图书标签: 英国文学 文学研究 文学理论 外国文学 or of The Style
发表于2024-12-27
Jane Austen, or The Secret of Style pdf epub mobi txt 电子书 下载 2024
What is the world-historical importance of Jane Austen? An old maid writes with the detachment of a god. Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is. For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire "accomplishments," no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person - and might make a person peculiar.The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame. D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires.
细读的走火入魔。
评分close writing便出自于此。
评分主要读第二章“No One is Alone”。两种“style”,大S是全能、中性的叙事,简练的文风;小s是人物的品味、才智,是一系列潜意识的shame arrangement,最终会被步入婚姻的女主抛弃,但抛弃本身也应该像同志圈的flamboyance、realness那样理解。对于二者关系,似乎它们都是对(主流社会内的)边缘地位的抗议——奥斯丁是一位成功的老处女,作品既包含了对社会规范的认可(成功),也暗藏了很多shame arrangement(老处女)。个人认为如果把酷儿标签贴在Miller的分析上,酷儿也未免太中产阳光,上层同志对奥斯丁没有兴趣(像福斯特嫌弃奥斯丁太“姑婆”),而下层同志亦无缘接触,影响到的是那些渴望进入主流的边缘群体,他们既有必要也有条件展现realness。
评分主要读第二章“No One is Alone”。两种“style”,大S是全能、中性的叙事,简练的文风;小s是人物的品味、才智,是一系列潜意识的shame arrangement,最终会被步入婚姻的女主抛弃,但抛弃本身也应该像同志圈的flamboyance、realness那样理解。对于二者关系,似乎它们都是对(主流社会内的)边缘地位的抗议——奥斯丁是一位成功的老处女,作品既包含了对社会规范的认可(成功),也暗藏了很多shame arrangement(老处女)。个人认为如果把酷儿标签贴在Miller的分析上,酷儿也未免太中产阳光,上层同志对奥斯丁没有兴趣(像福斯特嫌弃奥斯丁太“姑婆”),而下层同志亦无缘接触,影响到的是那些渴望进入主流的边缘群体,他们既有必要也有条件展现realness。
评分主要读第二章“No One is Alone”。两种“style”,大S是全能、中性的叙事,简练的文风;小s是人物的品味、才智,是一系列潜意识的shame arrangement,最终会被步入婚姻的女主抛弃,但抛弃本身也应该像同志圈的flamboyance、realness那样理解。对于二者关系,似乎它们都是对(主流社会内的)边缘地位的抗议——奥斯丁是一位成功的老处女,作品既包含了对社会规范的认可(成功),也暗藏了很多shame arrangement(老处女)。个人认为如果把酷儿标签贴在Miller的分析上,酷儿也未免太中产阳光,上层同志对奥斯丁没有兴趣(像福斯特嫌弃奥斯丁太“姑婆”),而下层同志亦无缘接触,影响到的是那些渴望进入主流的边缘群体,他们既有必要也有条件展现realness。
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Jane Austen, or The Secret of Style pdf epub mobi txt 电子书 下载 2024