Martin Buber's I and Thou has long been acclaimed as a classic. Many prominent writers have acknowledged its influence on their work; students of intellectual history consider it a landmark; and the generation born since World War II considers Buber as one of its prophets.
The need for a new English translation has been felt for many years. The old version was marred by many inaccuracies and misunderstandings, and its recurrent use of the archaic "thou" was seriously misleading. Now Professor Walter Kaufmann, a distinguished writer and philosopher in his own right who was close to Buber, has retranslated the work at the request of Buber's family. He has added a wealth of informative footnotes to clarify obscurities and bring the reader closer to the original, and he has written a long "Prologue" that opens up new perspectives on the book and on Buber's thought. This volume should provide a new basis for all future discussions of Buber.
具体描述
读后感
如果一本书跟你有缘，它早晚都会找到你，或者说，你早晚都会遇见它。 那日，某人发来微信，问我有没有看过这本《我和你》，我说没有听过，她说你去看一看吧，看完有个问题我想跟你讨论一下。虽然是再好不过的朋友，但这实在是一个很奇怪的要求…… Anyway, 广州回上海的飞机上...
评分by Bill Kerwin I hesitate to write about this book, for, although it has influenced how I think about—and relate to--people, animals, the environment, works of art, prayer, God, you name it, there is much in it that I do not comprehend, and a few things t...
评分如果一本书跟你有缘，它早晚都会找到你，或者说，你早晚都会遇见它。 那日，某人发来微信，问我有没有看过这本《我和你》，我说没有听过，她说你去看一看吧，看完有个问题我想跟你讨论一下。虽然是再好不过的朋友，但这实在是一个很奇怪的要求…… Anyway, 广州回上海的飞机上...
评分by Bill Kerwin I hesitate to write about this book, for, although it has influenced how I think about—and relate to--people, animals, the environment, works of art, prayer, God, you name it, there is much in it that I do not comprehend, and a few things t...
评分如果一本书跟你有缘，它早晚都会找到你，或者说，你早晚都会遇见它。 那日，某人发来微信，问我有没有看过这本《我和你》，我说没有听过，她说你去看一看吧，看完有个问题我想跟你讨论一下。虽然是再好不过的朋友，但这实在是一个很奇怪的要求…… Anyway, 广州回上海的飞机上...
用户评价
marvelous piece
评分一派德国浪漫主义的片段式写作，文笔行走如诗，克尔凯郭尔式修辞和存在主义情绪描写真是震撼，直戳存在之畏。他者的维度可以呼应列维纳斯，主客关系的维度又明显十分海德格尔。真是一本神奇的书！布伯对于语言的思考是伦理的，它更像是连接我-他者中间的第三方，前提“I”意识到了语言的原始神圣性，成为一个苏格拉底式我、歌德式我和耶稣式我，从而真正以语言接触到他者。“不是上帝不在场，而是我们不在场”，“不是上帝不说话，而是我们耳朵打上了蜡”。
评分一派德国浪漫主义的片段式写作，文笔行走如诗，克尔凯郭尔式修辞和存在主义情绪描写真是震撼，直戳存在之畏。他者的维度可以呼应列维纳斯，主客关系的维度又明显十分海德格尔。真是一本神奇的书！布伯对于语言的思考是伦理的，它更像是连接我-他者中间的第三方，前提“I”意识到了语言的原始神圣性，成为一个苏格拉底式我、歌德式我和耶稣式我，从而真正以语言接触到他者。“不是上帝不在场，而是我们不在场”，“不是上帝不说话，而是我们耳朵打上了蜡”。
评分英文的……也不是……那么难……
评分英文的……也不是……那么难……
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