As we are helping with series of books which have been published and to be released, to build the full knowledge of the structure of the operation of the magnetic fields and their interactions in the world of creation for man to understand the entire process, one comes to the point that one has to explained different proportion of this entity in different levels of creation of the greater universe and not the man’s universe. In the first book the creation of of matter, the operation and interaction of smaller fields, which leads to creation of matters was explained. In the second book we merely explained the method of travel of the collection of fields in the form of so called light. In this third book, it is further I have explained the operation and interaction of a bigger cells of the same fields, which these leads to creation of the mans universe and more and what is too much for the man to understand with his present scientific knowledge and he calls it his universe.
Category: Mehran Tavakoli KESHE
Born in Iran in 1958, son of an X-ray engineer, he was introduced to the world of radiation and nuclear science at a very young age.
In 1981 he graduated from Queen Mary College, University of London, as a nuclear engineer specializing in reactor technology system control.
He has spent the years since then completing a system for the production of gravity and energy using a radioactive hydrogen-fueled reactor that is clean and safe.
He has covered all aspects of the design of a new plasma nuclear system from the very beginning to its present stage. This has included the design, the fuel, the testing and practical applications.
Since 2002 he has concentrated on completing the full range of his technology for launching into the scientific world and industry.
In September 2004 he was invited by a leading western country, through its government office organizations, to present his technology for evaluation.
From November 2004 to March 2005 his technology was under consideration by scientists at a university.
In March 2005, the report from the university declared that energy production through this new technology is feasible.
In April 2005, through government organizations, a commercial development partner was found to study the practicality of developing this system. Agreement was reached between both parties and the development company was satisfied that the system is practical and workable, as was reported in the feasibility study by the university.
By 17 September 2005 the preliminary evaluation of the system was complete and the parties agreed that they were ready to proceed with the physical production of the first Gravitational and Energy system.
European and international patents for the technology were applied for in early October 2005 for all aspects of possible use of the new technology, covering some hundreds of applications.
At the end of 2005 and the beginning of 2006 several static plasma reactors were built to confirm the theoretical principles of the technology. These static reactors all work at room temperature and at normal atmospheric pressure, and provide voltage and current.
Since the beginning of 2006 several prototypes of dynamic plasma reactors specifically designed to achieve lift and motion have been built and successfully tested.
