Henry Scott Stokes is a noted journalist who has worked for both the New York Times and the London Times. He was educated at Winchester College and New College, Oxford. After graduating, he moved to Japan, where he became a journalist of the Tokyo bureau of The Times. Also around this time, he became close friends with famous Japanese author Yukio Mishima. Most recently, he has edited an anthology entitled The Kwangju Uprising: Eyewitness Press Accounts of Korea's Tiananmen. He lives in Tokyo.
Novelist, playwright, film actor, martial artist, and political commentator, Yukio Mishima (1925-1970) was arguably the most famous person in Japan at the time of his death. Henry Scott Stokes, one of Mishima's closest friends, was the only non-Japanese allowed to attend the trial of the men involved in Mishima's spectacular suicide. In this insightful and empathetic look at the writer, Stokes guides the reader through the milestones of Mishima's meteoric and eclectic career and delves into the artist's major works and themes. This biography skillfully and compassionately illuminates the achievements and disquieting ideas of a brilliant and deeply troubled man, an artist of whom Nobel Laureate Yasunari Kawabata had said, 'A writer of Mishima's caliber comes along only once every two or three hundred years.'
书极有诚意。但后半部比前半部好。因为作者60年代才第一次见到三岛本人,其后有了个人交往,写出的东西也有了实在感:三岛是可见的。而对于这位作家的前半生,作者多由作品及文献推测,但这样其实是非常不靠谱的。文字仿佛是表达意念与精神的最佳方式,却也由此可称之为最佳伪...
评分在《三岛由纪夫追记》一文中,涩泽龙彦写道,“三岛氏一生纠结于蟹”。这使我脑海中涌出一幅奇特的景象,西装笔挺的三岛由纪夫面对餐桌上八块腹肌的赤红的蟹,露出嫌恶的表情。穿斜纹西装的作家和覆红甲的蟹,这是神与神的对峙(日语中蟹与神谐音),也是血与铁的互斥,以健美...
评分在《三岛由纪夫追记》一文中,涩泽龙彦写道,“三岛氏一生纠结于蟹”。这使我脑海中涌出一幅奇特的景象,西装笔挺的三岛由纪夫面对餐桌上八块腹肌的赤红的蟹,露出嫌恶的表情。穿斜纹西装的作家和覆红甲的蟹,这是神与神的对峙(日语中蟹与神谐音),也是血与铁的互斥,以健美...
评分在《三岛由纪夫追记》一文中,涩泽龙彦写道,“三岛氏一生纠结于蟹”。这使我脑海中涌出一幅奇特的景象,西装笔挺的三岛由纪夫面对餐桌上八块腹肌的赤红的蟹,露出嫌恶的表情。穿斜纹西装的作家和覆红甲的蟹,这是神与神的对峙(日语中蟹与神谐音),也是血与铁的互斥,以健美...
评分首先要感谢杨博士的礼物????关于三岛本身我已经读了一些他的作品,并且对他的事迹也有过大概了解了,这本很详细的介绍了许多之前不是了解得太清楚地方。读这本书很有趣的一个阅读体验是,边读会对之前一些已经初步形成但没有深入系统的总结的概念进行思考和归纳,然后读到后面...
美与暴烈
评分顶替 上海
评分型男三岛
评分三岛由纪夫一生的故事。总的来说是很好的传记,作者是三岛的朋友,资料充足,分析听起来也合理,但有些地方不是太确定因为作者日语能力和对东亚历史文化的了解有限。了解了三岛创作的不同时期,也确认了以前的一些猜想。从50年代末虚无主义时期开始他就在寻找出路,但根本找不到出路。他的死让我想起被太阳虫侵入大脑的索哥,虽然在旁人看来是一场闹剧,但哪怕自我欺骗也好,至少那个时刻他相信自己所践行的美学。就赞美太阳好了。虽然这么说有点不近人情,但也实在想不到在写完丰饶之海之后他怎么才能不死,他还能干什么呢,难道去东大讲文淆理论吗?之前看小说的时候就有一个感觉,三岛就像一只蛋鸡,一生只能下一千个蛋,全部下完就要被宰杀,然后加盐料酒葱姜八角花椒酱油小火慢炖配米饭食用。别后不知春雪霁,人生真是一场虚空大梦呢。
评分型男三岛
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