不喜欢像杨德昌拍摄时从上往下的那种俯视的角度,也不喜欢在拍摄时仰视他们,像小津那样。我喜欢在看电影时,人们与演员们处在同一水平线上,彼此处在平等的位置,能够与他们共情。” 谈到为何不拍摄家庭时,他说,“我对大家庭或一...
评分 评分在对话五里终于谈到摄像头的角度。他说,“我不喜欢像杨德昌拍摄时从上往下的那种俯视的角度,也不喜欢在拍摄时仰视他们,像小津那样。我喜欢在看电影时,人们与演员们处在同一水平线上,彼此处在平等的位置,能够与他们共情。” 谈到为何不拍摄家庭时,他说,“我对大家庭或一...
WKW pdf epub mobi txt 电子书 下载 2025