CLIVE STAPLES LEWIS (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a fellow and tutor in English Literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics, the Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and been transformed into three major motion pictures.
The Allegory of Love is a landmark study of a powerful and influential medieval conception. C. S. Lewis explores the sentiment called 'courtly love' and the allegorical method within which it developed in literature and thought, from its first flowering in eleventh-century Languedoc through to its transformation and gradual demise at the end of the sixteenth century. Lewis devotes particular attention to the major poems The Romance of the Rose and The Faerie Queene, and to poets including Chaucer, Gower and Thomas Usk.
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第一章围绕与奥维德传统、神话和基督教的关系展开,很补常识,第二章论及symbolism跟allegory的区别,以Thebaid为例谈Roman drift toward allegory,从寓言化诸神到兴起拟人的伦理跨度,因为对Prudentius、Claudian、Sidonius Apollinaris、Ennodius(epithalamium)、Martianus Capella、poetic school of Chartres(esp. Bernardus Sylvestris)、Alanus ab Insulis、Johannes de Altavilla不熟,啃碎了牙,第三章讲仰慕已久的《玫瑰传奇》,看到那段对语言的销魂好评痛下决心好好念法语,自乔叟章始更确信以后得重读..
评分第一章围绕与奥维德传统、神话和基督教的关系展开,很补常识,第二章论及symbolism跟allegory的区别,以Thebaid为例谈Roman drift toward allegory,从寓言化诸神到兴起拟人的伦理跨度,因为对Prudentius、Claudian、Sidonius Apollinaris、Ennodius(epithalamium)、Martianus Capella、poetic school of Chartres(esp. Bernardus Sylvestris)、Alanus ab Insulis、Johannes de Altavilla不熟,啃碎了牙,第三章讲仰慕已久的《玫瑰传奇》,看到那段对语言的销魂好评痛下决心好好念法语,自乔叟章始更确信以后得重读..
评分第一章围绕与奥维德传统、神话和基督教的关系展开,很补常识,第二章论及symbolism跟allegory的区别,以Thebaid为例谈Roman drift toward allegory,从寓言化诸神到兴起拟人的伦理跨度,因为对Prudentius、Claudian、Sidonius Apollinaris、Ennodius(epithalamium)、Martianus Capella、poetic school of Chartres(esp. Bernardus Sylvestris)、Alanus ab Insulis、Johannes de Altavilla不熟,啃碎了牙,第三章讲仰慕已久的《玫瑰传奇》,看到那段对语言的销魂好评痛下决心好好念法语,自乔叟章始更确信以后得重读..
评分everybody has waited with ever-decreasing hope, day after day, for someone or for something that does not come, and would willingly forget。。
评分第一章围绕与奥维德传统、神话和基督教的关系展开,很补常识,第二章论及symbolism跟allegory的区别,以Thebaid为例谈Roman drift toward allegory,从寓言化诸神到兴起拟人的伦理跨度,因为对Prudentius、Claudian、Sidonius Apollinaris、Ennodius(epithalamium)、Martianus Capella、poetic school of Chartres(esp. Bernardus Sylvestris)、Alanus ab Insulis、Johannes de Altavilla不熟,啃碎了牙,第三章讲仰慕已久的《玫瑰传奇》,看到那段对语言的销魂好评痛下决心好好念法语,自乔叟章始更确信以后得重读..
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