A Moveable Feast

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Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknaming himself "Papa" while still in his 20s, he was part of the 1920s expatriate community in Paris known as "the Lost Generation", as described in his memoir A Moveable Feast. He led a turbulent social life, was married four times and allegedly had multiple extra-marital relationships over many years' time. For a serious writer, he achieved a rare cult-like popularity during his lifetime. Hemingway received the Pulitzer Prize in 1953 for The Old Man and the Sea. He received the Nobel Prize in Literature in 1954. Throughout his life he had four wives. During his later life, Hemingway suffered from increasing physical and mental problems. In July 1961, following an ill-advised premature release from a mental hospital where he'd been treated for severe depression, he committed suicide at his home in Ketchum, Idaho with a shotgun.

出版者:Arrow Books Ltd
作者:Ernest Hemingway
出品人:
页数:144
译者:
出版时间:1994-11-3
价格:USD 12.40
装帧:Paperback
isbn号码:9780099909408
丛书系列:Ernest Hemingway (Arrow Classic)
图书标签:
  • 海明威 
  • ErnestHemingway 
  • 巴黎 
  • Hemingway 
  • 回忆录 
  • 文学 
  • 散文 
  • 巴黎,咖啡,酒吧,记忆 
  •  
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"You belong to me and all Paris belongs to me and I belong to this notebook and this pencil."

Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's A Moveable Feast captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Toronto Star, Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist forms; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Ulysses; Gertude Stein held court at 27 rue de Fleurus, and deemed young Ernest a member of rue génération perdue; and T. S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel, The Sun Also Rises, and the subsequent masterpieces that followed.

Among these small, reflective sketches are unforgettable encounters with the members of Hemingway's slightly rag-tag circle of artists and writers, some also fated to achieve fame and glory, others to fall into obscurity. Here, too, is an evocation of the Paris that Hemingway knew as a young man -- a map drawn in his distinct prose of the streets and cafés and bookshops that comprised the city in which he, as a young writer, sometimes struggling against the cold and hunger of near poverty, honed the skills of his craft.

A Moveable Feast is at once an elegy to the remarkable group of expatriates that gathered in Paris during the twenties and a testament to the risks and rewards of the writerly life.

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当差不多十岁的杜拉斯和小哥哥在雨后水洼游戏的时候,一个美国小说家来到法国女人的祖国。“有时候在某地写作会比在另一个地方写作更好,不管人或者生物都需要移植”,小说家后来如是写道。 E.D White曾描述:“所谓的大都会就是充斥着大楼,黑人,还有可以彻夜狂欢的地方。...

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一 状况不济时,人对于昔日,隐约会牵扯精神的丝缕。海明威写此书时,多少有此心结。虽然三年前已将诺奖纳入囊中。可他清楚,最好的状态已经不再了。那时似乎各方面都很糟:精神,写作,情感,身体,都有,又不全是;可哪一方面先陷入的呢,谁知道。之前去非洲打猎,飞机失事,...  

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当差不多十岁的杜拉斯和小哥哥在雨后水洼游戏的时候,一个美国小说家来到法国女人的祖国。“有时候在某地写作会比在另一个地方写作更好,不管人或者生物都需要移植”,小说家后来如是写道。 E.D White曾描述:“所谓的大都会就是充斥着大楼,黑人,还有可以彻夜狂欢的地方。...

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厌烦了翻译 最近好爱读原版 (也只能读英文)不过很喜欢书名的中文翻译《流动的盛宴》看完午夜巴黎找来看的 对巴黎并没有很向往 宽泛定义的艺术家最重要的是圈子吧 海明威笔下的巴黎艺术圈不如说是“在巴黎的美国艺术圈“

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对一个城市的回忆和爱大抵就是这些生活琐事和人际交往构成的了。

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A False Spring、An Agent of Evil和Scott Fitzgerald 三篇比较有意思。大师也曾是贫穷又快乐的年轻人,在下着大雪的深山里期盼着巴黎的春天。只是他俯仰皆是的寻常生活全是后人羡慕不已的黄金时代。

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其实印象很模糊了

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There is never any ending to Paris⋯⋯but this is how Paris was in the early days when we were very poor and very happy.

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