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Watteau's Fêtes Galantes (Social History of Art)

有理有據，配閤social history of art & Marxism art history一同觀賞效果更佳。

有部分沒怎麼看懂，還是非常喜歡。前幾十頁有點無聊，偏傳記，從社會文化討論開始作者視角的獨特開始凸顯。史料的引用和綜述還算恰當，構建瞭一個階級模糊性被否定的巴黎，和因為階級矛盾而被迫草木皆兵，又被巴黎所物化的農村。有的點探討得不夠深入，可能在The Absolute Bourgeois裏麵有答案？

有部分沒怎麼看懂，還是非常喜歡。前幾十頁有點無聊，偏傳記，從社會文化討論開始作者視角的獨特開始凸顯。史料的引用和綜述還算恰當，構建瞭一個階級模糊性被否定的巴黎，和因為階級矛盾而被迫草木皆兵，又被巴黎所物化的農村。有的點探討得不夠深入，可能在The Absolute Bourgeois裏麵有答案？

有理有據，配閤social history of art & Marxism art history一同觀賞效果更佳。

第一章：On the Social History of Art Clark将19世纪中叶形容为a time when art and politics could not escape each other. For a while, in the mid nineteenth century, the State, the public and the critics agreed that art had a political sense and intention. And ...

第一章：On the Social History of Art Clark将19世纪中叶形容为a time when art and politics could not escape each other. For a while, in the mid nineteenth century, the State, the public and the critics agreed that art had a political sense and intention. And ...

第一章：On the Social History of Art Clark将19世纪中叶形容为a time when art and politics could not escape each other. For a while, in the mid nineteenth century, the State, the public and the critics agreed that art had a political sense and intention. And ...

第一章：On the Social History of Art Clark将19世纪中叶形容为a time when art and politics could not escape each other. For a while, in the mid nineteenth century, the State, the public and the critics agreed that art had a political sense and intention. And ...

第一章：On the Social History of Art Clark将19世纪中叶形容为a time when art and politics could not escape each other. For a while, in the mid nineteenth century, the State, the public and the critics agreed that art had a political sense and intention. And ...