具体描述
当社会盛行实用和享乐的风气，潘登是少有的敢于反潮流的艺术家，但他开出的药方不是回到古典正宗、回到常识和理性。他的作品戏谑地描绘了世俗风气：天使、人、动物的败坏也许不应归咎于天下太平，而是更应该归咎于我们内心的无穷无尽的祸乱，尤其是那些今日占据着、蹂躏着我们生活的利欲。因为利欲是我们今日人人都受其害的痼疾，况且奢欲奴役着我们，不妨说，我们陷于深渊之中。如果说爱金钱是一种使人萎靡不振的疾病，爱享乐又是最卑鄙龌龊的。世人再也不向上看了，在也不关心自己的名誉，生活的堕落在恶性循环逐步完成，人们灵魂中的伟大品质开始衰退，凋零枯槁，他们只重视必腐必朽的肉体，而不珍惜不配的灵魂的发展。
As the practical and extravagant trend being popular in the community, Pan Deng is one of a few who dares to go against the trend, but his prescription is not the reversion of classic genius, common sense and rationality. His works portray the secular trend jokingly: angels, people, animals, probably not to blame the deterioration of peace and harmony, but it should attribute to the endless disease in our hearts, especially that acquisitiveness has occupied devastated our lives today. Since acquisitiveness is a chronic illness for everyone today, in addition, we were enslaved by the extravagant desire, so to speak, it trapped us in the abyss. Love of money is a disease that makes people stagnant, and love of extravagance is the most despicable and nasty thing. People are no longer following the convention, and nasty thing. People are no longer following the convention, and never concern about their reputation, the deterioration of life has been finished in the vicious cycle, the lofty dignity in their soul has begun to decline, being withered and haggard. They just think much of their flesh, rather than the sublimation of soul.
作者简介
Solo Exhibitions
2014
The Unrealistic Truth - 2014 Pan Deng Solo Art Show, Hanhai Exhibition Hall, San Jose, USA
Pan Deng Solo Exhibition, Mid-Hudson Heritage Center, New York, USA
2007
Animal Farm - Pan Deng Solo Exhibition, The Foundry Space, Shanghai, China
Group Exhibitions
2014
China• Jiangsu Style - Contemporary Art Exhibition, Beijing Four-dimensional Era Art Space, Beijing, China
World Wide Art Los Angeles, Los Angeles Convention Center, Los Angeles, CA, USA
Queen City Arts• Festival, Mid-Hudson Heritage Center, New York, USA
Beyond Three Worlds• Destruction, Beijing No.1 Park D, Art Institut, 5 Arts Center, Beijing, China
2013
We: 1994~2013 - The 20th Anniversary Collective Exhibition of China Song Zhuang Artists, Song Zhuang Art Museum, Beijing, China
2013 The Exhibition of Artists' Plan and Sketch, Jiu Ceng Gallery, Beijing, China
Jiangsu Area - Experience：2013 Avant-Garde Artist Exhibition，Chinese professional painter Art Museum, Beijing, China
Spring Flowers - Contemporary Art Exhibition, Yibing Art Space, Beijing, China
The 115 Artists Self- Portraits, Beijing Contemporary Art Museum, Beijing, China
2012
The First Contemporary Art 'weibo' Exhibition in 2012, Songzhuang Art Center，Beijing, China
18 Dagao Contemporary Art Exhibition, Beijing Dagao Museum, Beijing, China
Hypocrite - Contemporary Art Exhibition, Beijing Sumeng Art Gallery, Beijing, China
Art Collectors Nomination Exhibition, Mayland Artwork Exchange Center, Guangzhou, China
2011
History• New Songzhuang - 2011 New Songzhuang Era Art Exhibition, Sunshine International Art Museum, Beijing, China
Beyond reality - Easel Art, Sihe Fine Art Space, Suzhou, China
2010
China Contemporary Art Yearbook Exhibition, Sunshine International Art Museum, Beijing, China
