Modern minimalism with a Japanese touch Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline’s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world’s greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed elsewhere in architecture. This book provides the perfect introduction to Ando’s work, including private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, and in France, Italy, Spain, and the USA.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
下次去日本 會去看看這些建築
评分下次去日本 會去看看這些建築
评分下次去日本 會去看看這些建築
评分通過清水混凝土建立建築內外的反差，減少外部光綫對內部空間的影響(這點和日本古建築傳統相似)，並把注意力集中到建築結構上。混凝土立麵在周邊沒有其他建築物的時候還是可以接受的，但如果周邊是比較協調的建築群，一抹混凝土立麵就成為瞭達達主義對日常景觀的暴力入侵，曼切斯特公民強烈要求拆除的 Japanese Pavillion 就是其代錶，不管是誰設計的，這種 mindfuck 感是揮之不去的。感覺安藤忠雄的建築結構弧麵用的比較多，營造“找不到門，卻處處是入口”的效果，在自己傢裏找到閤適的位置砌一麵弧形的牆體對空間調度的優化效果還是非常顯著的。
评分原來是安藤忠雄！好喜歡他對空間和結構分把控。
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