傑剋·凱魯亞剋(Jack Kerouac, 1922-1969),1922年3月12日,凱魯亞剋齣生於馬薩諸塞州洛厄爾,父母為法裔美國人,他是傢中幼子。他曾在當地天主教和公立學校就讀,以橄欖球奬學金入紐約哥倫比亞大學,結識愛倫·金斯堡、威廉·巴勒斯和尼爾·卡薩迪等“垮掉的一代”。
凱魯亞剋大學二年級退學從事文學創作,並輾轉於美國海軍和商用航運公司等處。1950年,第一部小說《鄉鎮和城市》齣版。1957年的《在路上》問世後,他成為“垮掉的一代”的代言人,躋身二十世紀最有爭議的著名作傢行列。他還著有《達摩流浪者》、《地下人》、《孤獨的旅人》和《孤獨天使》等作品。
1969年10月21日,凱魯亞剋在佛羅裏達聖彼得堡去世,享年47歲。
The legendary 1951 scroll draft of "On the Road," published word for word as Kerouac originally composed it Though Jack Kerouac began thinking about the novel that was to become "On the Road" as early as 1947, it was not until three weeks in April 1951, in an apartment on West Twentieth Street in Manhattan, that he wrote the first full draft that was satisfactory to him. Typed out as one long, single-spaced paragraph on eight long sheets of tracing paper that he later taped together to form a 120 foot scroll, this document is among the most significant, celebrated, and provocative artifacts in contemporary American literary history. It represents the first full expression of Kerouacas revolutionary aesthetic, "the" identifiable point at which his thematic vision and narrative voice came together in a sustained burst of creative energy. It was also part of a wider vital experimentation in the American literary, musical, and visual arts in the post-World War II period. It was not until more than six years later, and several new drafts, that Viking published, in 1957, the novel known to us today. On the occasion of the fiftieth anniversary of "On the Road," Viking will publish the 1951 scroll in a standard book format. The differences between the two versions are principally ones of significant detail and altered emphasis. The scroll is slightly longer and has a heightened linguistic virtuosity and a more sexually frenetic tone. It also uses the real names of Kerouacas friends instead of the fictional names he later invented for them. The transcription of the scroll was done by Howard Cunnell who, along with Joshua Kupetz, George Mouratidis, and Penny Vlagopoulos, provides a critical introduction that explains the fascinating compositional and publication history of "On the Road" and anchors the text in its historical, political, and social context.
看了记者对王永年的访谈,忍不住说两句。 译者说不喜欢这本书,并认为它没有多大文学价值,行文结构比较糟糕,还说他与凯鲁亚克,我们都有代沟,他把这本书定性为一本年轻人的书。以凯鲁亚克的出生年(1922)来看,如果他活着的话,比译者还要长几岁,那么这年轻与年老的区别就...
評分刚才在豆瓣看到关于《在路上》王永年译本的评论, 看着这陌生译者,百度了一下才知道文楚安已经在05年9月就已去世。心下黯然。 没看过王的新译本,也不想看。家里安静的躺着的是文楚安01年的译本,02年底来北京培训,在北师大附近的一家小书店购得,培训结束在回哈的火...
評分花了一周的时间读完了这本美国的经典著作。开始的时候逐字逐句的阅读,到后面就开始囫囵吞枣,最后草草翻完,一无所获。 我以为是我的阅读能力出了问题,在网上瞄了下,才发现也许是翻译的原因而导致我无法完全理解书中所要传达的真实含义。我读的是王永年版本的,没读过英文...
評分我还年轻,我已经在路上 ——读《在路上》 “我还年轻,我渴望上路。”《在路上》是一本适合心中燃烧着无限激情的人阅读的书。书中远走高飞和疯狂生活的诱惑无时无刻在激动着驿动的一颗心。 我是在大学二年级时阅读这本书的,夜深人静的时候,床头的昏黄的台灯陪伴无限澎訇的...
評分花了一周的时间读完了这本美国的经典著作。开始的时候逐字逐句的阅读,到后面就开始囫囵吞枣,最后草草翻完,一无所获。 我以为是我的阅读能力出了问题,在网上瞄了下,才发现也许是翻译的原因而导致我无法完全理解书中所要传达的真实含义。我读的是王永年版本的,没读过英文...
如果不知道想乾什麼,就上路上去尋找;如果覺得有些纍瞭,就迴傢;如果又不知道想要什麼,再上路。去哪兒不重要,乾什麼也不重要,隻是讓自己看起來可以做些什麼瞭。
评分如果不知道想乾什麼,就上路上去尋找;如果覺得有些纍瞭,就迴傢;如果又不知道想要什麼,再上路。去哪兒不重要,乾什麼也不重要,隻是讓自己看起來可以做些什麼瞭。
评分A must see!
评分如果不知道想乾什麼,就上路上去尋找;如果覺得有些纍瞭,就迴傢;如果又不知道想要什麼,再上路。去哪兒不重要,乾什麼也不重要,隻是讓自己看起來可以做些什麼瞭。
评分聖經一般
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