As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies, and new media theory explore the ways in which digital technology is transforming contemporary visual culture. The essays consider a series of questions: What constitutes the "new" in new media? How are digital aesthetics different from film aesthetics? What new forms of spectatorship and storytelling, political community, and commodity production are being enabled through the digital media?Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism. This important collection is unique in framing a range of social justice issues with aesthetic theories of new digital screen culture that will appeal to scholars and multimedia artists prepared to break new ground.
具体描述
读后感
评分
评分
评分
评分
用户评价
Haidee Wasson, Laura Marks 和 Joshua Oppenheimer的 三篇有意思。
评分Haidee Wasson, Laura Marks 和 Joshua Oppenheimer的 三篇有意思。
评分Haidee Wasson, Laura Marks 和 Joshua Oppenheimer的 三篇有意思。
评分Haidee Wasson, Laura Marks 和 Joshua Oppenheimer的 三篇有意思。
评分Haidee Wasson, Laura Marks 和 Joshua Oppenheimer的 三篇有意思。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈图书下载中心 版权所有