Born in Tel Aviv in 1966, Rutu Modan is an illustrator and cartoonist. She cofounded an independent publishing house for alternative comic artists, Actus Tragicus, and has received much recognition for her work, both within Israel and abroad, including nominations for Eisner, Ignatz, and Angoulême awards. Modan has taught comics and illustration at the Bezalel Academy of Art and Design in Jerusalem, and currently lives in England with her family.
INCLUDED ON MORE THAN TEN BEST OF THE YEAR LISTS, INCLUDING THE GUARDIAN, PUBLISHERS WEEKLY, SALON, AMAZON, AND THE WASHINGTON POST!
"Modan delights in bringing the subtlest emotional shadings to vivid and often comical life on the page...[The Property is a] wryly funny and ultimately wrenching graphic novel." -NPR
The award-winning author of Exit Wounds returns with a story about secrets, money, and the bonds of love
The Property is a work that will inspire, fascinate, and delight readers and critics alike. Savvy and insightful, elegant and subtle, Rutu Modan's second full-length graphic novel is a triumph of storytelling and fine lines.
After the death of her son, Regina Segal takes her granddaughter Mica to Warsaw, hoping to reclaim a family property lost during the Second World War. As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren't a little different than what her grandmother led her to believe.
Modan offers up a world populated by prickly seniors, smart-alecky public servants, and stubborn women-a world whose realism is expressed alternately in the absurdity of people's behavior and in the complex consequences of their sacrifices. Modan's ever-present wit is articulated perfectly in her clear-line style, while a subtle, almost muted color palette complements the true-to-life nuances of her characterization. Exit Wounds made a huge splash for this signature combination of wit, style, and realism, and The Property will cement Modan's status as one of the foremost cartoonists working today.
如果是拍成电影,《遗产》一定是非常有趣的喜剧,而书中的幽默感,也正是这本图画小说如此吸引人的重要原因。 正是这种游走在每个人物刻画之中以及人物关系之间的幽默感,使这个故事鲜活起来,使每个人物有血有肉。读完之后,画面中那两位经历过战争与屠杀威胁的老人、一个把自...
評分 評分 評分这算是一个绘本吧? 忘记在哪里看到的安利,书的质量很好,故事以漫画的形式讲述,很短,我看完它前后用了大概2小时。 怎么讲呢,故事本身我觉得亮点并不突出的,不过还是有受益的,比如他用3种不同的字体来区分对话中的3种语言。这种思维日后说不定我发散一下,说不定也能用得...
評分这算是一个绘本吧? 忘记在哪里看到的安利,书的质量很好,故事以漫画的形式讲述,很短,我看完它前后用了大概2小时。 怎么讲呢,故事本身我觉得亮点并不突出的,不过还是有受益的,比如他用3种不同的字体来区分对话中的3种语言。这种思维日后说不定我发散一下,说不定也能用得...
「In winter there’s no sun at all in Sweden.」 「But they say in summer Sweden is the most beautiful place in the world.」 其實在熟悉Holocaust的歷史之後重讀完全是不一樣的感受,深瀋又濃烈的情感源源不斷的從書頁中湧齣,傷感卻絕無刻意煽情。
评分畫的不好的graphic novel好臉譜化 猶太人怎麼天天錢啊錢的 還是個人經曆/成長係的漫畫稍微看下去一點
评分The first graphic novel I read, taking 2.5h. And the book is definitely worth the time!
评分榖口治郎分分鍾教你做人
评分一晚上就給看完瞭,情緒飽滿環環相扣。不同語言的處理既真實又埋下小小懸念,romantic不死。第184頁看得淚崩。
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