INCLUDED ON MORE THAN TEN BEST OF THE YEAR LISTS, INCLUDING THE GUARDIAN, PUBLISHERS WEEKLY, SALON, AMAZON, AND THE WASHINGTON POST!
"Modan delights in bringing the subtlest emotional shadings to vivid and often comical life on the page...[The Property is a] wryly funny and ultimately wrenching graphic novel." -NPR
The award-winning author of Exit Wounds returns with a story about secrets, money, and the bonds of love
The Property is a work that will inspire, fascinate, and delight readers and critics alike. Savvy and insightful, elegant and subtle, Rutu Modan's second full-length graphic novel is a triumph of storytelling and fine lines.
After the death of her son, Regina Segal takes her granddaughter Mica to Warsaw, hoping to reclaim a family property lost during the Second World War. As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren't a little different than what her grandmother led her to believe.
Modan offers up a world populated by prickly seniors, smart-alecky public servants, and stubborn women-a world whose realism is expressed alternately in the absurdity of people's behavior and in the complex consequences of their sacrifices. Modan's ever-present wit is articulated perfectly in her clear-line style, while a subtle, almost muted color palette complements the true-to-life nuances of her characterization. Exit Wounds made a huge splash for this signature combination of wit, style, and realism, and The Property will cement Modan's status as one of the foremost cartoonists working today.
Born in Tel Aviv in 1966, Rutu Modan is an illustrator and cartoonist. She cofounded an independent publishing house for alternative comic artists, Actus Tragicus, and has received much recognition for her work, both within Israel and abroad, including nominations for Eisner, Ignatz, and Angoulême awards. Modan has taught comics and illustration at the Bezalel Academy of Art and Design in Jerusalem, and currently lives in England with her family.
从小到大噩梦只有两种,一种是幽暗的楼道、逼仄的学习环境的重复折磨;一种是自己化身犹太人四处躲避屠杀。拿到这本书可以说偶合了我第二个噩梦的内容。 其实这个故事看似简单,一位犹太老太太带着孙女回到华沙,想要要回过去的房产,而房产现在的所有者恰恰是自己过去的恋人—...
评分班古里昂机场。 一对祖孙过安检时被拦了下来,原因是老太太带了一大瓶矿泉水。 安检员让老太太扔掉矿泉水,也许没有坐过飞机,老太太对此非常不理解:“挺好的一瓶水,你让我扔了?!” 安检员有点无奈:“不好意思,这是安全规定。”“可这是我刚买的,你看还封着盖呢!” 排...
我不是小瞧奶油浓汤,毕竟这个世界上仍有一些作家并不能如读者所愿提供一份顺滑的阅读,但是,这根本不重要,至少这里不重要。他畏惧了——也许本人并无自觉——在用手撮起这份粗粝,撒入菜肴,点石成金时,他畏惧了,他保留了,因为他清楚这份粗粝的重量。这里没有谁应当被责怪,但是为了成就柔顺口感中那完美的底味,必须,有所牺牲。
评分一部好的图像小说真像一部让读者在自己的头脑里完成的电影,介于动静之间,可以跟着人物和故事前进,也可以自由地停下来细细地看全部的细节。没有音乐,也照样可以情绪涌动。
评分画师很用心地描绘一些小细节让人物即刻立体起来,残酷沉重的战争也无法抹去人性的闪光。多年后的重逢太感慨了,儿子去世分开的旧日情侣才借这个缘由跨国相见,但女人在喜欢的人面前永远是少女哈!(1967本
评分画师很用心地描绘一些小细节让人物即刻立体起来,残酷沉重的战争也无法抹去人性的闪光。多年后的重逢太感慨了,儿子去世分开的旧日情侣才借这个缘由跨国相见,但女人在喜欢的人面前永远是少女哈!(1967本
评分好好看鸭
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