Prisms pdf epub mobi txt 电子书 下载 2024


Prisms

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Theodor W. Adorno
The MIT Press
1983-03-29
272
USD 26.00
Paperback
Studies in Contemporary German Social Thought
9780262510257

图书标签: Adorno  文化研究  哲学  阿多诺  现代性  文论  英文原版  艺术   


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发表于2024-12-23

Prisms epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Prisms epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Prisms pdf epub mobi txt 电子书 下载 2024



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Prisms, essays in cultural criticism and society, is the work of a critic and scholar who has had a marked influence on contemporary American and German thought. It displays the unusual combination of intellectual depth, scope, and philosophical rigor that Adorno was able to bring to his subjects, whether he was writing about astrology columns in Los Angeles newspapers, the special problems of German academics immigrating to the United States during the Nazi years, or Hegel's influence on Marx.In these essays, Adorno explores a variety of topics, ranging from Aldous Huxley's Brave New World and Kafka's The Castle to Jazz, Bach, Schoenberg, Proust, Veblen's theory of conspicuous consumption, museums, Spengler, and more. His writing throughout is knowledgeable, witty, and at times archly opinionated, but revealing a sensitivity to the political, cultural, economic, and aesthetic connections that lie beneath the surfaces of everyday life.Theodor W. Adorno (1903-1969) was a student of philosophy, musicology, psychology, and sociology at Frankfurt where he later became Professor of Philosophy and Sociology and Co-Director of the Frankfurt School. During the war years he lived in Oxford, in New York, and in Los Angeles, continuing to produce numerous books on music, literature, and culture.Prisms is included in the series, Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

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Cultural Criticism and Society. Veblen's Attack on Culture. Aldous Huxley and Utopia.

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文化批判的最高拜物教便是文化概念本身。因为,就其内在意义而言,真正的艺术作品和真正的哲学不会局限于自身,即“自在的存在”。它们一直与现实社会的生活保持联系,而又超脱于现实生活。它们拒绝与盲目且无情地复制着自己的生活分摊罪责,它们坚持独立性和自主性,坚持与现行的、以目的为导向的世界分离,正是由于拒绝和坚持,它们——至少作为一种无意识的因素——隐含着自由可待实现的承诺。一个社会的总体化程度越高其精神的物化程度就越严重。文化批判面临着文化与野蛮之辩证法的最后阶段。在奥斯维辛之后,写诗是野蛮的。这甚至侵蚀着这样一种认识,即为什么如今写诗已经变得不再可能。绝对的物化曾把精神的进步作为自身的前提要素之一,但如今却有吸收整个精神的架势。如果批判的精神还将自己局限于自我满足的沉思冥想之中,就无法应对这种挑战

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只读了Notes on Kafka部分 好难

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Cultural Criticism and Society. Veblen's Attack on Culture. Aldous Huxley and Utopia.

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只读了Notes on Kafka部分 好难

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