In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.
又读完一本陀氏的书。 这本《死屋手记》实际上是陀氏对自己西伯利亚入狱及流放生活的回忆。算是纪实文学吧。 老天待陀氏不薄,《孟子》有言,“故天将降大任于是人也,必先苦其心志,劳其筋骨,饿其体肤,空乏其身,……” 陀氏也没辜负上天的这些安排,逆境中,独饮孤独与痛苦...
評分花个半个月不到看完了《死屋手记》,书才还了一个星期,却已开始思念了,那些夜晚我像个躲在死屋角落窥视他们生活的人,是陀思妥耶夫斯基给我提供了这个绝佳的角度。比起这本书,《肖申克的救赎》有点像部童话了,虽然我也很喜欢,写监狱的作品基本没有可能超越这本书,因为什...
評分陀氏因言获罪,被沙俄统治者流放西伯利亚四年,期间得益于统治者的“仁慈”,记录了关押包括政治犯、军事犯在内的“特科”狱中一年星星点点的笔记。 与陀氏之前写给家人的信中对监狱生活和狱中囚犯的种种不满与诅咒不同,化身为书中冷静的讲述者之后,作者对其中的人员不管是囚...
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