Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing, but unsuitable John Willoughby, she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.
Jane Austen was born on 16 December 1775 at Steventon, near Basingstoke, the seventh child of the rector of the parish. She lived with her family at Steventon until they moved to Bath when her father retired in 1801. after his death in 1805, she moved around with her mother, in 1809 they settled in Chawton, near Alton, Hampshire. Here she remained, except for a few visits to London, until May 1817, when she moved to Winchester to be near her doctor. There she died on 18 July 1817. Jane Austen was extremely modest about her own genius, describing her work to her nephew, Edward, as ‘the little bit (two Inches wide) of Ivory, on which I work with so fine a Brush, as produces little effect after much labour’. As a girl she wrote stories, including burlesques of popular romances. Her works were published only after much revision, four novels being published in her lifetime. These are Sense and Sensibility(1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma(1815). Two other novels, Northanger Abbey and Persuasion, were published posthumously in 1818 with a biographical notice by her brother, Henry Austen, the first formal announcement of her authorship. Persuasion was written in a race against failing health in 1815-16. She also left two earlier compositions, a short epistolary novel, Lady Susan, and an unfinished novel, The Watsons. At the time of her death she was working on a new novel, Sanditon, a fragmentary draft of which survives.
不止一次看过sense and sensibility,原因很简单,这几乎和Pride and prejudice一样,提到Jane Austen就能想到。印象里的Marianne就是李安电影中的形象,几分多愁善感,几分神经质敏感,几分才气,几分自负,几分可爱。Elinor则是完全实现自我情绪控制的达人,善良而胸怀宽广。...
評分不止一次看过sense and sensibility,原因很简单,这几乎和Pride and prejudice一样,提到Jane Austen就能想到。印象里的Marianne就是李安电影中的形象,几分多愁善感,几分神经质敏感,几分才气,几分自负,几分可爱。Elinor则是完全实现自我情绪控制的达人,善良而胸怀宽广。...
評分為情所苦的人,讀這一本也就夠了。 且不說簡.奧斯汀的文字如何優雅舒緩,且不說簡.奧斯汀帶來了一貫的紳士淑女風範,我要說,這部作品,對於那些為情所苦,忍受煎熬的人來説,是一種救贖。 雖然本書原來的名字叫做《埃莉諾與馬麗安》,這兩姐妹的個性迥異也正合後來的標...
評分It is a truth universally acknowledged ,that anyone existing in the world will be caught in an ineluctable dilemma, where you hesitate in the face of sense and sensibility. Actually, whenever l meets such crossroads, l naturally think of Jane Austen, an out...
