The fifth and final part of the complete collected stories shows Philip K. Dick at the very height of his outstanding powers. The twenty-five tales were written between 1963 and 1981, just a few months before he died, and include two stories which have been turned into box office smashes: the title story, filmed as Total Recall, and "The Little Black Box", which grew into his masterpiece Blade Runner.
Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American science fiction novelist and short story writer who foreshadowed the cyberpunk sub-genre and brought the anomic world of California to his works. Dick also explored sociological and political themes in novels dominated by monopolistic corporations and authoritarian governments. In his later works, Dick drew upon his own life experiences and addressed the nature of drug use, paranoia and schizophrenia, and religious experience and theology in novels such as A Scanner Darkly and VALIS.
The novel The Man in the High Castle bridged the genres of alternative history and science fiction, earning Dick a Hugo Award for Best Novel in 1963. Flow My Tears, The Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is unknown, won the John W. Campbell Memorial Award for best novel in 1975. "I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards," Dick wrote of these stories. "In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real."
In addition to his novels, Dick wrote approximately 121 short stories, many of which appeared in science fiction magazines.[1] Although Dick spent most of his career as a writer in near-poverty,[2] eight of his stories have been adapted into popular films since his death, including Blade Runner, Total Recall, A Scanner Darkly, Minority Report, and Impostor. In 2007, Dick became the first science fiction writer to be included in The Library of America series.
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初读此书,我被它那股扑面而来的年代气息所吸引。作者对特定历史背景的把握精准到位,各种细节的运用,从服饰、语言习惯到社会风貌,都营造出一种强烈的真实感,让人仿佛穿越回了那个特定的时空。叙事节奏的掌控堪称一流,时而如同激流般一泻千里,充满了戏剧性的冲突和高潮;时而又放缓步调,让读者有时间去消化那些潜藏在对话之下的深层含义。我特别喜欢书中对“集体记忆”与“个人遗忘”之间那种微妙张力的探讨,这种宏大叙事与微观情感的结合,使得作品的格局一下子被打开了。不过,书中某些段落的象征意义过于晦涩,初读时需要花费一些额外的精力去揣摩,但这或许正是其魅力所在——它拒绝提供简单的答案,而是鼓励读者进行主动的、深层次的思考和解读。总而言之,这是一部需要耐心对待,但回报丰厚的文学作品。
评分这本小说简直是文字的盛宴,作者的笔触细腻得让人惊叹。故事的展开如同层层剥开的洋葱,每一层都蕴含着令人意想不到的深度和复杂性。我尤其欣赏作者对人物内心世界的刻画,那些细微的情绪波动,那些难以言喻的挣扎,都被描摹得栩栩如生。主角在面对困境时的那种坚韧与脆弱的交织,让人感同身受,仿佛自己也身处于那个充满未知与挑战的世界中。情节的推进虽然不疾不徐,却充满了张力,每一个转折点都恰到好处地勾起了读者的好奇心,让人迫不及待地想知道接下来会发生什么。而且,书中的场景描写极其富有画面感,无论是熙熙攘攘的市井生活,还是宁静幽远的自然风光,都仿佛触手可及。读完之后,脑海中久久萦绕的不是故事的结局,而是那些鲜活的人物形象和那些引人深思的哲理片段。这本书无疑是一次对阅读体验的极致追求,值得反复品味。
评分这是一部让人沉下心来,细细品味的“慢阅读”佳作。它的情节推进并不依赖于戏剧性的外部冲突,更多的是通过角色之间细微的互动和心理活动的层层叠加来构建张力。作者擅长捕捉日常生活中那些被我们忽略的、稍纵即逝的情感瞬间,并将它们放大、解析,使得平凡的场景也焕发出不一样的光彩。特别是关于“记忆的可靠性”这一母题的探讨,不同角色的记忆碎片相互印证又彼此矛盾,使得整个叙事结构充满了悬念和不确定性。这种写作手法要求读者必须保持高度的专注力,因为任何一个疏忽都可能让你错过关键的线索。读完后,我感觉自己仿佛经历了一场漫长的、关于自我和真相的内在旅程,心灵得到了极大的洗涤和沉淀,非常适合在安静的午后或夜晚独自享受。
评分说实话,这本书的语言风格非常具有实验性,初看之下可能会觉得有些跳脱和不羁,但一旦适应了这种独特的节奏和句式结构,就会发现其中隐藏着一种独特的韵律美。作者似乎并不满足于传统的线性叙事,而是热衷于在时间线上进行跳跃和重组,这在开始时给我带来了一定的阅读障碍,但最终形成的却是多维度的、立体的叙事结构。书中对于“身份认同”主题的探讨是极其深刻的,它不落俗套地展现了人在不断变化的环境中如何重新定义自我,以及那些被社会标签固化的认知如何影响个体的真实存在。我最欣赏的是作者那种近乎冷峻的客观性,即使描绘最悲惨的境遇,也始终保持着一种距离感,让读者在情感共鸣之余,还能保持理性的审视视角。这本书更像是一面棱镜,折射出复杂人性的多重侧面。
评分这本书的魅力在于其无与伦比的想象力和对未来图景的构建能力。作者构建的世界观宏大而严谨,充满了逻辑自洽的设定,每一个新奇的概念和技术都不是凭空出现的装饰,而是与故事情节和人物命运紧密相连的驱动力。读到那些关于社会组织形态和人际关系变革的描写时,常常会感到一种既兴奋又不安的复杂情绪,因为它似乎在预示着某种我们尚未完全理解的未来走向。相较于一些流于表面的科幻作品,这部小说将哲学思辨巧妙地融入了硬核的设定之中,让“如果……会怎样”的设想变得既有科学依据,又有深刻的人文关怀。唯一的遗憾是,对于一些初次接触这类复杂设定的读者来说,前期需要投入较多精力去理解那些专门术语和背景知识,但一旦进入状态,那种沉浸感是无与伦比的。
评分关键是,他还很幽默。简直了。
评分最后的反转太精彩了,不得不说在那个年代就可以写出如此有想象力的短篇科幻小说太敬佩,看完好想看电影版全面回忆。
评分关键是,他还很幽默。简直了。
评分透着一股子bad joke感的科幻喜剧(?)小短篇,有点欧亨利味道的结尾。
评分透着一股子bad joke感的科幻喜剧(?)小短篇,有点欧亨利味道的结尾。
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