In Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl’s landmark essays from recent years in which she has steadily developed her very own politics of the image.
Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings.
With Introduction by Franco “Bifo” Berardi
Edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle
具體描述
讀後感
評分
評分
評分
評分
用戶評價
覺得女神的文字其實比作品還要漂亮太多
评分覺得女神的文字其實比作品還要漂亮太多
评分在看什麼呢？藝術、經濟、網絡、技術……話題非常廣泛。欣賞Steyerl的能言善辯。
评分又重新仔細讀瞭一遍。膽戰心驚
评分在通過無謂的翻譯去讀，好難，但真的很厲害
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