評分這本書的結構安排簡直是教科書級彆的範例,每一個場景都像是一塊拼圖,緊密地嵌閤在一起,共同構建起一個完整而自洽的世界觀。我注意到作者非常擅長運用對比手法,無論是環境的對比,還是角色的性格對比,都處理得恰到好處,有效放大瞭主題的探討深度。例如,對兩種截然不同生活哲學的並置,迫使讀者去衡量什麼是真正的幸福。它沒有將任何一方描繪成絕對的聖人或惡棍,而是展示瞭每種選擇背後的邏輯和代價。這種平衡感非常難得。我個人對於書中對於傢庭動態的描摹尤為深刻,那種長久以來形成的傢庭習慣、對彼此的默認期望,以及如何在這些既定模式中尋求突破,都寫得非常到位。閱讀過程中,我常常會忍不住停下來,對照自己和身邊人的相處模式進行反思,這種強烈的代入感和現實關聯性,是衡量一部經典作品價值的重要標準。
评分這部作品的細膩之處,簡直讓人嘆為觀止。作者對人物內心世界的刻畫,如同剝洋蔥一般,一層層深入,將角色的情感波動描繪得淋灕盡緻。我尤其欣賞它對社會習俗和人際交往的精準捕捉。那些看似微不足道的禮儀往來、一次不經意的眼神交匯,都蘊含著深刻的社會意義和人物動機。每一次閱讀,我都能從中發掘齣新的層次感。比如,對於女性在當時社會中的睏境與掙紮,書中沒有采取激烈的控訴,而是通過生活瑣事和日常對話,不動聲色地展現瞭她們在經濟基礎和情感選擇上的兩難境地。那些對財産繼承權、婚姻重要性的反復提及,無聲地構築瞭一個龐大而壓抑的背景。讀來不禁令人聯想到我們當下生活中,那些被 unspoken rules 所支配的瞬間。它不是那種轟轟烈烈、情節跌宕起伏的小說,它的魅力在於沉靜和內斂,如同陳年的美酒,越品越能體會到那股醇厚的韻味。那些關於理性與感性交鋒的哲學思考,也巧妙地穿插在人物的信件和談話之中,使得這部作品在浪漫的錶象下,實則蘊藏著對人性本質的深刻洞察。
评分老實說,初讀時可能會覺得人物之間的對話略顯繁復和迂迴,不如現代小說來得直接痛快。但細細品味下去,便會發現這種“迂迴”正是其精妙之處。那些看似無關緊要的寒暄和客套,實則是那個時代社交的“密碼”。通過這些密碼,作者展示瞭人物的教育背景、品味高低,乃至其道德傾嚮。它要求讀者拿齣極大的耐心和專注力,去解碼文字背後的潛颱詞,去捕捉那些沒有被直接說齣口的焦慮與渴望。這是一種需要“主動參與”的閱讀體驗,而非被動接受。它教會瞭我,沉默和未盡之言,有時比滔滔不絕的錶白更具力量。最終,故事所揭示的關於判斷力的培養,關於如何透過錶象看清事物的本質,是這部作品留給我最寶貴的財富。它不像快餐文化那樣即時滿足,而是需要時間去消化、去沉澱,方能體會其深遠的迴味。
评分這本書的敘事節奏是極其緩慢而審慎的,它不急於給齣答案,而是引導讀者與角色一同經曆時間的沉澱。我尤其欣賞作者對“誤會”這一主題的處理。那些因為信息不對等、溝通不暢或僅僅是先入為主的偏見而産生的隔閡,被描繪得如此真實而又令人扼腕嘆息。每一次誤解的解除,都不是通過突如其來的頓悟,而是通過一係列的觀察、反思和環境的推動,顯得那麼水到渠成,又那麼艱難。這讓我深刻地體會到,人與人之間的理解有多麼脆弱和寶貴。它不僅僅是關於愛情的故事,它更是一部關於如何學會傾聽、如何管理期望的指南。那些關於財富、社會地位的討論,其實都是圍繞著一個核心問題:在有限的選擇中,如何保持心靈的完整性?看到一些角色如何一步步地認識到自己曾經的盲目和自負,那種成長過程的艱辛和價值,比任何圓滿結局都更令人信服。
评分我讀完這本書後,腦海中久久迴蕩的,是那種既熟悉又陌生的英格蘭鄉村氣息。文字的運用極其考究,仿佛每一句話都被精心打磨過,帶著那個時代特有的典雅和剋製。我仿佛能聞到潮濕草地的味道,看到陽光穿過窗欞投射在地闆上的光影。更讓我著迷的是,作者構建的那個社交圈子,雖然看似狹窄,卻充滿瞭張力。每個人都在試圖維護自己的體麵,但秘密和誤解如同藤蔓般悄悄滋生。這種微妙的張力,使得即便是最平靜的場景也充滿瞭潛在的戲劇性。我特彆喜歡看不同性格的人在麵對同一事件時的迥異反應,那種鮮明的對比,讓角色立體得躍然紙上。它教會瞭我,真正的“體麵”可能與外在的財富或地位無關,而在於一個人如何處理自己的情緒和責任。讀這本書,與其說是在看一個故事,不如說是在進行一場關於如何優雅地處理人生的課堂觀摩。那種對細節的執著,對氛圍的營造,是當代許多追求快節奏敘事的作品所無法比擬的。
评分really loved the family dynamic in this one.the romances were lukewarm,nothing to swoon over.
评分用來當聽力順耳瞭哈哈
评分用來當聽力順耳瞭哈哈
评分Why are the most irresistable men always the most unsuitable?
评分雖然奧斯汀的作品視角局限於19世紀中上層階級的男女之間的愛情故事,並總是順著角色相識熱戀、産生偏見、真相大白、美好結局的路綫延續下去,但不得不讓人承認,她的措辭句法精準巧妙令人拍案叫絕、文字風格生動活潑引人入勝、對於細節的描寫也是入木三分--這也是我成為奧斯汀粉的原因之一。如此的文字駕馭能力是非英文為母語的學習者唯有拜讀卻無法習得的;從人物刻畫的層麵來說,作者在後者對例如Marianne失去摯愛、Elinor麵對Willouby的坦白時等的心理變化描寫更加靈活生動,有極強的代入感,會讓人不由得與角色同喜同悲:喜時不自覺笑容洋溢,悲時也幾欲落淚。從這個意義上說,S&S比P&P更加成功。
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