Why Education Is Useless Daniel Cottom "A tour de force, implicitly summarizing and commenting on more than two millennia of arguments about the function of education. Why Education Is Useless is craftily written and thoroughly enjoyable."--Michael Berube, author of The Employment of English: Theory, Jobs, and the Future of Literary Studies Education is useless because it destroys our common sense, because it isolates us from the rest of humanity, because it hardens our hearts and swells our heads. Bookish persons have long been subjects of suspicion and contempt and nowhere more so, perhaps, than in the United States during the past twenty years. Critics of education point to the Nazism of Martin Heidegger, for example, to assert the inhumanity of highly learned people; they contend that an oppressive form of identity politics has taken over the academy and complain that the art world has been overrun by culturally privileged elitists. There are always, it seems, far more reasons to disparage the ivory tower than to honor it. The uselessness of education, particularly in the humanities, is a pervasive theme in Western cultural history. With wit and precision, Why Education Is Useless engages those who attack learning by focusing on topics such as the nature of humanity, love, beauty, and identity as well as academic scandals, identity politics, multiculturalism, and the corporatization of academe. Asserting that hostility toward education cannot be dismissed as the reaction of barbarians, fools, and nihilists, Daniel Cottom brings a fresh perspective to all these topics while still making the debates about them comprehensible to those who are not academic insiders. A brilliant and provocative work of cultural argument and analysis, Why Education Is Useless brings in materials from literature, philosophy, art, film, and other fields and proceeds from the assumption that hostility to education is an extremely complex phenomenon, both historically and in contemporary American life. According to Cottom, we must understand the perdurable appeal of this antagonism if we are to have any chance of recognizing its manifestations--and countering them. Ranging in reference from Montaigne to George Bush, from Sappho to Timothy McVeigh, Why Education Is Useless is a lively investigation of a notion that has persisted from antiquity through the Renaissance and into the modern era, when the debate over the relative advantages of a liberal and a useful education first arose. Facing head on the conception of utility articulated in the nineteenth century by John Stuart Mill, and directly opposing the hostile conceptions of inutility that have been popularized in recent decades by such ideologues as Allan Bloom, Harold Bloom, and John Ellis, Cottom contends that education must indeed be "useless" if it is to be worthy of its name. Daniel Cottom is David A. Burr Chair of Letters at the University of Oklahoma. He is author of numerous books, including Ravishing Tradition: Cultural Forces and Literary History and Cannibals and Philosophers: Bodies of Enlightenment. 2003 | 256 pages | 6 x 9 ISBN 978-0-8122-3720-7 | Cloth | $45.00s | GBP29.50 ISBN 978-0-8122-0168-0 | Ebook | $45.00s | GBP29.5 0 World Rights | Education Short copy: "A tour de force, implicitly summarizing and commenting on more than two millennia of arguments about the function of education."--Michael Berube, author of The Employment of English: Theory, Jobs, and the Future of Literary Studies
Daniel Cottom is David A. Burr Chair of Letters at the University of Oklahoma. He is author of numerous books, including Ravishing Tradition: Cultural Forces and Literary History and Cannibals and Philosophers: Bodies of Enlightenment.
不敢写书评,虽然感想有不少。在产假的第一天从书柜中找到这本尘封已旧的“奇书”,但是看了序言之后,心中的疑惑升起,于是看了下豆瓣评分和评价,果然大家和我的感受比较类似。于是,臭鸡蛋为什么要继续吃下去呢?姑且只练练笔,不要让孕傻固着在脑壳里了。 《教育为何...
评分《如何用你的眼睛》的作者埃尔金斯写过一本书叫《艺术是不能教的》,现在这本书是《教育为何是无用的》,前者相信艺术是个人的禀赋,是教不出来的,后者说的是,越教育越糟糕,岂止无用。 不过,写一本书叫《教育为何是无用的》,一定不能象这本书那样写得那么深,非得受很多的...
评分好几次在“学尔雅”都见到这本书,感觉很有趣的一个选题。 最近一次去书店的时候,终于大致把前言给翻看了一遍。 其中的一个论点是,因为教育,我们更习惯用理性冷漠的看待世界,而越发忽略了去感受世界,去相信直觉。 还有一点是教育让我们变得教条主义,变得沉闷;同时又变得...
评分教育如果是灌输强制,就会压制人性;如果是疏导、启发对他人还是有益的。没有教育似乎是不行,那就看如何教育了。 下面内容摘自《教育为何是无用的》一书: 教育无用,因为它打破我们的常识 教育无用,因为它让我们脱离实用性 从文艺复兴时期一直到如今的人文主义者并不是真的...
评分教育如果是灌输强制,就会压制人性;如果是疏导、启发对他人还是有益的。没有教育似乎是不行,那就看如何教育了。 下面内容摘自《教育为何是无用的》一书: 教育无用,因为它打破我们的常识 教育无用,因为它让我们脱离实用性 从文艺复兴时期一直到如今的人文主义者并不是真的...
