Jonathan D. Spence (Chinese name: 史景遷, August 11, 1936– ) is a British-born historian and public intellectual specializing in Chinese history. He has been Sterling Professor of History at Yale University since 1993. His most famous book is The Search for Modern China, which has become one of the standard texts on the last several hundred years of Chinese history. A prolific author, reviewer, and essayist, his other books include The Death of Woman Wang (1978); The Memory Palace of Matteo Ricci (1984); The Question of Hu (1987); Chinese Roundabout: Essays on History and Culture; The Gate of Heavenly Peace: The Chinese and Their Revolution 1895-1980; The Chan's Great Continent: China in Western Minds; and God's Chinese Son (1996). His research often takes him to many Chinese universities.
As the first great age of European naval exploration came to an end in the late sixteenth century, merchants and missionaries began to travel to the Far East in search of new markets and new harvests of souls.
One of the most extraordinary of these travellers was Matteo Ricci, a Jesuit who left his native Italy in 1577 and journeyed first to India and then to China, where he lived and worked from 1583 until his death in 1610.
To capture the complex emotional and religious drama of Ricci's life, Jonathan Spence has shifted away from conventional biographical techniques and has placed his subject in a structure of images that Ricci himself composed. One set of these images derives from four crucial moments in the Bible, which Ricci introduced to China by means of wood engravings with his appnded commentaries, one set is found in a book on the art of memory, which Ricci composed in Chinese and circulated among members of the Ming dynasty's elite.
The result is not only a rich and compelling narrative about Ricci's life in Italy, India and China, but also a significant work of global history, in which intellectual, social, military, maritime and religious themes are drawn together, juxtaposing the world of Counter-Reformation Europe with that of Ming China. The Memory Palace that Ricci attempted to describe in print is transformed in Spence's extraordinary book into a frame for Ricci's life and a metaphor for the hopes and fears of a largely forgotten world.
今天读完《利玛窦的记忆之宫:当西方遇到东方》,在手机上看,眼睛比较酸涩。这本书出我意料的吸引我。本来找到它是为了学习利玛窦的记忆法,可书里作者只以利玛窦记忆之宫的四个形象为背景依据,描述了利玛窦在中国的传教经历,从而以此为线索,引出当时的中国和西方的社会的...
评分读书笔记403:利玛窦的记忆宫殿 从武汉回宁波的高铁长达五个多小时,在孩子的吵闹声中把这部书读完。昨晚回到酒店的时候,躺在床上眯了一回,被冻醒的时候已然是十二点了。在豆瓣书店挑了这部书,女老板很是热情,结账的时候又推荐了两部书,于是一并拿了。 史景迁的传记手法与...
评分 评分上篇:利玛窦这个人 一个外国人,不远万里来到中国,这是什么精神?这就是那时传教士们一心的向往:愿普天之下,皆播撒甘霖,愿蒙蔽的双眼,冲破那黑暗。为了这个理想,他们披荆斩棘,飘洋过海,忍受着寒冷、饥饿、憎恨、嘲笑、轻视、侮辱、监狱、疾病,甚至于死亡,忍受着疏...
a strangely beautiful book
评分a strangely beautiful book
评分a strangely beautiful book
评分a strangely beautiful book
评分a strangely beautiful book
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