Crossover - 2010 The 6th Culture and Art Festival of Songzhuang-China: "Antiblotio" Nanjing Art Community, Hongwan Art Museum, Beijing, China
Casual Art Festival, Sunshine International Art Museum, Beijing, China
Made in Nanjing - 2010 Contemporary Exhibition, New B Gallery, Shanghai, China
2010 Annual Exhibition of Contemporary Art, Center of Contemporary Art Shangdong, Nanjing, China
2009
Let's Play Together, Soul Collection Art, Beijing, China
2009 Fifth China Songzhuang Cultural Arts Festival Nanjing Mufu Mountain Artists Community Exhibition, Songzhuang Art Center，Beijing, China
Pebeo Nanjing Mufu Art District 2009 Spring Art Salon, Nanjing Qinghe Contemporary Art Museum, Nanjing, China
2008
Red Land - 100 Top Artists Exhibition under Single Roof at Artbase, China Beijing No.1 International Artbase, Beijing China
Four, Three, Two, One - Four Artists Contemporary Art Exhibition, Beijing Artist Village, Beijing, China
2007
99 Tents, 99 Dreams, Left Right Art Zone, Beijing, China
Fractal Image - Art Nanjing, Nanjing Museum, Nanjing, China
2005
Disease: Our Art Today, Nanjing Art Museum, Nanjing, China
2002
Basking - Nanjing Art Activity, Datang Golden Island, Nanjing, China
1999
One Hundred Years, One Hundred People, One Hundred Surnames, Nanjing Normal University, Nanjing, China
1996
Edge Sight - Artworks Exhibition, Jiangsu Provincial Art Museum, Nanjing, China
1986
Basking - Nanjing Art Activity, Xuanwu Lake Garden, Nanjing, China
目录信息
读后感
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用户评价
读完之后，我深切感受到作者对时代背景的深刻洞察力。这本书虽然讲述的是一个相对私密的故事，但它巧妙地将个体的情感纠葛嵌入到更宏大的历史和社会变迁的背景之中。书中所描绘的社会氛围、人与人之间微妙的权力关系，都具有极强的时代感和真实感。作者没有进行生硬的说教或宏大的批判，而是通过人物在特定环境下的挣扎和选择，自然而然地流露出对人性和社会结构的思考。例如，书中对于集体记忆的消解和个人身份重塑的探讨，非常具有现实意义。它让我开始反思我们自己所处的时代，那些看似理所当然的生活方式和价值观，是否也隐藏着某种结构性的困境。这本书的价值，不仅在于提供了引人入胜的故事，更在于它提供了一个审视我们自身所处世界的独特视角，具有相当的思辨价值。
评分坦率地说，这本书的后劲非常足，属于那种“放不下”的类型。它不是那种读完就遗忘的娱乐性作品，它的情感烙印会留在读者的记忆深处。我尤其欣赏作者处理“缺憾美”的高超技巧。故事中的许多期待最终都没有得到圆满的满足，许多努力似乎也导向了徒劳的结局，但恰恰是这些未尽人意之处，赋予了故事一种近乎永恒的悲剧力量。它让人体会到，生活本身就是由无数次未竟的事业和未触及的彼岸构成的。书中角色所背负的遗憾，最终转化成了一种深刻的共情，让我们意识到，真正的勇气或许不在于战胜外部的敌人，而在于带着伤痕继续前行。这种对人生命运中“不完美”的坦诚书写，让我感到一种奇特的慰藉，仿佛作者在轻声告诉我们：你所有的挣扎和不完美，都是被看见，并被理解的。
评分这部作品的语言风格无疑是其最引人注目的亮点之一。它不像那些追求华丽辞藻堆砌的文本，反而以一种近乎冷峻的精准度，直击核心。作者仿佛是一位技艺高超的雕刻家，用最简洁有力的词汇，凿刻出富有生命力的画面和场景。我常常需要放慢速度，去品味那些看似平常却蕴含深意的短句。特别是对环境和气氛的渲染，寥寥数语便能勾勒出一个鲜活的、充满气息的空间，让你能清晰地闻到空气中的味道，感受到温度的变化。这种克制的美学，反而释放出更强大的情感冲击力。书中对白的处理也极为高明，它们不仅仅是信息的传递，更是角色性格的试金石。有些对话的潜台词，比台面上的话语要丰富得多，需要读者带着自己的经验和理解去反复咀嚼，每一次重读，似乎都能发现新的层次和隐喻。这种需要“主动参与”的阅读过程，极大地提升了阅读的乐趣和深度。
评分这本书的叙事节奏简直像是一场精心编排的探戈，每一个转折都出乎意料却又在情理之中。作者对人物内心世界的刻画极其细腻，即便是最微小的犹豫和最隐秘的渴望，都被描摹得丝丝入扣。我尤其欣赏作者在构建宏大背景的同时，从未忽略个体命运的微光。读到主角面对抉择时的那种撕扯感，我仿佛能透过文字触摸到他指尖的颤抖，那种沉重与挣扎，真实得让人心疼。它不像某些作品那样急于抛出答案，反而更像是一面多棱镜，折射出人性的复杂幽微。情节推进的张力掌握得恰到好处，总是在你以为故事即将平息之时，又被一股突如其来的暗流卷入更深的漩涡。我花了整整一个周末才把它读完，合上书的那一刻，那种怅然若失的感觉久久不能散去，耳边似乎还能听到书中那些角色彼此间的低语和远去的脚步声。这本书成功地营造了一种沉浸式的阅读体验，让你感觉自己不是在阅读故事，而是亲身经历着这一切的酸甜苦辣。
评分我必须承认，这本书在结构上的创新性令人叹服。它打破了传统的线性叙事框架，采用了多视角、甚至是非时间顺序的叙事手法，但这绝不是故弄玄虚的炫技。相反，正是这种跳跃和重组，使得故事的主题得以更全面、更立体地展现。初期阅读时，我需要集中十二分的注意力去拼凑这些碎片化的信息，但当所有的线索最终汇聚成一个完整图案时，那种豁然开朗的震撼感是无与伦比的。作者巧妙地利用信息差，引导读者的预期，并在关键时刻彻底颠覆。这种叙事上的“欺骗”是善意的，它迫使我们跳出既定的思维模式，去审视那些被忽略的细节。这本书绝不是那种可以用来“打发时间”的读物，它更像是一道复杂的逻辑谜题，需要读者投入心智去解构和重建。对于那些热爱深度思考和结构美学的读者来说，这无疑是一场盛宴。
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