Acclaimed as a modern dramatic masterpiece, "Rosencrantz and Guildenstern Are Dead" is the fabulously inventive tale of "Hamlet" as told from the worm's-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of "Waiting for Godot" resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
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讀後感
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评分拋開《Rosencrantz和Gildenstern已死》裏那些悲觀而荒誕的存在主義戲碼不看，斯托帕德要探討的是死亡本身的虛無性。戲劇裏的空間是一個無論信念還是機會都無法解釋的世界，這種世界空洞的毫無存在的可能。因此某種意義上，R和G兩人從一開始就已經死掉瞭。第三幕寫的最佳。
评分很精妙但放在現在來看略顯老套 永恒的話題絕不能與形式割裂
评分Theatre of Absurd/Existentialism
评分R4 配閤Hamlet
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