Secondhand Time

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Svetlana Alexievich was born in Ivano-Frankivsk, Ukraine, in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own distinctive nonfiction genre, which gathers a chorus of voices to describe a specific historical moment. Her works include War’s Unwomanly Face (1985), Last Witnesses (1985), Zinky Boys (1990), Voices from Chernobyl (1997), and Secondhand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature “for her polyphonic writings, a monument to suffering and courage in our time.”

Svetlana Alexievich was born in the Ukraine in 1948 and grew up in Belarus. As a newspaper journalist, she spent her early career in Minsk compiling first-hand accounts of World War II, the Soviet-Afghan War, the fall of the Berlin Wall and the Chernobyl meltdown. Her unflinching work—‘the whole of our history…is a huge common grave and a bloodbath’—earned her persecution from the Lukashenko regime and she was forced to emigrate. She lived in Paris, Gothenburg and Berlin before returning to Minsk in 2011. She has won a number of prizes, including the National Book Critics Circle Award, the Prix Médicis, and the Oxfam Novib/PEN Award. In 2015, she was awarded the Nobel Prize for Literature.

Bela Shayevich is a writer, translator and illustrator. Her translations have appeared in journals such as Little Star, St. Petersburg Review, and Calque. She was the editor of n+1 magazine’s translations of the Pussy Riot closing statements. Of Alexievich’s writing, she says it is ‘resounding with nothing but the truth’.

出版者:Random House
作者:Svetlana Alexievich
出品人:
頁數:496
译者:Bela Shayevich
出版時間:2016-5-24
價格:USD 30.00
裝幀:Hardcover
isbn號碼:9780399588808
叢書系列:
圖書標籤:
  • 曆史 
  • Russia 
  • 英文原版 
  • 阿列赫謝耶維奇 
  • 白俄羅斯 
  • 外國文學 
  • non-fiction 
  • 蘇俄 
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From the 2015 winner of the Nobel Prize in Literature, Svetlana Alexievich, comes the first English translation of her latest work, an oral history of the disintegration of the Soviet Union and the emergence of a new Russia.

Bringing together dozens of voices in her distinctive documentary style, Secondhand Time is a monument to the collapse of the USSR, charting the decline of Soviet culture and speculating on what will rise from the ashes of Communism.

As in all her books, Alexievich gives voice to women and men whose stories are lost in the official narratives of nation-states, creating a powerful alternative history from the personal and private stories of individuals.

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《二手时间》,2015年诺贝尔文学奖获奖作品。 苏联,一个专属于20世纪的名词,一个曾经伟大的帝国,它74年短暂的生命过去,留给人们的绝不仅仅是一地鸡毛... 1991年那风雨飘摇的3天,一个帝国轰然倒塌,人们相信的政府、领袖、乃至主义都不复存在;每个人对待这场政变的态度...  

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彼时看“同桌的你”会泪流满面,前几天看“恋爱中的犀牛”却频频笑场,就在我以为自己泪点上升了一个等级的时候,《二手时间》却让我鼻酸。 作为一个典型的自由派,我最不屑的一种生存状态就是集体无意识。体制内生活的人们就是典型的集体无意识,我们身边这样的例子也不少。...  

評分

彼时看“同桌的你”会泪流满面,前几天看“恋爱中的犀牛”却频频笑场,就在我以为自己泪点上升了一个等级的时候,《二手时间》却让我鼻酸。 作为一个典型的自由派,我最不屑的一种生存状态就是集体无意识。体制内生活的人们就是典型的集体无意识,我们身边这样的例子也不少。...  

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对一个人的评价要等到他棺盖合上的时候,对一个政权的评价要等到它下野之后,对于永不下野的政权,当然要等到它亡党之后。 但是,很多曲直和选择,是否正确,是否合乎绝大多数人的利益,又或者不符合大多数人利益但符合民族利益,又或者不符合民族的短期利益但符合民族的长期利...  

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我曾经以为世界上没有哪个民族能像我们的民族一般经历史诗般的苦难,直到我看到这本书,《二手时间》。韩国诗人高银的《在加勒比海》开头几句精准地描述了我的感受: “我曾经是个悭吝人 只顾大声喧嚷祖国蒙受的各种苦难 对其他赤裸山丘似的国家的伤痛 视而不见” 他们是从古...  

用戶評價

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眾生相的口述史:視角與信仰不同,看待問題的角度自然大相徑庭。曆史是由一個個活生生的人所組成 每個人的想法必然是主觀的 畢竟曆史從未真正客觀過 大時代下每個人無非螻蟻 讀這書的時機未免太剛好 結閤時事來看更是真實到可怕 太多的故事痛苦到連聽者如我都曾感到麻木(給我種很強烈的《一百個人的十年》的影子)不該如此 我們應當銘記 雖然唯一確定的是曆史總會不斷重復自己 他們的motherland是隔壁的我們的鏡子 活著好難 藉vodka消愁愁更愁 People don't deserve to be treated like this or do they?

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Full of sad depressing stories, even made readers’ life grey.

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瑣碎到令我暴躁 感覺對內容完全沒有整理 就鬍亂堆在一起 有些受訪者水平不足 自戀有餘

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Kindle

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《切爾諾貝利的聲音》描寫恐怖,而這本寫的是葉芝說的,恐怖的美。聽懂俄文的人說,俄文本身是門特彆melodramatic的語言,而Alexievich的作品給這種語言找到瞭最好的內容。

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