The first biography of the musician Elliott Smith, whose heartbreaking songs were rendered all the more haunting by his tragic death Best for his Oscar-nominated song "Miss Misery" from the Good Will Hunting soundtrack, Elliott Smith was catapulted to the status of indie rock star after performing at the 1997 Academy Awards. Some of his albums, XO and Either/Or among them, would become '90s classics, helping to define an understated aesthetic that owed as much to the melodic emphasis of The Beatles as it did to punk. In the afterglow of the success of "Miss Misery," Smith's fame grew-alongside his struggles with depression and substance abuse. First relocating to Brooklyn, and then finally to L.A., he fell into a downward spiral evident to friends and fans alike, even as he continued to write such beautifully realized songs as "Waltz #2 ( XO )." Drawing on new interviews with those who knew and loved Smith, and focusing on the crucial interplay between Smith's life and music, Ben Nugent compellingly and sympathetically portrays an enormously gifted, yet troubled, artist. "Nugent sheds new light on what has previously been perceived as a dark existence.... The author understands the magnificently thick atmosphere of Smith's music intimately, and submerges us in it." - Salon "Nugent did his research and left few stones unturned in telling Smith's relatively short and very sad story." - Chicago Sun-Times
there' no other key to know the positive facts about his life better than doing the moonwalk,besides that, no readers hope to get a deep understanding and talk like Kierkegaard.Yes, someone would certainly choose suicide,with no avail of homicide.so who cares?
评分there' no other key to know the positive facts about his life better than doing the moonwalk,besides that, no readers hope to get a deep understanding and talk like Kierkegaard.Yes, someone would certainly choose suicide,with no avail of homicide.so who cares?
评分there' no other key to know the positive facts about his life better than doing the moonwalk,besides that, no readers hope to get a deep understanding and talk like Kierkegaard.Yes, someone would certainly choose suicide,with no avail of homicide.so who cares?
评分there' no other key to know the positive facts about his life better than doing the moonwalk,besides that, no readers hope to get a deep understanding and talk like Kierkegaard.Yes, someone would certainly choose suicide,with no avail of homicide.so who cares?