阅读这本书的过程,与其说是获取知识,不如说是一场与作者精神的深度对话,它完全颠覆了我过去对许多既定观念的理解,像一把锋利的刻刀,毫不留情地削去了我思维中的冗余和僵化部分。作者的叙事节奏掌握得炉火纯青,时而如湍急的河流,用一连串密集且极具冲击力的论据将你推向思考的边缘;时而又像静谧的湖泊,留出大片空白,让你有时间去消化那些刚刚被抛出的、令人不安却又无比深刻的洞察。他那种穿插在论证中的个人轶事,处理得极其精妙,绝非炫耀,而是作为一种情感锚点,将那些抽象的哲学思辨拉回到真实的人类境遇中,让人感同身受,体会到理论背后的血肉温度。这本书的论证逻辑严密到近乎残酷,但其底色却又充满了对人类潜能的终极关怀,读完后,我不是感到沮丧,反而是有一种被彻底清理和重塑后的清爽感,仿佛被要求重新审视了自己生命中所有重要的决定。
评分我必须承认,初次接触这本书的某些章节时,我感到了一种强烈的“被冒犯”感,它毫不留情地戳破了许多社会共识构建的精致泡沫。作者的观点极具挑衅性,仿佛他手里握着一把手术刀,专门对准了那些我们习以为常、却从未深究的体制和假设。例如,他对某些主流教育模式的剖析,其犀利程度让我一度想合上书本,逃回自己舒适区的旧有认知里。然而,正是这种近乎“冒犯”的直白,迫使我停下来,开始认真审视自己被植入的那些默认设定。这本书的价值,或许并不在于提供一个崭新的乌托邦蓝图,而在于它提供了一种强大的“反思工具”,让你有勇气去质疑那些被神圣化的东西。它更像是一剂强效的清醒剂,让你在迷雾中看清脚下的泥泞,虽然过程可能不适,但最终的认知升级却是无可替代的。
评分从排版和细节设计上,这本书也展现出一种极高的学术品味,完全脱离了快餐读物的廉价感。内文的留白处理得恰到好处,既保证了文字的呼吸感,又在视觉上营造出一种专注阅读的氛围,这对于理解如此复杂的主题至关重要。我注意到,作者在引用和注释上的规范性达到了近乎苛刻的程度,这不仅体现了其严谨的学术态度,也为那些希望进一步深挖特定论点的读者提供了可靠的路径。更值得称赞的是,书中穿插的几张图表或示意图,虽然数量不多,但每一张都经过精心设计,用最简洁的视觉语言阐释了复杂的因果关系或系统结构,它们如同路标,帮助读者在浩瀚的论证中保持清晰的导航。这本书散发出的那种对知识本体的敬畏感和对阅读体验的尊重,使得它在我的书架上,成为了一个无可替代的、需要被郑重对待的文本。
评分这本书的装帧设计简直是一场视觉的冒险,那种粗粝的纸张触感和略带泛黄的底色,让人仿佛穿越回了某个旧图书馆的深处,空气中弥漫着尘封已久的书香。封面上的那枚抽象的、像是被墨水晕染开来的图形,既有种强烈的现代艺术感,又莫名地带着一丝古典的神秘,让人忍不住想要深究它背后的含义。我特别喜欢那种字体选择,衬线和非衬线字体的巧妙混搭,在保持可读性的同时,赋予了标题一种不动声色的力量感。每一次将它从书架上抽出来,指尖拂过书脊的纹理,都像是在进行一个充满期待的仪式。它不仅仅是一本书,更像是一个精心策划的艺术品,那种对细节的执着和对质感的追求,在如今这个追求快速、廉价出版物的时代,显得尤为珍贵。说实话,光是这份对实体书的敬意,就足以让我对内容抱有更高的期待,它传递出一种信息:作者对待这份“作品”的态度是严肃且认真的,绝非敷衍塞责的产物。那种沉甸甸的分量感,握在手中,就是一种无声的承诺。
评分这本书的语言风格,用一个词来形容,就是“清醒的疏离”。作者似乎站在一个极高的、近乎冷酷的观察者的角度,审视着我们这个时代的种种社会结构和文化惯性。他的用词精准而克制,很少有华而不实的形容词或情绪化的宣泄,所有的力量都蕴含在那一个个经过千锤百炼的选择中。特别是他对某些经典理论的解构部分,那种“抽丝剥茧”的力度,简直是教科书级别的示范。他从不直接给你答案,而是搭建起一个精密的逻辑迷宫,引导你亲自去面对那些最令人不适的真相。这种写作方式对读者的要求很高,它要求你必须全神贯注,不能有丝毫的走神,否则很容易在复杂的推导过程中迷失方向。但一旦你跟上了他的步伐,那种豁然开朗的体验,是任何轻松愉快的阅读都无法比拟的,它带来的满足感,是智力上被挑战并最终征服的快感。
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