David Hare was born in Sussex in 1947. He is the author of twenty-nine plays for the stage, seventeen of which have been seen at the National Theatre. These include Plenty, The Secret Rapture, Amy's View, Gethsemane, The Power of Yes and South Downs. His many screenplays for cinema and television include Damage, The Hours and The Reader. He recently wrote and directed a trilogy of films for the BBC: Page Eight, Turks & Caicos and Salting the Battlefield.
"There are times in the theatre when you suddenly find yourself in the grip of silence. There is no fidgeting or coughing, no shifting about in seats: the audience's attention is so tense it is almost palpable. This is because it is both thrilling and dangerous: a fight to the death, or the dawning of salvation. David Hare's new play, Skylight, is punctuated by such moments. They are the signs that a dramatist of the first rank is writing at full stretch, in complete command of his material, undogmatic and unafraid, unforgiving and compassionate." (Sunday Times). Skylight was revived in a new production at the Wyndham's Theatre, London, in June 2014, which received the Evening Standard Revival of the Year Award.
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"Taking down the stars from the sky." 读完意识到把一部戏的神韵搬上舞台是件多不容易的事。
评分A night, like a skylight, revealed everything, changed nothing.
评分读的时候越发觉得他们的表演非常美好
评分权力对峙该怎么写?不同性别,不同阶级,不同意识形态阵营,本质是一样的,大卫·黑尔比多数戏文系教授懂得如何传授方法。
评分“我怀念一顿精美的早餐。包在餐巾里的烤片。羊角面包。镀银的咖啡壶,热气腾腾的咖啡。新鲜炒鸡蛋。这些,之前我从来没拥有过。失去之后,我对它们的怀念,比我想象得厉害得多。”
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