Doubt

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本剧获得05年托尼戏剧奖最佳话剧奖

出版者:Theatre Communications Group
作者:John Patrick Shanley
出品人:
页数:120
译者:
出版时间:2005-04-26
价格:USD 12.95
装帧:Paperback
isbn号码:9781559362764
丛书系列:
图书标签:
  • 戏剧 
  • 剧本 
  • 美国 
  • 普利策 
  • 宗教 
  • play 
  • 美国文学 
  • 美国戏剧 
  •  
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"A superb new drama written by John Patrick Shanley. It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year's ten best."-Ben Brantley, The New York Times</p>

"[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing."-Linda Winer, Newsday</p>

Chosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This new play by John Patrick Shanley-the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck-dramatizes issues straight from today's headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.</p>

John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor's Song, Savage in Limbo, and Where's My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.</p>

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狄波拉说电影无法展示这个剧本的精髓。

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对话体现人物心理的逐步进程。结合大时代的背景,对各类characteristic人物进行描述。被感染的同时,我不禁想,作者是有个妄想症的母亲还是老婆女友么。。黑偏执幻想症女性黑得也太大手笔了。。。

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阅读理论书之余找了点剧本来看。忘记是几几年的普利策奖了,作者用密集的对话冲突展现故事,这种空间感是电影没有办法达到的,只能在看剧本和舞台剧中才能体会到。 窃以为作者没有简单地表明观点,只是在客观地描述一个故事,剧本中没有一方是讨人喜欢的,无论是偏执怀疑的老修女,还是有迫使孩子喝酒嫌疑的神父,都不是什么正面角色。 james修女单纯地通过“相信”从而逃避问题当然可耻,老修女的“怀疑”是一种勇气,可是偏执狂一般的怀疑真的叫人敬畏吗?中国崇尚的中庸是对“度”的把控,可是多少才是恰好?这是一个问题。

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【电子版】Sister Aloysius与Father Flynn的针锋相对。Doubt can be a bond as powerful and sustaining as certainty.

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虽然涉及猥亵男童的社会关注点,但是重点却在于让我们去深入思考,自我信仰和怀疑的真假与虚实。我们确实很可能因为做错事。

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