评分there' no other key to know the positive facts about his life better than doing the moonwalk,besides that, no readers hope to get a deep understanding and talk like Kierkegaard.Yes, someone would certainly choose suicide,with no avail of homicide.so who cares?
我必须承认,这本书对我来说是一次不小的挑战,它绝非可以轻松消遣的读物。它要求读者付出巨大的认知努力去解构其多层次的文本结构和主题隐喻。这本书的强大之处在于,它探讨的议题是如此的普遍,以至于触及了人类经验中最核心的孤独感、疏离感和对意义的徒劳追寻,但作者却避开了所有陈词滥调的表达方式。他使用了一种近乎科学家的客观和艺术家的敏感相结合的方式来处理这些宏大的主题。书中的意象不断地重复和演变,形成了一个复杂的符号系统,每一次重复都带着新的含义,仿佛一面多棱镜,从不同的角度折射出同一个核心的困境。比如,某个特定的物品或场景,在不同的章节中反复出现,但每次的语境都赋予了它新的重量和含义,这种精心的布局显示了作者深厚的文学功底和对叙事控制力的把控。读完之后,我感到自己的思维被拉伸到了极限,它迫使我重新审视自己对“完整性”和“连贯性”的定义。这本书更像是一块需要耐心雕琢的璞玉,初看平平无奇,但一旦你投入足够的时间和专注力去深入,其内部隐藏的光芒就会逐渐显现出来,那是一种持久而深远的回味,而非转瞬即逝的感官刺激。
评分这本书的氛围营造堪称一绝,它成功地构建了一个具有强烈地域性和时间感的“场域”。你几乎可以闻到那些被反复提及的旧书店里的霉味,感受到窗外持续不断的阴雨天气带来的湿冷。这种身临其境的感受,不是通过大量的环境描写堆砌出来的,而是通过一种渗透式的、近乎嗅觉和触觉的细节捕捉实现的。它让我产生了一种强烈的“怀旧式焦虑”——一种对逝去时光的留恋,以及对自己尚未完全理解或体验过的人生片段的怅惘。书中人物的行动逻辑常常是非理性的、充满偶然性的,但当你代入到那种特定的情绪背景下时,你会惊觉,他们的选择是如此的“必然”。这种对人物内心深处驱动力的精准把握,使得即便是最古怪的行为,也显得合情合理。这本书的节奏控制也极其精妙,它懂得何时该加速,何时该停滞。在关键的情感爆发点,作者会突然放慢叙事,用极度详尽的心理活动来拉伸那个瞬间的长度,让读者在时间被拉伸的错觉中,充分体验角色的挣扎。读罢,我感觉自己像是经历了一次漫长而疲惫的内在旅行,身心俱疲,却又得到了某种近乎净化般的释放。
评分从文学技法的角度来看,这本书无疑是一次大胆的实验。它大量运用了意识流和象征主义的手法,使得文本的密度极高,每一个段落都像是压缩饼干,需要你细细咀嚼才能品尝出其中蕴含的全部营养。我特别注意到了作者在语言选择上的克制与精准。他很少使用华丽的辞藻堆砌,而是倾向于使用日常词汇,但通过对这些词汇的重新排列组合,竟然产生了前所未有的陌生感和诗意。这种“返璞归真”的语言策略,让原本可能显得沉重的哲学思考变得触手可及,却又保持着其深刻的内核。它成功地避免了陷入故作高深的泥潭,而是用最朴素的工具,搭建起了一座直抵灵魂深处的桥梁。这本书的对话部分也处理得非常高明,往往是那些没有说出口的话,占据了对话中最大的篇幅。角色的交流常常是错位、是回避,充满了未尽之意,这完美地模拟了现实生活中人与人之间沟通的困境与隔阂。阅读过程中,我常常会停下来,反复阅读某一个句子,不是因为我不懂,而是因为我被它简洁的力量所震慑,感叹于作者如何在有限的篇幅内,实现了如此高效的情感传导和意境渲染。
评分我对这本书的结构和叙事节奏感到惊叹,它完全颠覆了我对传统小说线性叙事的认知。作者似乎对时间的把控有着一种近乎傲慢的自信,他敢于在最关键的转折点突然抽离,将焦点投向一个看似无关紧要的细节,然后再以一种出人意料的方式将其与主线重新连接起来。这种“跳跃式”的叙事,初读时会让人感到一丝困惑,仿佛在听一首节奏复杂的爵士乐,你需要不断地调整自己的听觉模式才能跟上它变幻莫测的旋律。然而,一旦你适应了这种独特的韵律,你会发现它极大地增强了作品的真实感和碎片化生活的质感。生活本身就是由无数个不连贯的瞬间组成的,这本书完美地捕捉到了这一点。更妙的是,作者在处理人物内心独白时,那种冷静得近乎冷酷的笔触,反而凸显了人物内心深处的巨大波澜。他从不直接告诉你“他很痛苦”,而是通过对环境光线的描述、对物品摆放的观察,不动声色地构建出一个充满压抑和未被言说的痛苦的密闭空间。这需要读者有极高的主动性和想象力去填补那些留白的巨大真空,阅读的过程成了一种主动的共谋,你不再是被动的接收者,而是与作者共同完成作品的创造者。
评分这本书简直是把我拉进了一个由细腻的情感和模糊的记忆编织而成的迷宫。它不像那种高声呐喊、试图用宏大叙事来震撼读者的作品,反而更像是在深夜里,你独自坐在昏黄的灯光下,翻阅一本泛黄的日记本。作者的文字有着一种近乎催眠的力量,每一个句子都像是精心打磨过的鹅卵石,光滑而沉重,轻轻地放在你的心上。我特别欣赏它处理“缺失”的方式——那种没有被填满的空白,反而比任何具体描述都更具张力。你会感觉自己仿佛走进了作者构建的一个情绪景观,那里弥漫着怀旧的灰尘和未竟的对话。它不是在告诉你一个故事,而是在邀请你体验一种状态,一种介于清醒与梦境之间的游离感。书中的场景转换是如此的流畅自然,有时一个不经意的眼神或是一段无声的街景描写,就能瞬间将你拽入更深层次的共鸣之中。这种阅读体验,说实话,非常耗费心神,因为它要求你完全放下外界的喧嚣,只专注于那些潜藏在字里行间的微弱呼吸。读完之后,我需要时间来“消化”那种萦绕不去的情绪残留,它不是那种读完就扔掉的书,而是会像老电影的残影一样,时不时地在你脑海中闪回,带着一丝难以言喻的、既温暖又疏离的复杂滋味。
评分还是买了。。。
评分哭
评分哭
评分哭
评分还是买了。。。
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