Contributions by: Jenny F. So, Nancy Steinhardt, Youngsook Pak, Wu Hung, Li Qingquan, Hsueh-man Shen, Eugene Wang, Bai Bin, Li Song, Wang Huimin, Jonathan Hay, François Louis, Foong Ping, and Hui-Wen Lu
The tenth century was a period of extensive change in East Asia, in which China was divided into regional kingdoms with the fall of the Tang dynasty in 907 and powerful northern empires, the Khitan Liao and Koryŏ dynasty, arose. Though historically regarded as a period declining into disorder between the great Tang and Song eras, it in fact saw art and culture flourish in regional contexts. Important new stylistic trends in painting, technologies of printing and ceramic making, and unprecedented features of construction of tombs and Buddhist and Daoist temples at regional centers of art emerged. At the same time, transregional interaction, exchange, and rivalries were also contributing factors to the dynamism and richness of artistic production during this period. The collected essays in this volume present groundbreaking research resulting from two international conferences organized by the Center for the Art of East Asia, Department of Art History, at the University of Chicago.
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重点读了巫鸿和乔迅的论文。巫鸿一贯展现了其对墓葬艺术解读的超强能力,令人惊叹。对我更有用的倒是乔迅将五代艺术从前-后中华帝国时代艺术转回到后-唐代艺术的重定位。这个理解很有创见性,突破了很多既定的刻板印象,为宋代艺术研究提供了全新的可能性。
评分重点读了巫鸿和乔迅的论文。巫鸿一贯展现了其对墓葬艺术解读的超强能力,令人惊叹。对我更有用的倒是乔迅将五代艺术从前-后中华帝国时代艺术转回到后-唐代艺术的重定位。这个理解很有创见性,突破了很多既定的刻板印象,为宋代艺术研究提供了全新的可能性。
评分重点读了巫鸿和乔迅的论文。巫鸿一贯展现了其对墓葬艺术解读的超强能力,令人惊叹。对我更有用的倒是乔迅将五代艺术从前-后中华帝国时代艺术转回到后-唐代艺术的重定位。这个理解很有创见性,突破了很多既定的刻板印象,为宋代艺术研究提供了全新的可能性。
评分重点读了巫鸿和乔迅的论文。巫鸿一贯展现了其对墓葬艺术解读的超强能力,令人惊叹。对我更有用的倒是乔迅将五代艺术从前-后中华帝国时代艺术转回到后-唐代艺术的重定位。这个理解很有创见性,突破了很多既定的刻板印象,为宋代艺术研究提供了全新的可能性。
评分重点读了巫鸿和乔迅的论文。巫鸿一贯展现了其对墓葬艺术解读的超强能力,令人惊叹。对我更有用的倒是乔迅将五代艺术从前-后中华帝国时代艺术转回到后-唐代艺术的重定位。这个理解很有创见性,突破了很多既定的刻板印象,为宋代艺术研究提供了全新的可能性。
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