Through the development of these new systems, deposits of nano-carbon have been generated, and Raman spectroscopy has confirmed that these are in Sp2 and Sp3 form.
The use of plasma reactors for health purposes has been tested, in cooperation with doctors, and some of the results achieved in these trials can be seen in the Health section of this website.
A paper was published about the direct capture of CO2 and CH4 from the environment, where the CO2 and CH4 were in a liquid state at room temperature and room pressure. The CO2 and CH4 were proven by IR and XRD spectroscopy performed by a Belgian university.
In July 2009 the first bookThe Universal Order of Creation of Matters was published.
In early 2011 the second bookThe Structure of the Light was published.
In October 2011 the third bookThe Origin of the Universe was published.
In 2006 the intellectual properties related to this technology were transferred to Stichting the Keshe Foundation in The Netherlands. The main objective of this Foundation is the distribution of licensing fees to five different areas related to the welfare of mankind and and world education.
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坦白说,我原本以为这是一本严肃的科普读物,但实际读完之后,我发现自己被卷入了一场精彩绝伦的文学迷宫。这本书最吸引人的地方,在于它对“时间”这一概念的解构和重塑。它没有用任何物理学公式来定义时间,而是通过讲述一个生活在不同历史切片中的家族故事来展现时间的非线性本质。想象一下,你在阅读一个十八世纪的航海日记,下一秒,你就置身于一个赛博朋克式的未来都市的意识流对话中,然而,两者之间却存在着一种不易察觉的、逻辑严密的“情绪共振”。作者的笔法极其跳跃,但又精准无比,他成功地捕捉到了人类在面对重大变革时,那种既恐惧又兴奋的矛盾心态。故事中穿插的那些短篇轶事,每一则都像一颗打磨光滑的鹅卵石,看似独立,实则共同构筑了一个关于“永恒循环”的宏大叙事。我尤其欣赏那种叙事者时不时地进行自我质疑的段落,那种近乎破译密码的阅读体验,让人在享受故事的同时,也忍不住反思自己阅读行为本身的意义。这是一部需要慢读,并且值得反复品味的文本,它的节奏感让人联想起一部结构精巧的交响乐,高低起伏,充满张力。
评分这本书最让我感到震撼的,是它对“声音景观”的构建能力。它不仅仅是文字,它似乎能让你“听见”故事。在描绘那些古老文明的遗迹时,作者笔下的风声、石块的摩擦声、以及被时间凝固的寂静,都栩栩如生地呈现在耳边。这种听觉的调动,极大地增强了阅读的沉浸感。它探讨了信息传递的衰变过程,一个被口耳相传了千年的传说,在经过无数次复述后,其“真实核心”还剩下多少?书中有一段关于一个失落语言最后一位使用者的描写,那种孤独和承载整个文明重量的绝望,通过简洁的对话和大量的留白,被表现得淋漓尽致。这本书要求读者全身心地投入,去填补那些未曾言明的空白。它更像是一部深奥的音乐剧的剧本,充满了强烈的节奏感和情绪的爆发点,但所有的表达都克制在一种近乎仪式化的状态下。读完后,我感觉自己仿佛经历了一次漫长而安静的朝圣,心灵得到了某种程度的净化和重塑,那些关于时间、关于记忆、关于存在的沉重议题,都以一种优美而难以磨灭的方式,留在了我的脑海深处。
评分这本新近拜读的鸿篇巨制,虽然主题与宇宙起源看似遥远,但其叙事手法和对人类心智的探索,却有着令人拍案叫绝的独到之处。作者似乎并不热衷于罗列冰冷的科学数据,相反,他将笔触深入到哲学思辨与个体经验的交汇点。开篇几章,通过一个略显神经质的古籍修复师的视角,构建了一个极具压迫感的密室环境,所有的宏大叙事都通过这个狭小空间内逐渐积累的焦虑感来折射。我们跟随主角,在尘封的羊皮纸和墨水的气味中,感受到一种对“已知边界”的不安。他试图通过解读那些晦涩难懂的符号来寻求某种终极的解释,但这解释却始终在指尖滑落,变成一种关于“探寻本身”的隐喻。文字的密度极高,句子结构复杂而富有韵律感,仿佛在模仿某种古老的吟诵,每一次呼吸之间都充满了对时间和存在的沉重叩问。尤其值得称赞的是,作者对光影的运用达到了出神入化的地步,书页上反射的微光,成了主角内心挣扎的具象化,让人在阅读时几乎能闻到纸张受潮后的霉味,并体验到那种在知识迷宫中迷失的眩晕感。它更像是一部关于“如何面对未知”的寓言,而非一本教科书,其深邃的内涵足以让热衷于存在主义文学的读者沉醉良久。
评分阅读体验可谓跌宕起伏,如果说前半部分是细腻入微的心理素描,那么后半部分则像是一场骤然而至的、狂热的冒险。作者突然切换到了一个高度风格化的、近乎梦呓般的叙事腔调,角色之间的对话变得极具象征意义,每一句话都像是某种古老咒语的变体。我感觉自己像是在跟随一位经验丰富的向导,穿行于一个充斥着奇异符号和超现实景观的异度空间。这本书的高明之处在于,它成功地将“探索外部世界”的冲动,转化为了对“内部世界结构”的探查。书中对于不同文化背景下“起源神话”的引用和戏仿,展现了作者广博的学识,但这种学识的运用却丝毫没有给人“炫技”的感觉,反而是服务于构建一个更加包容、更加包罗万象的“人类经验全景图”。我特别喜欢其中关于“遗忘的艺术”的那一章,作者探讨了记忆如何塑造我们的现实感,那种对集体无意识的深入挖掘,让人在合上书本后,仍会时不时地回想起那些令人不安却又无比清晰的画面。总而言之,它挑战了传统小说的结构,提供了一种近乎迷幻的、但逻辑自洽的阅读体验。
评分这本书的语言风格,简直是一场对传统散文美学的致敬与颠覆。我发现自己经常需要停下来,不是因为不理解内容,而是因为句子本身的构造太过精妙,像建筑学上的完美拱顶,让人忍不住想去触摸和审视其结构。它避开了所有流行的文学套路,没有刻意的反转,没有廉价的情感煽动,一切都建立在一种冷静到近乎冷酷的观察之上。作者似乎拥有一种“去魅”的能力,他能将最宏大的概念,通过最日常的物件来表现——比如,一滴水珠反射的天空,或者一根断裂的铅笔。故事的主线,虽然晦涩难懂,但其核心是关于“秩序的建立与崩塌”的永恒主题。我尤其欣赏作者在处理“旁观者”角色时的手法,他们既是记录者,也是行动者,其叙述视角的不稳定,恰恰反映了我们对世界认知的本质是脆弱和主观的。阅读此书,就像是在一个巨大的图书馆中寻找一本不存在的书籍的索引,过程是令人沮丧的,但每一次偶然瞥见的片段,都闪烁着智慧的光芒。
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