By way of follow-up to his critically acclaimed debut monograph "Sleeping by the Mississippi," Alec Soth turns his eye to another iconic body of water, Niagara Falls. And as with his photographs of the Mississippi, these images are less about natural wonder than human desire. "I went to Niagara for the same reason as the honeymooners and suicide jumpers," says Soth, "the relentless thunder of the Falls just calls for big passion." The subject may be hot, but the pictures are quiet, the rigorously composed and richly detailed products of a large-format 8x10 camera. Working over the course of two years on both the American and Canadian sides of the Falls, Soth edited the results of his labors down to a tight and surprising album. He depicts newlyweds and naked lovers, motel parking lots, pawnshop wedding rings and love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide. Oscar Wilde wrote, "The sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life." Niagara brings viewers both the passion and the disappointment--a remarkable portrayal of modern love and its aftermath.
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alec soth和stephen shore(近期,非早期)有一个共同点,就是他们的照片都不太有技术痕迹,而形成一系列没有技术痕迹的作品本身反而成了一种技术....(?)
评分东八时区书吧
评分他说这是一段表现爱的旅程 而在美国 当人们为爱而旅行的时候 总是选择去尼亚加拉 所以他将这里作为拍照对象
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