"These notes are about the process of design: the process of inventing things which display new physical order, organization, form, in response to function." This book, opening with these words, presents an entirely new theory of the process of design. In the first part of the book, Mr. Alexander discusses the process by which a form is adapted to the context of human needs and demands that has called it into being. He shows that such an adaptive process will be successful only if it proceeds piecemeal instead of all at once. It is for this reason that forms from traditional unselfconscious cultures, molded not by designers but by the slow pattern of changes within tradition, are so beautifully organized and adapted. When the designer, in our own self-conscious culture, is called on to create a form that is adapted to its context he is unsuccessful, because the preconceived categories out of which he builds his picture of the problem do not correspond to the inherent components of the problem, and therefore lead only to the arbitrariness, willfulness, and lack of understanding which plague the design of modern buildings and modern cities. In the second part, Mr. Alexander presents a method by which the designer may bring his full creative imagination into play, and yet avoid the traps of irrelevant preconception. He shows that, whenever a problem is stated, it is possible to ignore existing concepts and to create new concepts, out of the structure of the problem itself, which do correspond correctly to what he calls the subsystems of the adaptive process. By treating each of these subsystems as a separate subproblem, the designer can translate the new concepts into form. The form, because of the process, will be well-adapted to its context, non-arbitrary, and correct. The mathematics underlying this method, based mainly on set theory, is fully developed in a long appendix. Another appendix demonstrates the application of the method to the design of an Indian village.
因为我是先对书中所讲的设计方法产生兴趣,然后才找到的这本书,所以前半部分几乎是兴奋而饥渴地读完的。又因为对普遍的由直觉和常识来做设计感到不安和排斥,所以特别期待地盯着最后几章的标题,尤其是“提纲的实现”和“问题的解决”。然而第二部分并没有我想象的那么吸引人...
评分本书作者克里斯托弗•亚历山大 Christopher Alexander(1936.10.04-),是一位具有广泛影响力的建筑师和设计理论家,现任伯克利的加利福尼亚大学名誉退休教授。他的以人为本设计的本质理论超越了建筑领域,对许多领域包括城市设计,软件设计,社会学和其他领域都产生了深远影...
评分 评分在这个人人都是产品经理的时代,在这个鼓吹创意,艺术的时代,人们的认知观念中,认为设计过程更应该是艺术,是感性。人们倾向于把设计家定位为艺术家。把产品设计过程,定义为设计者直觉、艺术、美的表达过程。那么反思,该如何进行产品设计? 首先明确定义,什么是产品设计...
评分一句话概括:有可能通过图解的整合,来创造整体化设计。 读后感: 这本薄薄的、百页左右的小书,糅合了许多有益的思想,适合设计者用来反思自己的思维框架。 比如,在第五章中,作者借用了结构语言学的知识谈概念内涵的互相依存,指出设计者借用语言来设计的弊...
I would say, this is a better work from Alexander, than whatever come after
评分I would say, this is a better work from Alexander, than whatever come after
评分老师推荐的,终于读完了,无关设计技法,而是说“好设计是如何产生的”,也不仅仅是建筑这一个角度。英文阅读尚有障碍,总是看到后面忘了前面????大概还得再看几遍
评分您把问题分析的那么清楚您有什么企图?建筑学本来就是一个cult,就是黑帮。
评分您把问题分析的那么清楚您有什么企图?建筑学本来就是一个cult,就是黑帮。
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